Invasion

The 60s was probably Britain's finest hour for well-made, believable science fiction and "Invasion" is no exception.

This tense, moody little masterpiece is a joy to watch. No wobbly sets, laughable aliens or flying saucers on strings. Just lots of moody set pieces enhanced by little incidental music and some stark lighting effects.

Co-scripted by Robert Holmes of "Doctor Who" fame, this film bears more than a little resemblance to Jon Pertwee's debut DW story "Spearhead from Space" - also scripted by Holmes. However, what do not have here is any of DW's trademark bad points: wobbly sets, bad acting and cardboard monsters!

Catch this if you can. A real must see for early, British sci-fi fans.

This British film is a good example of how intelligence and care can be very adequate substitutes for big budgets and endless CGI. It was made in the sixties but I can watch it again and again while bloated modern sci-fi films are seen and soon forgotten.

It is a low key film and the people in, in the face of something alien, get on with their jobs as best they can. This makes them more like real people than a lot of films do. Each one is fallible and anxious, trying to cope with the unknown. Edward Judd is his usual morose self but is a plausible doctor. Valerie Gearon as another doctor is great. The scene where she is discovered sprawling on the carpet, reading a text book and listening to music makes you warm to her instantly. She was an under used actor in British films.

The plot is simple; a strange man in a rubbery suit is knocked down in the road, taken to hospital and discovered to be an alien. Meanwhile two other aliens are searching for him. And that's it. The atmosphere of suspense is quietly conveyed by the lighting and the black and white photography.

At one point a force field is established around the hospital. There is no CGI to show this but car stops dead and kills the driver, the temperature goes up, the hospital workers react. One believes in that force field without a penny being spent on a special effect. That is good film making. There are many such interesting British films of the fifties and sixties that need re-appraisal and will be worth looking at again when we have tired of over blown under nourishing block busters

This is one of a cycle of low-key British Sci-Fi movies of the early to mid 1960s (see also UNEARTHLY STRANGER, NIGHT CALLER FROM OUTER SPACE and NIGHT OF THE EAGLE for other examples) which are technically unspectacular, but which establish and maintain an effectively eerie atmosphere. Its setting is a remote hospital under siege by humanoid aliens whose motives are initially unknown. The morning after I first saw it (on TV in the middle of the night), I thought I had dreamt it. An unheralded gem.

Made with a shoestring budget ,without stars (at least unknown to me),with very few special effects (Ed Wood style),the story takes place in a hospital where an E.T. (who looks like an Asian person)is cured.We learn he was actually a prisoner and that pretty soon,"the others" are going to take him away.An invisible wall -which is very economical in the end!-surrounds the clinic and the temperature rises and makes the staff sweat.

Shot in black and white ,it is a curious little film ,more MTV style than a flick for movie theaters.An Asian nurse has been added for good measure.

This is a great movie. I love sci fi B movies, especially British ones, and this something of a classic. The story is not the most original, but it does have a few twists and turns that I wont give away here. It's very atmospheric, and the black and white photography is off a very high quality. The one complaint I would have is that there isn't really any kind of invasion in this movie. The title is a little mis-leading to say the least! But don't let that worry you. This is an entertaining movie with worthy acting and directing that gives you a glimpse into the post-war mentality of middle England. And aliens. Don't forget the Chinese aliens.