To Trap a Spy

It was 1965, the height of the Bond craze, and my friend Chuck and I couldn't get enough 'Man From Uncle'. So Chuck's parents dropped us off at a local theater to see a DOUBLE BILL of 'Uncle' movies! Wow!! (To Trap a Spy and The Spy With My Face.) But before the movies began there was a Japanese cartoon shown. We thought it was just a regular old 5-minute cartoon, but soon realized it was feature-length 90-MINUTE CARTOON. With every passing minute my heart sank as I realized I would be home that Sunday much later than I'd promised- long after dinner. No matter, I was sent to my room without it. Ah, memories. Loved seeing 'Man From Uncle' in color on the big screen, though. Especially the high-speed transitions between scenes. Cool!!!

This film begins with a man named "Lancer" (Miguel Landa) running through the night to an isolated house in the woods near Arlington, Virginia to escape from other armed men who are chasing him. Once inside he is greeted by a beautiful woman named "Angela" (Luciana Paluzzi) who notices that he has been shot and urgently advises him to seek hospital care by escaping through a window to a nearby car. However, once he gets to the window ledge she turns on a spotlight which reveals his figure to the men and he is shot and killed immediately. Not long after that some men break into a secret entrance to a clandestine agency known as the United Nations Command for Law Enforcement (U.N.C.L.E.) which has been established by several governments to maintain legal order in the world. Having penetrated the first layers of security the men are caught but soon die due to a slow-acting poison they took prior to entering the complex. However, after an examination the conclusion is reached that these men are somehow connected to the murder of Lancer who was one of their agents and that everything points to an assassination plot against the leader of a small South African nation who is due to arrive in the United States shortly. As a result, "Agent Napoleon Solo" (Robert Vaughn) is sent to Arlington to investigate. What he doesn't know is that a secret society known as WASP is behind everything and that they are well aware of his identity and are waiting for him to make his move. Now rather than reveal any more I will just say that this film was initially made as the pilot for a television series known as "The Man from UNCLE" which played in both the United Kingdom and United States during the mid-60's. Although the television series obviously couldn't consistently compete with the James Bond movies appearing during this time, this theatrical version was quite enjoyable on its own with Robert Vaughn performing quite well in the lead role. Likewise, having two beautiful actresses like Patricia Crowley (as the housewife turned Napoleon Solo's accomplice "Elaine May Bender") along with the aforementioned Luciana Paluzzi certainly didn't hurt in any way either. That said, while it may not have the same recognition as any of the James Bond movies, I enjoyed this film and have rated it accordingly. Above average.

I came to this movified "The Man from U.N.C.L.E." feature after faithfully watching four other much later similar concoctions, so that I was feeling a bit "uncled-out" by the time I decided to watch "To Trap A Spy". I'm pleased to say that I was pleasantly surprised to learn that this was the expanded pilot episode (before the "Man" became effectively the "Men" as David McCallum quickly gained co-star status and better balanced out the entertainment).

There are a few curios on-view here for the discerning fan - no Mr Waverley, for one, the word "T.H.R.U.S.H" replaced by "W.A.S.P." with fairly ugly overdubbing, for some legal reason or other and as stated , Illya in only a very minor bit-part at the beginning of this episode. More pertinently are the stylistic differences; the fare here is certainly grittier and less comic-book than the more sanitised mid-late 60's seasons, exemplified for one thing by actual blood-stains on bodies when shot and mildly shockingly when Robert Vaughn gets dressed on camera after obviously bedding the treacherously beautiful Angela played by Luciana Paluzzi.

Now I've seen the difference, I think I prefer this less gimmicky approach but encouraged by James Bond's gadgetry, obviously the producers of "U.N.C.L.E." felt they had to follow suit as the swinging 60's progressed. There's a reasonably suspenseful death-trap which Solo resourcefully escapes and I liked the idea of the Cinderella housewife whom Solo coerces into U.N.C.L.E.'s employ due to a past relationship with "T.H.R.U.S.H. / W.A.S.P."'s Mr Big. Some of the settings and plottings reminded me, probably deliberately of "Dr No" and I was also amused by the coy finishing scene with Solo down-playing his Lothario urges on a mildly suspecting air-stewardess.

Okay, so you'd still take "Goldfinger" or "Thunderball" any day of the week, but it was good to see Robert Vaughn at the birth of his own cool and "U.N.C.L.E." before it started aiming too much at teenagers also getting their kicks from "Batman", "Get Smart" and "The Green Hornet".

As an UNCLE fan I've seen this as a TV episode and the pilot. But as I watch this movie on Amazon Prime (no plug intended) I'm very impressed by the plot and the writing. The extra Lancer footage at the beginning is draggy but later dialogue is snappy and witty. Sam Rolfe is listed as the writer.

Pat Crowley is excellent as the housewife-turned-socialite. Though it stretches credulity to think they would put her in mortal danger, there's a nice scene near the end when she admits she likes the glamour.

The photography is well done. And I just realized that I'm watching it in widescreen format, unlike the 4:3 television aspect ratio. It works quite well - I didn't notice anything being chopped off. I presume they planned for widescreen when filming.

As a kid I got my father to take me to see this in the theater. It was well worth it, since it was in color and had more scenes. It was a double-feature with "The Spy With My Face". I'm sure I was puzzled by the minor differences from TV. It would take many years before I learned the backstory. (Thank you Jon Heitland for your book on the series).

Top UNCLE agent Napoleon Solo (Robert Vaughn) is assigned to prevent THRUSH hit-man Andrew Vulcan (Fritz Weaver) from assassinating Premier Ashumen (William Marshall), the leader of a primitive African nation who is visiting the States on a tour of Vulcan's factory. Solo enlists the help of Vulcan's former girlfriend Elaine May Donaldson (Patricia Crowley) and plants her as a rich widow in order to get close to Vulcan and prove to her that he is the evil doer that Solo says he is.

The Man From UNCLE was such a cult success in the UK that eight feature length films (made up of previously unaired episodes) were released in cinemas with virtually the British box office in mind. TO TRAP A SPY was the first film in the series and it is actually an extended version of the pilot episode, THE VULCAN AFFAIR (First aired: 22/09/1964), with extra footage that was considered too "adult" for television. Other changes were made such as in the TV version, THRUSH were the enemy organisation, but in the film they were renamed WASP. Also in the film, actor Will Kuluva plays UNCLE chief Mr Allison, whereas in the TV episode, Leo G Carroll played Mr Waverley and would do so for the remainder of the series.

To Trap A Spy stands as one of the best feature length outings from the TV series even though David McCallam fans will be disappointed as Illya Kuriyakin only appears in two scenes early on. Robert Vaughn is outstanding as Napoleon Solo portraying him as a super suave playboy and interestingly Luciana Paluzzi turns up as a beautiful THRUSH villain who attempts to seduce Solo to his death would later play much the same role in the Bond spectacular Thunderball. The plot may be thin but it is the nostalgia value that holds this film up after nearly forty years since it was first released.

Followed by: The Spy With My Face*, One Spy Too Many*, One Of Our Spies Is Missing, The Spy In The Green Hat (all 1966), The Karate Killers*, The Helicopter Spies* (both 1967) and How To Steal The World* (1968). The titles marked with an asterisk have now been released on DVD in the UK as a box set.