Las Vegas Hillbillys

Las Vegas Hillbillys is a low-budget B-minus movie in all respects. Of importance to film buffs is the fact that Jayne Mansfield and Mamie Van Doren, two rival big blonde bombshells, both star in this movie. Reportedly, the gals disliked each other so much that scenes in which they were both to appear together were shot with doubles so that they would not have to meet on the set.

The plot, if one could call it that, centers around a country-western singer (Ferlin Husky) from Tennessee who inherits a run-down Las Vegas nightclub. Mamie plays Boots Malone, the club manager and Jayne plays Tawny Downs, a Las Vegas entertainer and the dead uncle's "protege", a term used in 1950's movies for a mistress.

My sole intent in watching this battle-of-the-bosoms was to judge for myself, in head-to-head competition, which of the two blonde bombshells was 1.) the better actress, and 2.) the sexier on screen. My task was complicated by the fact that neither of the goddesses were showcased in particularly steamy roles, despite their reputations as among the hottest female stars of their era.

The results of my admittedly unscientific experiment: Jayne sweeps both categories. She wins the better actress category largely by default because Ms Van Doren is so horribly, horribly bad in this film. And in the sex appeal category, Jayne wins by a narrower margin not because of greater attributes, but rather because she simply struts her stuff more effectively. Even us gals who are not blessed with movie star quality looks can learn a lot from Jayne.

A word of warning - I bought this cheapo video as part of a two-pack set of Mamie Van Doren films distributed by Entertainment Programs International (EPI) in Marina Del Ray, California. The video quality was so poor as to almost make the movie unwatchable. They even misspell the film title on the box, which gives you an idea of their dedication to producing a quality product. You get what you pay for.

Claudia's Bottom Line: Painful to watch, but worth it if you care to catch a glimpse of two of Hollywood's biggest sex symbols of the 1950's and 1960's.

Mamie Van Doren is so attractive, this silly film is worth the watch with the added bonus of Jayne Mansfield. Nothing to write home about, this goofy romp with songs is a strange combo of Beverly Hillbillies humor and rockabilly-type music. Ferlin Husky as the slow-witted lead and a whole slew of strange character actors.

A 4 out of 10. Best performance = Mamie Van Doren. The color is this is very strange and there many skin-crawling performances, but Mamie as Boots Malone is terrific. It's hard to describe this, but it's a fun time if you like Gilligan's Island. Jayne Mansfield had sure come down a lot in her career, but people have to work.

"Las Vegas Hillbillys" (1966) is quite the movie. It features about twenty minutes of plot and sixty minutes of country singin'. I guess in the days before "Hee Haw," rednecks had to have some way to get their country music fix.

The movie is actually somewhat entertaining if you overlook the atrocious acting (with a hilarious scene featuring Jayne Mansfield talking on the phone), inane story, and thoroughly unimaginative camera-work. If you really enjoy classic country music, you may enjoy this film. If you generally enjoy cult films, you'll probably find this film fun and even somewhat endearing. But if you're not a fan of either of those two genres, steer clear, pardner!

This B-Movie has an all-star cast, and it's about a backwoods hillbilly named Woody Weatherbee, (you never really know his last name!) he and his family inherit a casino in Las Vegas from his dead uncle. And they use it to their advantage to try to make it big in Vegas. This B-Movie is utterly annoying without a doubt, lame!

The scene where Woody sings, "Feel Better All Over" when he sings it, he looks like he's getting shot and having a dirreaha attack at the same time! This movie is just a kelidascope of senselessness and stupidity. Yet, this movie tends to be comical in an infamous way. It makes you feel sorry for Jayne Mansfield and the other all-star cast members for even participating in this ridiculous monstrosity of a B-Movie.

Another thing that makes the movie so stupid is it's stereotypes about Southern people being backwoods hillbillies. The dialogue was cheesy and lame as the songs in this movie that it just might give you an anyerism while watching! One of the stupidest scenes was when we see Woody running out of his gimpy-looking car that looked like a pile of garbage shouting, "Aunt Clam! Aunt Clam!" Be warned! MST3K would've had a field day mocking this movie! Believe me, it's that bad!

In THE LAS VEGAS HILLBILLIES the great Connie Smith sings close to the camera and she looks very beautiful, but her physical beauty is surpassed by her voice and singing abilities which are the best ever recorded by any female singer. She is not very famous today because she quit show biz in 1980 to raise her kids.

The other singers in THE LAS VEGAS HILLBILLIES are very good especially Del Revees when he sings "Women Do Funny Things to Me." This is an honest movie because it delivers what its name implies: good sixties real country music inside of a silly movie.

The music in THE LAS VEGAS HILLBILLIES is wonderful because the music from the sixties came from the people through DJs who could play the music that they liked. In contrast to today where the situation is inverted. Almost all the radio stations are owned by a few giant corporations, and every song aired must be approved by corporate managers. Today singers are selected by the corporations for airplay for their looks and youth and not their ability to sing. At least female country singers back then sang without showing off their belly buttons.

Some of the singers in THE LAS VEGAS HILLBILLIES such as Connie Smith who still retain fully their singing abilities are now trying to get their songs aired and are foiled by the corporate monopoly ownership of radio. Back in the sixties country singers, songs, and fans were for real. They did not put on airs, pretend to be somebody else, or take themselves too seriously. They were even humorous. In stark contrast to most of today's singers who are just corporate products that produce horrible music.