Johnny Reno

Although he was a notorious gunman in his early days, a man by the name of "Johnny Reno" (Dana Andrews) has since obtained a new lease on life and become a U. S. marshal intent on upholding law and order. To that effect, this film begins with him riding in the country when, quite unexpectedly, he is fired upon by two men who believe he is chasing after them. Much to their regret, neither of them turn out to be nearly as good with a gun as their intended target and as a result one of them named "Ab Conners" (Dale Van Sickel) is killed while his brother "Joe Conners" (Tom Drake) is subsequently wounded and forced to surrender. It's only then that Joe learns that Marshal Reno was going to Stone Junction on an entirely different matter and had never heard of him or his brother until that moment. That being said, having found out that Joe is wanted for murder, Marshal Reno has no choice but to take him into the nearest town where he can be bandaged before being escorted to Kansas City to stand trial. However, once he gets to Sone Junction, he finds that, rather than having his prisoner tried in a legal setting, the mayor of Stone Junction "Jess Yates" (Lyle Bettger) insists that he be lynched instead--and he is quite willing to do whatever is necessary to see that happen. Now, rather than reveal any more, I will just say that, even though it wasn't necessarily a spectacular Western by any means, it had several well-known actors like Jane Russell (as "Nona Williams"), Lon Chaney Jr. ("Sheriff Hodges") and the aforementioned Dana Andrews all performing in their usual solid manner and I have rated it accordingly. Average.

Dated, corny and laughable western,at times, that has US marshall Dana Andrews riding from Kansas to a small town where lives his old flame : Jane Russell. Along the way and heading to the town, he his shot by two brothers, and forced to defend himself, killing one of them. Dana Andrews after hearing him learns that they shot thinking he was after them . As he captures the survivor brother and attempting to save him. As the Marshal tries to protect an accused killer from lynching by some feared townsfolks who are set on his death . Later on, Marshall Dana Andrews and sheriff Lon Chaney Jr, on the trail of justice, hold the prisoner lockup , being besieged by the nasty citizens as the saloon owner : Tom Drake, Land baron : Jon Agar and Mayor Lyle Bettger.

Average Western with thrills, shootouts, and violent brawls at saloon between Dana Andrews and Lyle Bettger. Paramount made Western in low budget with a good but faded cast. Seventh of thirteen westerns producer Lyles movies made in the mid-Sixties, all of them realized in short budget and with similar tarnished stars of the 40s and 50s. Stars Dana Andrews as a sheriff who captures a fugitive insisting he is innocent, as he will have to protect him due to the whole town wants him hanged. He is accompanied by the always sex-pot Jane Russell as a mature Saloon woman, one-time girlfriend of the starring. Of interest for star-watching only, as here shows up known secondaries as the following ones : Lon Chaney , Lyle Bettger, John Agar, Tom Drake, Richard Arlen, Robert Lowery, among others

It contains a lousy cinematography in Techniscope by Harold Stine and atmospheric musical score by Jimmie Haskell. The motion picture was middlingly directed by R. G. Springsteen. This filmmaker made several Westerns since 1945 for Republic Pictures, as he was director of Red Ryder series. After that, he realized B Westerns as Cole Younger, Gunfighter, King of the wild stallions, Showdowm, He rides calm, Bullet for a badman, Taggart. Subsequently, he made for producer A. C. Lyles and delivered by Paramount Pictures , as follows : Black spurs, Apache uprising, Waco, Red Tomahawk, Hostile guns and Johnny Reno. Rating 4.5/10. So-so and very average oater.

Johnny Reno is directed by R.G. Springsteen and written by Steve Fisher and Andrew Craddock. It stars Dana Andrews, Jane Russell, Lyle Bettger, Lon Chaney Jr., John Agar and Tom Drake. A Technicolor/Techniscope production, with music by Jimmie Haskell (title tune song by Jerry Wallace) and cinematography by Harold Stine.

Andrews is Johnny Reno, a tough no nonsense U.S. Marshal who after arresting suspected Indian killer Joe Conners (Drake), takes him to the jail in Stone Junction in Kansas. But once there Johnny finds a hostile and corrupt town that want Conners lynched before trial. Why? Does this town have a secret? Is Conners really as innocent as he proclaims? Reno must stand alone against the town to find the truth.

