The Trap

I remembered this film from my youth - I only saw it once in the cinema, and when A & E carried it on their movie line-up a couple of years ago it brought back all those feelings that I had for this particular film. What a story. I love the characters, especially Oliver Reed - who really fills almost every frame with his menacing presence. It was refreshing to watch a film that was made before encroaching "political correctness", and it dealt with some terrific social and personal issues all with the glorious backdrop of British Columbian wilderness.

I saw this movie on TV when I was probably about 11 years old (35 years ago!)--and I still remember it very well. There was a local station which, for one solid week, aired it every day--and I watched it every single day! Unfortunately, I haven't seen it since and I don't think it's available on VHS but I remember it being visually beautiful and plot-wise, simply spellbinding, full of action, poignancy and suspense. Rita Tushingham and Oliver Reed are amazing in this. It's such a shame that no one aside from real film buffs have ever heard of this movie. It's a little lost gem that seems to have gotten buried somewhere in the Canadian snow--but if you ever get a chance to see it, please do!! It'll be time well spent.

Having been lucky enough to find this movie in a box of thrown away tapes (actually among about 30 thrown out at a dump sight I work at, and they are in excellent condition!!!) I have just watched it (twice) over the weekend. I am like most people who have reported on "The Trap", I loved it and remembered it from probably 35 years ago, and always wanted to see it again. I was so glad to be able to watch it again and will definitely keep the movie.

The thing that no one else has mentioned but I think I saw in the movie was how much Jean cared for his mother as he mentioned her several times, often sang the song that she taught him and even from the start respected Eve as a woman. Here was a lonely Quebecois trapper, with no social skills, who had not been with a woman in years, paid $1000 (I would imagine like $500,000 today) for what he expected a wife would give him. He was much bigger that Eve in height and weight and could have easily over-powered her, even when she held a hatchet or knife ... but he still respected her fears.

I wish this movie could have continued for another half an hour so we could have seen what being together as a couple could have brought them. As far as visual effects, etc. for a film made in 1966 I think it was done exceptionally well. Someone mentioned that the "bad natives" were portrayed by white actors and the good by real native people ... I am sure a sign of the times. I am sure I saw a cameo of Chief Dan George at the start ... I must look into this.

This is the first review of a movie I have ever made ... hope it was okay.

I've seen this movie only twice. Once when it first hit commercial television, and again about 15 years ago, and it is unforgettable. It's great to see I'm not alone in my appreciation. I think it's a classic . . . . a "must see" for anyone who considers themselves a cinefile.

The two leads, Tushingham and Reed, are at the height of their powers and both give brilliant performances. (no hyperbole) The story is well conceived, well developed and executed to perfection. It holds together. The movie is a little gem.

Considering when it was made, the budget it was made under, and the politics of the time, (you couldn't find "real" Native American's in the actors union), it is an extraordinary work.

To criticize this movie for using an Italian "Indian" is like dismissing "Saving Private Ryan" because of a half-dozen glaring continuity errors. It means you've missed the point. Close your mind and open your heart. You will be rewarded for watching it, if in no other way than to witness, deeply and completely, the archetypes of what the masculine and feminine essences are in the universe.

Tushingham (Eve) IS the frightened rabbit that Reed (Jean) says she is. She has been torn from civilization to witness all manner of horrors of life in the wilderness. And what can be said of Reeds LaBete? Even those who laud this actors genius underestimate him.

While we're on the subject, how is it possible that during the Acadamy Awards Ceremony, when Reed's last movie "Gladiator" won BEST PICTURE, that he was overlooked when they did their eulogizing segment on those important figures who had passed away during the previous year? Conspicuous and tragic was his omission from that roster.

Do yourself a favor. See "The Trap". And then . . . . see it again.

8

I fell in love with Oliver Reed when I was a mere a slip of a girl. That's what this movie is -- a teenage fantasy. Performances are great for the era and the script. Surprisingly NOT overdone, though it's a melodrama to beat all melodramas. Pretty neat that most of the action is centered around only two people - scenes with others in them are only at the beginning and end - and the two carry it off quite well - the action holds. Rita Tushingham did a fine job without ever saying a word. That's acting. Tough to write "dialogue" for Reed to get the story out - and his own back story - when the person he's talking to never speaks to move the narrative along. The scriptwriters handled it pretty well during the time they spend alone in the wild. Oliver Reed, hairy and covered in skins, was as masculine a hunk of man needing domestication as any young girl could ask for. Too bad he made lots of bad movie choices (perhaps because that's what he was offered -- being a difficult actor), because he was delightfully bad-boy gorgeous and had incredible chemistry on camera. (Sighhhh)