The Borgia Stick

I saw this film in the late '60. It was made about four decades before Enron. I would have liked to do a plot summary but just don't recall it that well. What I do recall was that the subject matter was quite scary when the McGuffin was finally revealed at the end. Inger Steven and Don Murray were a typical suburban couple caught up into somethings way beyond their understanding. The story revolved around them not having any idea about what it was that they knew. And what did they know? Organized crime having so much money decided to buy into or buy up legitimate corporations and businesses. That wasn't unusual because that seems to be the way of the world in many quarters, but this story had unique twist, i.e., the crime families were going to buy up utilities, railroad, water, etc., to eventually monopolize them. It seemed to me that in the film they discussed that there eventually would be shortages either real or contrived. When that happened, they would be able to set or control the prices of necessities to any amount they wanted and no one could do anything about it. In 2008, the Borgia Stick has proved to be more fact than fiction except that the organize crime people today wear more expensive suits and attend the right schools. It was a great film that need to be out on DVD.

What a great TV movie! Too bad it is not available on video. This is a very fast paced thriller. Excellent performances by all. The story line is tight and really keeps the viewer focused on the next plot twist. Have seen this film 12 to 15 times and would love for it to be issued on video.

After the present-day funeral of Don Murray (as Thomas "Tom" Harrison) and Inger Stevens (as Evelyn "Evie" Finch), we flashback to see their story… The attractive married couple is set-up in suburban New York by a Mafia-like organization called "The Company" (explained in the script as a more modern term for "The Syndicate"). Mr. Murray (once Andrew "Andy" Mitchell) was recruited due to some embezzlement problems, and Ms. Stevens (once Ellen Coogan) was into drugs and a street gang. Basically, Murray's job is to launder money while Stevens provides bedside manner...

Trouble begins when Murray decides he wants the life he is pretending to lead. Envying neighbor Barry Nelson (as Hal Carter) and his growing family, Murray declares his love for Stevens and desire to have children; moreover, Murray wants to leave "The Company". As you might imagine, this isn't going to be easy. Stevens frighteningly refuses. Then, Murray's cover is threatened when a man from his past arrives on the scene. Sensing the man (whom you'll recognize as Ralph Waite from "The Waltons") is a threat, Murray must report him to "Company" leader Fritz Weaver (as Anderson)...

"The Borgia Stick" is a well-produced NBC-TV movie from 1967. Its quality and success helped return made-for-TV dramas to popularity; a 1950s staple, the TV drama had been replaced by theatrical films. But, by the late 1960s, the television-produced "Movie of the Week" was a ratings winner. Murray and Stevens are excellent; they are allowed a lot of natural, sexy chemistry. Producer Richard Lewis, writer A.J. Russell, and director David Lowell Rich would have been a winning team, if "Emmy Awards" had their categories intact. The crew re-teamed for "A Lovely Way to Die" (1968).

Some combination of this crew of New York City filmmakers might have familiar with a certain afternoon TV thriller - or, they must have used the same agency. For whatever reasons, they employed (at least) six "Dark Shadows" (circa 1966-1968) TV players in not only "The Borgia Stick" but also "A Lovely Way to Die". That's more than producer Dan Curtis allowed in the average episode of the supernatural serial. Herein catch (then) "DS-regulars" Hugh Franklin and Dana Elcar along with semi-regulars or bit players Conrad Bain, House Jameson, Barnard Hughes, and Ed Crowley – all in living color.

******** The Borgia Stick (2/25/67) David Lowell Rich ~ Don Murray, Inger Stevens, Barry Nelson, Fritz Weaver

I saw this made-for-TV film when it aired in the sixties. I was twenty at the time, and while the details escape me, it conveyed enough paranoia and creepiness to sustain a strong impression of the film for nearly fifty years now. It's basically about two people who want to leave "an organization" and discover it's a tenacious entanglement. The film also holds as a metaphor for anyone who has worked in business or government and felt trapped by their involvement.

Also lasting for nearly fifty years is my memory of being on the edge of my seat with the twists and turns of the plot. On a video web site, I found a trailer for the film that must have run as a promo for its airing on television. They filmed on location in the New York City area, which gives it a sense of gritty realism. Highly recommended if you come across it.

I was one of the few that had seen this movie when it came out in 1967. I was 14 years old when it came out and can only remember bits and pieces now. I have looked on and off for forty years to see if it was ever re-released. It never was to my knowledge. This movie made such an impression on me that has lasted four decades. I don't know who is in charge of releasing this to DVD, but it should be done and done quickly. I remember sitting on the edge of my seat till the very end. What a great movie. To all those who missed out, I'm sorry for you. The only way we will ever see this great flick again is to put pressure on the movie and TV industry to release it.