Winnie the Pooh and the Honey Tree

Wonderful classic tells the story of Winnie the Pooh's honey craving and the lengths he will go to in order to get some. It's a fun story with the memorable image of Pooh stuck in the door to Rabbit's house that everybody is familiar with. The characters, as always, are lovable and memorable. In addition to Pooh and Rabbit, there's Kanga, Eeyore, Owl, Roo, Gopher, and, of course, Christopher Robin. Piglet and Tigger would appear in the next Pooh short from Disney. The animation is excellent and there's some great songs by the Sherman Brothers. Let's not forget Sebastian Cabot's terrific narration. It's a great cartoon and would appear later in "The Many Adventures of Winnie the Pooh," which is where I first saw it.

One of the best shorts ever, it marked my childhood a lot. Highly recommend.

This is a wonderful gem, with great memorable songs by the Sherman Brothers, and excellent animation.

The story is great fun, with Pooh running out of honey and climbing up a tree to get it. Afterwards, he gets stuck in the door of Rabbit's house and has to wait until he's thin enough to budge.

The characters were wonderful, especially Gophyr, I particularly loved the phrase, "that supercilious scoundrel has confiscated my honey". They are well voiced by the likes of Sterling Holloway, John Fiedler and Junius Matthews, with Sebastian Cabot giving a thoughtful insight as the narrator.

This vignette is wonderful, highly recommended! 10/10 Bethany Cox

Like the other three Pooh shorts that made up the feature film of the Many Adventures released in 1977 and on video in the 80s, the Honey Tree short was one of those works I've watched countless times. It does have its 'valuable lesson' for the kids, but it's also just very silly, cute entertainment that ranges from jokes so absurd they work for some adults ("You messed up my moose" is a line I still quote today, the Gopher material is also rather off-key for a children's short), to the suspenseful moments that, for lack of a better description, capture kid's imaginations. And the whole structure of it being a book-as-animated short give it an inventiveness that don't come with other adaptations of books to Disney animation. Here, Rabbit becomes irate and near impatient as Pooh gets stuck in his rabbit-hole after consuming more honey than needed. Pooh then is stuck for a week until he can loose the excess baggage, where a very climactic and momentous pull of Pooh is lead in song and action. All of this is very clever, and even for little kids its got nothing at all complicated about it- even if all the points and little jokes aren't caught the thrust of the storytelling and joyous nature even in the safer moments are near-perfect. And unlike what apparently is meant for current pre-K programming today (Teletubbies aren't on anymore at least), the whole mood is very pure without being pandering. There's no overt vulgarity, and the over-the-top moments don't get old ("Don't feed the bear" is another quotable phrase). Highly recommended.

If memory serves, the original Steiff toy belonging to the late Christopher Robin Milne, "Winnie the Pooh", now resides in Manhattan, either at the New York Public Library or at publisher E.P. Dutton's headquarters. The symbolism is obvious: a British children's classic has made the transatlantic leap.

Disney scriptwriters have been heavily criticized for de-emphasizing the Britishness of Pooh, beginning with this first film in what became a series of theatrical short subjects. Most of the voices - Christopher is an exception - are American. Sterling Holloway became so identified with the title role that it is hard to imagine anyone else, British or American, taking it over.

The best thing about "Winnie the Pooh and the Honey Tree" is that it is adapted directly from Alan Milne's printed work. As I did in 1966, a child today seeing this film for the first time could ask for the book version and receive something unusually congruent with the screenplay.

Christopher Robin Milne, bookshop owner and authors' rights heir, had notoriously mixed feelings about his father's creation. In particular, he had his doubts about the effect Disney's version might have on the original.

Not to worry: the Disney machine has generated far more positive attention for Pooh than a global army of publishers.