An alien spaceship crashes near a rural hospital. When the alien is taken to the hospital, a mysterious force field suddenly appears around it.An alien spaceship crashes near a rural hospital. When the alien is taken to the hospital, a mysterious force field suddenly appears around it.An alien spaceship crashes near a rural hospital. When the alien is taken to the hospital, a mysterious force field suddenly appears around it.
- Director
- Writers
- Stars
Yôko Tani
- Leader of the Lystrians
- (as Yoko Tani)
Ric Young
- The Lystrian
- (as Eric Young)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Eerie, British 60's sci fi
I have seen Invasion a couple of times and found it rather eerie. I taped it when it came on Channel 4 during the early hours.
A spaceship crashes near a rural, English hospital and its occupant, who looks human, is taken there to be treated after being run over by a car. Just after, a force field appears around the hospital, obviously something to do with the aliens. The army are called in to help to investigate. Strange things then start happening in the surrounding countryside as two mysterious Chinese looking women kill a man and head for the hospital. These are more aliens. They are searching for their colleague. They find him and they head back to their home planet in a flying saucer.
This is a well shot, British sci fi and must one of the last to be shot in black and white.
The only actors I am familiar with in this movie are sci fi regular Edward Judd (Island Of Terror, First Men In the Moon) and Barrie Ingham (Dr Who And the Daleks).
This movie is worth a look if you get the chance, but it does not seem to be available on VHS or DVD anywhere.
Rating: 3 stars out of 5.
A spaceship crashes near a rural, English hospital and its occupant, who looks human, is taken there to be treated after being run over by a car. Just after, a force field appears around the hospital, obviously something to do with the aliens. The army are called in to help to investigate. Strange things then start happening in the surrounding countryside as two mysterious Chinese looking women kill a man and head for the hospital. These are more aliens. They are searching for their colleague. They find him and they head back to their home planet in a flying saucer.
This is a well shot, British sci fi and must one of the last to be shot in black and white.
The only actors I am familiar with in this movie are sci fi regular Edward Judd (Island Of Terror, First Men In the Moon) and Barrie Ingham (Dr Who And the Daleks).
This movie is worth a look if you get the chance, but it does not seem to be available on VHS or DVD anywhere.
Rating: 3 stars out of 5.
Very little money but lots of effort
There was obviously very little money available for this movie, but despite this, everyone involved appears to have give it their best shot.In all departments, lighting, camera, acting etc its all very well done.
Understated British Sci-Fi
This is one of a cycle of low-key British Sci-Fi movies of the early to mid 1960s (see also UNEARTHLY STRANGER, NIGHT CALLER FROM OUTER SPACE and NIGHT OF THE EAGLE for other examples) which are technically unspectacular, but which establish and maintain an effectively eerie atmosphere. Its setting is a remote hospital under siege by humanoid aliens whose motives are initially unknown. The morning after I first saw it (on TV in the middle of the night), I thought I had dreamt it. An unheralded gem.
Very atmospheric British sci-fi that creates mood without special effects
One night in Britain, electronic devices stop working briefly and a strange fog. A man returning from a party hits a strangely dressed man on the road. When he is taken to hospital they find he may not be totally human. With two more aliens on the loose the hospital finds itself under siege inside a force field. The captured alien tells stories of prisoners and a cruel society - however which of the aliens are really the threat?
This is a very simple sci-fi film. To set it in context I watched it with Species 2. Now Species 2 had a huge budget and plenty of special effects, whereas this didn't have any - it's aliens are basically Asian actors and actresses rather than big rubbery effects. The story is very effective and it manages it by never fully playing all it's cards. We're told several stories from the different aliens and it's not right until the end that the truth is revealed. It's not fantastic, but it's a quite good story that gets more dramatic when the hospital is encased in a force field.
The main reason the film succeeds is it's production and direction. The direction draws menace from shadows and innocent everyday items and adds a great tone to the film that special effects wouldn't have done. The production adds to this - the use of music is excellent - for example near the start a military unit is watching a radar screen with dramatic music, when the radar cuts off so does the music - the silence being eerily effective.
The weaknesses are mainly around the aliens - they're not great actors and it shows when they have to do any length of talking. Other than that it's perhaps a little too slow and simplistic for modern audiences.
Overall it's a very atmospheric thriller that makes up in mood what it lacks in special effects.
