Berserk

In BERSERK, circus owner, Monica Rivers (Joan Crawford) finds a novel way to drum up business when a series of "accidents" prove to be profitable. The action starts right away when the high-wire act turns deadly. While Monica enjoys her windfall, and Scotland Yard snoops about, more performers come to their abrupt, grisly end.

Though thrillers set in circuses have been made before, none have had Ms. Crawford! She smokes! She glares! She romances the musclebound daredevil! Doesn't this guy own a shirt?

While some of the deaths are memorable, like the spiked noggin sequence, the actual circus acts aren't bad either. Especially, those adorable poodles, and the elephant stepping over the prone women! Yikes! One wrong move and your head is oatmeal!

Co-stars Michael Gough (KONGA, HORROR HOSPITAL) and the heavenly Diana Dors...

This is a strange movie on a lot of different levels. The basic premise is Monica Rivers owns a traveling circus, and in the first few moments of the flick her high wire star is murdered (inexplicably by the tightwire snapping and then hanging him-unbelievable). This gruesome death increases business so Monica is needless to say not to upset her star has gone to the big tent in the sky. There are several other wildly amusing murders and no one in the circus is safe. Is Monica the murderer or is she just an innocent victim, next on the list? The one and only Joan Crawford wildly overacts as the circus owner Monica Rivers. She chews up the scenery as she torments the poor, frightened circus performers. She looks pretty great in her Ringmaster's Costume, even at 63 she had fantastic legs, but it is stomach churning to see her love scenes with the hunky Ty Hardin who was young enough to be her son for God's sake!!!! The idea that any man would pick the aging Monica over the young and beautiful Matilda (sluttily played to perfection by Diana Dors)is just too hard to fathom. Joan was just too old to pull this off, yet somehow we are to believe that she has so much allure she can get any man she wants.

The circus scenes go on WAAAAAAAAAAY too long, endless scenes of leaping poodles and llamas running, etc. They should have spent the time used on these pointless scenes developing the storyline more. There could have been a great movie here, but it never quite comes together. Poor Joan had been reduced in her later years to playing the "Grand Guignol" and she does a fair job of it, but the material is just too weak. The color of the film is vibrant, and there are some creepy moments of Monica being stalked as she walks through the circus late at night, but the ending is just too sudden and too abrupt. It left me wanting to know more of why the killer did what they did. There are some great campy scenes as well, 2 women catfighting, Joan making out with the young lover, etc., but overall I would say this movie is for die hard Joan Crawford fans only.

"We've eaten caviar, and we've eaten sawdust".

Only Joan Crawford could muster the dramatics possible to make the above line actually work, but she does it all with a totally straight face and makes this movie hysterically funny! Her scenes in lingerie with studmuffin Ty Hardin must be seen to be believed. That woman must have had an ego the size of Texas. The movie is worth seeing as a 'bad' movie that you'll enjoy.

Berserk!, despite many things including its overkill title, is not as bad as some people claim, though not a great success either, not as good as Max Ophuel's Lola Montes. The actors get through their lines professionally. Set in a circus, the movie does a tolerably good job of showing performers of the class of "freaks" as responsible participants, notably George Claydon. Its best scene is when the character played by the ueberblonde Diana Dors barges in, bottle in hand, on shirtless Ty Hardin, and he resists her close up. For his own reasons, he's set instead on Joan Crawford. Joan was not a spring chicken by the time the movie was made, if she ever was one: she looks good in her ringmaster's costume, running the circus she owns, but someone should have helped her better with the red cloak she throws over her dowdy nightgown and told her never to let down her red-tinted hair. The real problem is that the movie never lets sparks fly between her and Ty Hardin. It's not a question of age difference, because look at Anna Magnani's triumphs over Burt Lancaster and Marlon Brando. OK, Joan Crawford in this movie has the additional handicap of playing a character hard as nails. But a better script would have made the discrepancy of her motives tragic. The last 10 minutes close things down in a pretty improbable way (the last murder is not done by the same person as the others). It would have helped to have ten more minutes for the Crawford character to be bereft and not berserk. Meanwhile, for those into it, there are lots of circus acts that emphasize their risks.

A high-wire act is going on as the film opens. The wire snaps, and Gaspar The Great is victim #1. Ringmaster Monica Rivers (Joan Crawford) sends out clowns to distract the audience as the body is carried off. Later that night, Rivers is going over box-office receipts, which upsets her manager Dorando (Michael Gough). He accuses her of not having a heart. The rest of the film is a whodunit, spiced with occasional killings, red herrings, and animal acts (the French poodle act was my favorite).

The Billy Smart Circus of Britain did the animal acts and the most difficult stunts. They also participated in an earlier British horror film, "Circus of Horrors" (1960).

Joan Crawford has a marvelous time chewing the scenery and outacting her costars. Diana Dors is fine as Matilda, the woman whose partner "does nothing in bed but snore". Hardin is the hunk who replaces Gaspar on the wire and in Monica's bed. Geeson is the girl who gets herself expelled from a private school and goes to work as the target in the knife throwing act.

The film does slow down after a fast moving first half hour. The finale is too abrupt, unconvincing, and badly staged. Despite these faults, film is still worth a watch.