Carry on Doctor

I've always loved the Carry On... movies. I guess growing up in Britain, these movies were the first real movies you get to see, where they use words like 'bum', 'arse', and 'knickers', and you don't have to feel embarrased in front of your parents, because you knew that whilst there was a lot of innuendo, there's never be anything actually rude.

This one was filmed in and around my home town, and features loads of local landmarks. It is also a showcase for the cream of british comedy actors from the seventies, such as Sid James, Frankie Howard, Kenneth Williams, Charlie Hawtrey, and the very under-valued Jim Dale. The plot is simple. Two doctors in a hospital. One is popular with staff and patients, is good at his job, and is loved from afar by the pretty nurse. The other doctor is resentful, and enlists the help of the old battle-axe Matron to engineer his dismissal. Cue some saucy humour ('Oh, youve got a nice pear!') and some slapstick to match keaton, and you have the movie. You all know how it'll end, but that's OK. Just watch and enjoy.

The Carry On gang are admitted to hospital once again for more medical mirth-making, the marvellous ensemble cast bringing to life an eclectic range of eccentric characters. Jim Dale plays bumbling Dr. Kilmore, who is forced to resign by conniving Matron (Hattie Jacques) and egotistical Dr. Tinkle (Kenneth Williams) who falsely accuse him of the sexual harassment of several nurses (including ditzy Babs Windsor and the lovely Anita Harris). Sid James, Bernard Bresslaw, Frankie Howerd, Charles Hawtree and Peter Butterworth are among the crazy patients who decide to use whatever means necessary to force a confession from the devious pair and have the wronged physician reinstated.

Not quite as ribald as the 70s movies, but not without its saucy moments, the fourteenth in the Carry On series is a delightful mixture of harmless slapstick, mild innuendo and cheap titillation. Even though I tend to prefer the period piece/genre Carry On films to the contemporary efforts, Carry On Doctor remains a firm favourite thanks to memorable performances and a sparkling script packed full of priceless moments, such as the classic 'What a lovely looking pear' gag, Harris accidentally having her skirt pulled down on the hospital roof, and a few textbook 'phwooarrrs' from a variety of randy men as Babs wiggles her way to the wards.

A lighthearted romp from the Carry On crowd, featuring many of the players you have come to know and love in all the other films. As the title suggests, this film takes place in a hospital. As expected, the film is full of slapstick, sexual innuendos and one liners. Not perfect, but a good addition to the other Carry On films. You know what you're getting, and the film succeeds. See it, its fun and easier to swallow than the medicine the patients have to take. I especially liked the comic timing of everyone and the silly things that happen just make the film more enjoyable. Not much to think about, but its the kind of film where you find yourself smiling often.

Francis Bigger is a notorious charlatan who tours the country lecturing on the subject of mind over matter. During one of his performances he falls off the platform and is taken to the local hospital where he causes total chaos. The regular Carry On team is joined by Frankie Howerd in this 'bedpanorama of hospital life'.

The second, and most possibly my favourite Medical carry on. It has the usual gags and slapstick routines. The rooftop scene with Jim Dale had me in stitches. Frankie Howerd is a brilliant addition to the usual star cast - Hattie Jacques, Sid James, Kenneth Williams and Charles Hawtrey - and has some good lines, but Joan Sims is a scene stealer as a dim witted lady with hearing problems. This is Carry on at its best, released at the time when series at its peak.

Thinly plotted but funny hospital comedy.

My favourite part is the early sequence depicting Frankie Howerd's first morning in the ward. Bernard Bresslaw's character is also funny and involved in a cute romance with a woman patient, Dilys Laye.

The main story has the matron (Hattie Jacques) and a doctor (Kenneth Williams) engineer the expulsion of young Doctor Kilmore (Jim Dale). This story is a bit more mean-spirited than usual for a Carry On but this doesn't kill the film. Jacques later has a great scene where she double-crosses Williams.

With such a large cast many have reduced screen time. So Sid James (as a malingering patient), Barbara Windsor, Peter Butterworth and Charles Hawtrey are very much in support roles. They're good, but it seems weird to have James and Windsor in smaller roles.

The biggest disappointment is having Joan Sims in not only a support role but as a dull spinster besotted with Howerd's character.