This is a very simple sci-fi film. To set it in context I watched it with Species 2. Now Species 2 had a huge budget and plenty of special effects, whereas this didn't have any - it's aliens are basically Asian actors and actresses rather than big rubbery effects. The story is very effective and it manages it by never fully playing all it's cards. We're told several stories from the different aliens and it's not right until the end that the truth is revealed. It's not fantastic, but it's a quite good story that gets more dramatic when the hospital is encased in a force field.
The main reason the film succeeds is it's production and direction. The direction draws menace from shadows and innocent everyday items and adds a great tone to the film that special effects wouldn't have done. The production adds to this - the use of music is excellent - for example near the start a military unit is watching a radar screen with dramatic music, when the radar cuts off so does the music - the silence being eerily effective.
The weaknesses are mainly around the aliens - they're not great actors and it shows when they have to do any length of talking. Other than that it's perhaps a little too slow and simplistic for modern audiences.
Overall it's a very atmospheric thriller that makes up in mood what it lacks in special effects.
Small but perfectly formed
This British film is a good example of how intelligence and care can be very adequate substitutes for big budgets and endless CGI. It was made in the sixties but I can watch it again and again while bloated modern sci-fi films are seen and soon forgotten.
It is a low key film and the people in, in the face of something alien, get on with their jobs as best they can. This makes them more like real people than a lot of films do. Each one is fallible and anxious, trying to cope with the unknown. Edward Judd is his usual morose self but is a plausible doctor. Valerie Gearon as another doctor is great. The scene where she is discovered sprawling on the carpet, reading a text book and listening to music makes you warm to her instantly. She was an under used actor in British films.
The plot is simple; a strange man in a rubbery suit is knocked down in the road, taken to hospital and discovered to be an alien. Meanwhile two other aliens are searching for him. And that's it. The atmosphere of suspense is quietly conveyed by the lighting and the black and white photography.
At one point a force field is established around the hospital. There is no CGI to show this but car stops dead and kills the driver, the temperature goes up, the hospital workers react. One believes in that force field without a penny being spent on a special effect. That is good film making. There are many such interesting British films of the fifties and sixties that need re-appraisal and will be worth looking at again when we have tired of over blown under nourishing block busters
It is a low key film and the people in, in the face of something alien, get on with their jobs as best they can. This makes them more like real people than a lot of films do. Each one is fallible and anxious, trying to cope with the unknown. Edward Judd is his usual morose self but is a plausible doctor. Valerie Gearon as another doctor is great. The scene where she is discovered sprawling on the carpet, reading a text book and listening to music makes you warm to her instantly. She was an under used actor in British films.
The plot is simple; a strange man in a rubbery suit is knocked down in the road, taken to hospital and discovered to be an alien. Meanwhile two other aliens are searching for him. And that's it. The atmosphere of suspense is quietly conveyed by the lighting and the black and white photography.
At one point a force field is established around the hospital. There is no CGI to show this but car stops dead and kills the driver, the temperature goes up, the hospital workers react. One believes in that force field without a penny being spent on a special effect. That is good film making. There are many such interesting British films of the fifties and sixties that need re-appraisal and will be worth looking at again when we have tired of over blown under nourishing block busters
Did you know
- TriviaWriter Robert Holmes later reused elements of this story in the first Jon Pertwee Doctor Who (1963) story, Spearhead from Space: Episode 1 (1970). Like this film, it was initially set in a remote English cottage hospital complete with a mysterious and unconscious alien stranger, puzzled doctors, an army patrol, and lurking alien forces in the nearby woods.
- GoofsWhen Mr. Carter is thrown through the windshield of his car, nobody bothers to check if he might still be alive.
- Alternate versionsThe print broadcast by Talking Pictures TV in 2018 sees the cover of "The G-String Murders" (the 1941 novel ostensibly written by Gypsy Rose Lee) blurred out when Lloyd shows it to Major Muncaster in the radar truck.
- ConnectionsFeatured in Aweful Movies with Deadly Earnest: Invasion (1971)
- How long is Invasion?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Eisvoli apo to diastima
- Filming locations
- Merton Park Studios, Merton, London, England, UK(studio: made at Merton Park Studios London England)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 22m(82 min)
- Color
- Aspect ratio
- 1.66 : 1
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