Safe Western film making 101, Johnny Reno has just enough about it to keep it from stinker status. There's a fine cast involved, but they are either winding down their long careers or merely going through the motions. The direction is standard fare, with the action sequences constructed only adequately, and the musical score is at times more befitting a comedy serial episode.

Yet the premise, as simple as it is, plays out well for dramatic purpose. Reno is a two fisted hard bastard type of guy, and it's fun to watch him tackle the whole of Stone Junction, including, naturally, affairs of the heart by way of Russell's Nona Williams. The narrative has some observations on corruption, racism and vigilantism that are to be applauded, while the Techniscope photography around Vasquez Rocks Natural Area Park is most easy on the eye.

It is what it is, a Western in the late 60s trying to keep with the formula traditions of the "B" grade Oaters from the previous decade. It succeeds on that front for sure, where even though it has plenty of faults, it's a decent enough time waster for fans of the stars or those who like the said undemanding Westerns of the 50s. 6/10

Aside from a sappy intro and closing tune, this is a pretty good western, though the main theme is a bit familiar. After all, there must have been a thousand westerns that had a big, bad boss-man who basically ran a town and got his own way...only to meet up with honest man who could not be intimidated or bought. Fortunately, however, there were enough new elements to the familiar story to make it worth seeing.

The film begins with Dana Andrews happening upon a couple men running from the law in a nearby town. They assume Andrews is after them and begin firing. Andrews kills one and captures the other. Oddly, they thought he was after him but he just happened to be in the wrong place at the right time. So, he takes the lone survivor to a nearby town for trial, but it soon becomes apparent that the town has no interest in a trial--they will hang the guy! Well, Andrews isn't about to let that happen and he gets the VERY reluctant Sheriff (Lon Chaney, Jr.) to help. There's way too much unsaid that he needs to investigate, but no one in the town seems to be talking--they all just want a good hanging and it's the local rich boss that seems to be behind everything.

Good acting and direction along with a few decent plot twists make this one worth your time. Not a great film but a very good one. And, like a typical A.C. Lyles production of the 1960s, it employs actors whose careers had seen better days--and makes good use of them.

1965's "Johnny Reno" was number 7 of the 13 Paramount Westerns from house producer A.C. Lyles, returning many veteran performers from previous entries: Dana Andrews (second), Lon Chaney (7 for 7), John Agar (fourth), Lyle Bettger (second), Richard Arlen (sixth), Robert Lowery (second), Reg Parton (fifth), Rodd Redwing (second), plus first timers Jane Russell and Tom Drake. The Conners brothers are accused of killing an educated young Indian in the Kansas town of Stone Junction, where federal marshal Johnny Reno (Dana Andrews) hopes to rekindle old flame Nona Williams (the still scrumptious Jane Russell). Thinking the marshal is pursuing them, the brothers open fire on Reno, who kills Ab Conners (Dale Van Sickel) in self defense, taking the wounded Joe Conners (Tom Drake) into custody. Stone Junction's mayor, Jess Yates (Lyle Bettger), seems all too anxious for Reno to return to St. Louis and leave his prisoner with Sheriff Hodges (Lon Chaney), which only whets the marshal's curiosity about the facts behind the murder charge. The longer he sticks around, the greater his suspicions become, and with the formerly cowed sheriff regaining his pride by backing Reno, prejudice and bigotry are soon vanquished. Lyle Bettger makes for an effectively slimy villain, John Agar and Robert Lowery in compliance, while Tom Drake is believable in his desperation. Jane Russell ably provides the surprisingly strong love interest, her backstory similar to that of Johnny Reno, living down past mistakes made out of love or loyalty. His career slowly winding down, Lon Chaney once again enjoys a chance to shine as Sheriff Hodges, refusing to allow vigilantism in standing up for law and order, getting shot in his final act of selflessness. The lone actor to thus far appear in all seven Lyles Westerns, Chaney only did one more, 1967's "Buckskin" (the last of the 13 to be released).