A suburban couple discovers that they are pawns for a powerful crime syndicate. They try to break away from the cartel and go legitimate, but the syndicate doesn't want to give them up so ea... Read allA suburban couple discovers that they are pawns for a powerful crime syndicate. They try to break away from the cartel and go legitimate, but the syndicate doesn't want to give them up so easily.A suburban couple discovers that they are pawns for a powerful crime syndicate. They try to break away from the cartel and go legitimate, but the syndicate doesn't want to give them up so easily.
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What a great TV movie! Too bad it is not available on video. This is a very fast paced thriller. Excellent performances by all. The story line is tight and really keeps the viewer focused on the next plot twist. Have seen this film 12 to 15 times and would love for it to be issued on video.
I saw this film in the late '60. It was made about four decades before Enron. I would have liked to do a plot summary but just don't recall it that well. What I do recall was that the subject matter was quite scary when the McGuffin was finally revealed at the end. Inger Steven and Don Murray were a typical suburban couple caught up into somethings way beyond their understanding. The story revolved around them not having any idea about what it was that they knew. And what did they know? Organized crime having so much money decided to buy into or buy up legitimate corporations and businesses. That wasn't unusual because that seems to be the way of the world in many quarters, but this story had unique twist, i.e., the crime families were going to buy up utilities, railroad, water, etc., to eventually monopolize them. It seemed to me that in the film they discussed that there eventually would be shortages either real or contrived. When that happened, they would be able to set or control the prices of necessities to any amount they wanted and no one could do anything about it. In 2008, the Borgia Stick has proved to be more fact than fiction except that the organize crime people today wear more expensive suits and attend the right schools. It was a great film that need to be out on DVD.
10ridgej6
I, too, remember watching this as a teenager from the 60's. It kept me on the edge of my seat throughout its viewing and has stayed with me all of these years. A not-to-be-missed thriller if it ever is released. This movie is as good as any I have seen recently and better than most. It lacked the blood and guts of today, but left a lasting impression because you used your imagination. Viewers who enjoy thrillers, spy movies, intrigue with twists and turns would be pleased with this choice. If I remember correctly, it was in black and white, but that would only add to its appeal today. Inger Stevens was a great and multi- talented actress who is sadly missed. I searched high and low to find a copy of this exciting movie to share with friends, but without any luck. Does anyone have any ideas on how to request a release?
Okay. Now I'm hooked. I was only 7 when the movie was released but I saw the movie (probably in B&W) on our kitchen TV. I don't even really recall what the movie was about but I vividly recall a scene watching them run down railroad tracks...and after 48 years it remains one of a handful of movie names that I remember. I think I might have been only 9 or 10 when I saw it.
After reading the other reviews here with so many others recalling the movie from those many years ago I can't help but wonder why we all so hooked on a seemingly insignificant movie.
Huh-after 47 years I searched it on IMDb to see if I'd see what the hell there was in this movie that so impressed me almost 50 years ago. Now I am scared-maybe ill see it again and end up needing therapy..
Intrigued more then ever now.
After reading the other reviews here with so many others recalling the movie from those many years ago I can't help but wonder why we all so hooked on a seemingly insignificant movie.
Huh-after 47 years I searched it on IMDb to see if I'd see what the hell there was in this movie that so impressed me almost 50 years ago. Now I am scared-maybe ill see it again and end up needing therapy..
Intrigued more then ever now.
After the present-day funeral of Don Murray (as Thomas "Tom" Harrison) and Inger Stevens (as Evelyn "Evie" Finch), we flashback to see their story
The attractive married couple is set-up in suburban New York by a Mafia-like organization called "The Company" (explained in the script as a more modern term for "The Syndicate"). Mr. Murray (once Andrew "Andy" Mitchell) was recruited due to some embezzlement problems, and Ms. Stevens (once Ellen Coogan) was into drugs and a street gang. Basically, Murray's job is to launder money while Stevens provides bedside manner...
