The Fortune Cookie

Little-known, but has fine performances by Jack Lemmon and Walter Matthau. Lemmon is a not-too-bright sports cameraman who gets knocked over by a football player (Ron Rich) and is persuaded by his crooked, ambulance-chasing brother-in-law lawyer (Matthau) to fake an injury for the insurance money. Lemmon tries to go along with the scam, but is consumed by guilt because the guilt Rich feels for the "injury" is quickly wrecking his life. Added to this is the return of Lemmon's ex-wife (Judi West), with whom he is still obviously in love. He is completely oblivious to the fact she is a gold-digger--in his case, love truly is blind. Everything resolves itself as it should, but not as you might think. It's a funny, dramatic, and touching film.

"The Fortune Cookie" is a light, lovable con/slapstick film about Harry Hinkle (Jack Lemmon), a sports cameraman who is accidentally knocked down by NFL star Boom Boom Jackson (Ron Rich) at a football game. Hinkle suffers a minor concussion but his lawyer brother-in-law, Willie Gingrich (Walter Matthau) is immediately on the seen. Willie thinks that they can sue for millions of dollars if Harry plays that he's got a "compressed vertebrae", and Harry reluctantly agrees. Meanwhile Boom Boom is feeling desperately guilty and is taking care of Harry to make himself feel better.

This movie is labeled as a comedy but most of the humor is dry and subtle. I'd go as far as to call it out-dated, it was probably considered a lot funnier when it first came out.

Though I guess the only character that is supposed to be actually funny is Matthau's, and he is. Hilarious, in fact. He never misses a beat, every movement and line is delivered in perfect accordance to his character. And considering the guy had a heart attack while working on the film, his drive and proffesionalism is admirable.

Aside from Matthau the movie is a little bland, but not bad. The other performances, from Lemmon, Rich and Judi West as Hinkle's gold-digging ex-wife, are all well-played, Rich gives the most notable performance as the guilt-ridden Boom Boom.

The style, direction and other componets of the film are well too...but in the end Matthau's performance is the only real benefit of this film, but it's a big benefit, and gets a 7.5/10 from me.

One of these days I am going to watch a bad Billy Wilder movie...so far I have not even come close. Each year we observe the passing of great talents (this year, 2003 has seen an extrordinary number of death), I begin to realize we will never again see the likes of Lemmon and Matthau who passed away in 2000 and 1999 respectively. These two are great actors in comedic or serious roles. Matthau's sleazy lawyer is played just right, not too over the top and Lemmon plays the victim in this movie who is basically going along for the ride. As the movie progresses Lemmon gets further disenchanted with the pending cash settlement for his fake injuries and in his own inimitable way blows the whistle on his brother-in-law, Whiplash Willie (Matthau.) I found Wilder's use of Cliff Ormond and Noam Pitlik as the bumbling private eye surveillance team to be reminiscent of Jackie Gleason and Art Carney on the Honeymooners, or even a latter day type of slapstick in the style of Abbot and Costello. Also, the supporting role of Boom Boom the Cleveland Browns running back who accidentally injures Lemmon on the sideline at a game was played with depth. All in all another wonderful treat this movie is to watch.

Finally caught it on TCM yesterday, and was able to watch it "fresh," compared to "The Odd Couple" or "The Front Page," which one might already know all about.

A fine study in contrasts at work here; Matthau, as the shyster lawyer has something resembling a family life, while Lemmon, ostensibly the nice guy, is shown to be very lonely, still stuck in the apartment his wife left him in (and aren't those exteriors filmed in Cleveland? I don't think those buildings on his street were seen in any other Hollywood backlot, and they looked a touch more shabby than ordinary). So we have "Boom Boom" as the real moral center of the movie. He's racked with guilt over having injured Hinkle (Lemmon), so much so that he sees to Hinkle's recovery, even carrying him around like a wounded puppy, letting his game suffer, and he's the one who's most hurt by the scam.

The movie also shows a hopeful light on race relations in the mid-60's: Ron Rich gets to play a character with some feelings and some ambition beyond the NFL, and it's he and Lemmon's characters who become buddies at the end.

A greedy lawyer convinces his cameraman brother-in-law to sue after the latter is inadvertently hit by a football player while filming an NFL game. In the first of several films to pair Lemmon and Mathau, the actors play roles typical of their collaborations, with the former a decent, neurotic fellow and the latter a shyster. After "The Apartment," Wilder never quite achieved the success he experienced earlier in his great career as he was churning out one classic after another. This is a product of his declining years - not bad but not very funny either and far too long for a comedy. Whatever happened to West, the attractive actress who plays Lemmon's ex-wife?