Trouble begins when Murray decides he wants the life he is pretending to lead. Envying neighbor Barry Nelson (as Hal Carter) and his growing family, Murray declares his love for Stevens and desire to have children; moreover, Murray wants to leave "The Company". As you might imagine, this isn't going to be easy. Stevens frighteningly refuses. Then, Murray's cover is threatened when a man from his past arrives on the scene. Sensing the man (whom you'll recognize as Ralph Waite from "The Waltons") is a threat, Murray must report him to "Company" leader Fritz Weaver (as Anderson)...
"The Borgia Stick" is a well-produced NBC-TV movie from 1967. Its quality and success helped return made-for-TV dramas to popularity; a 1950s staple, the TV drama had been replaced by theatrical films. But, by the late 1960s, the television-produced "Movie of the Week" was a ratings winner. Murray and Stevens are excellent; they are allowed a lot of natural, sexy chemistry. Producer Richard Lewis, writer A.J. Russell, and director David Lowell Rich would have been a winning team, if "Emmy Awards" had their categories intact. The crew re-teamed for "A Lovely Way to Die" (1968).
Some combination of this crew of New York City filmmakers might have familiar with a certain afternoon TV thriller - or, they must have used the same agency. For whatever reasons, they employed (at least) six "Dark Shadows" (circa 1966-1968) TV players in not only "The Borgia Stick" but also "A Lovely Way to Die". That's more than producer Dan Curtis allowed in the average episode of the supernatural serial. Herein catch (then) "DS-regulars" Hugh Franklin and Dana Elcar along with semi-regulars or bit players Conrad Bain, House Jameson, Barnard Hughes, and Ed Crowley – all in living color.
******** The Borgia Stick (2/25/67) David Lowell Rich ~ Don Murray, Inger Stevens, Barry Nelson, Fritz Weaver
Trouble begins when Murray decides he wants the life he is pretending to lead. Envying neighbor Barry Nelson (as Hal Carter) and his growing family, Murray declares his love for Stevens and desire to have children; moreover, Murray wants to leave "The Company". As you might imagine, this isn't going to be easy. Stevens frighteningly refuses. Then, Murray's cover is threatened when a man from his past arrives on the scene. Sensing the man (whom you'll recognize as Ralph Waite from "The Waltons") is a threat, Murray must report him to "Company" leader Fritz Weaver (as Anderson)...
"The Borgia Stick" is a well-produced NBC-TV movie from 1967. Its quality and success helped return made-for-TV dramas to popularity; a 1950s staple, the TV drama had been replaced by theatrical films. But, by the late 1960s, the television-produced "Movie of the Week" was a ratings winner. Murray and Stevens are excellent; they are allowed a lot of natural, sexy chemistry. Producer Richard Lewis, writer A.J. Russell, and director David Lowell Rich would have been a winning team, if "Emmy Awards" had their categories intact. The crew re-teamed for "A Lovely Way to Die" (1968).
Some combination of this crew of New York City filmmakers might have familiar with a certain afternoon TV thriller - or, they must have used the same agency. For whatever reasons, they employed (at least) six "Dark Shadows" (circa 1966-1968) TV players in not only "The Borgia Stick" but also "A Lovely Way to Die". That's more than producer Dan Curtis allowed in the average episode of the supernatural serial. Herein catch (then) "DS-regulars" Hugh Franklin and Dana Elcar along with semi-regulars or bit players Conrad Bain, House Jameson, Barnard Hughes, and Ed Crowley – all in living color.
******** The Borgia Stick (2/25/67) David Lowell Rich ~ Don Murray, Inger Stevens, Barry Nelson, Fritz Weaver
Did you know
- TriviaThis was originally intended as a starring vehicle for Anthony Quinn.
Details
- Runtime
- 2h(120 min)
- Sound mix
- Aspect ratio
- 1.33 : 1
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