A suburban couple discovers that they are pawns for a powerful crime syndicate. They try to break away from the cartel and go legitimate, but the syndicate doesn't want to give them up so ea... Read allA suburban couple discovers that they are pawns for a powerful crime syndicate. They try to break away from the cartel and go legitimate, but the syndicate doesn't want to give them up so easily.A suburban couple discovers that they are pawns for a powerful crime syndicate. They try to break away from the cartel and go legitimate, but the syndicate doesn't want to give them up so easily.
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Inger Stevens - fresh from The Farmer's Daugther (with William Windom and Cathleen Nesbitt) and the venerable Don Murray are superb. I bought an okay DVD online. The story still holds up after so many years and that is because of the leads and the supporting players. I've never forgotten it. So weird how we older people remember certain films that have touched our lives in some way or other. I believe it was Inger Stevens who did it for me. Sad life, a tragedy. The film is eerie and so true to life. And as it turned out could very well be reel life. I wish they would release it on a good, good DVD. It is worth watching on any venue however.
I saw this film in the late '60. It was made about four decades before Enron. I would have liked to do a plot summary but just don't recall it that well. What I do recall was that the subject matter was quite scary when the McGuffin was finally revealed at the end. Inger Steven and Don Murray were a typical suburban couple caught up into somethings way beyond their understanding. The story revolved around them not having any idea about what it was that they knew. And what did they know? Organized crime having so much money decided to buy into or buy up legitimate corporations and businesses. That wasn't unusual because that seems to be the way of the world in many quarters, but this story had unique twist, i.e., the crime families were going to buy up utilities, railroad, water, etc., to eventually monopolize them. It seemed to me that in the film they discussed that there eventually would be shortages either real or contrived. When that happened, they would be able to set or control the prices of necessities to any amount they wanted and no one could do anything about it. In 2008, the Borgia Stick has proved to be more fact than fiction except that the organize crime people today wear more expensive suits and attend the right schools. It was a great film that need to be out on DVD.
After the present-day funeral of Don Murray (as Thomas "Tom" Harrison) and Inger Stevens (as Evelyn "Evie" Finch), we flashback to see their story
The attractive married couple is set-up in suburban New York by a Mafia-like organization called "The Company" (explained in the script as a more modern term for "The Syndicate"). Mr. Murray (once Andrew "Andy" Mitchell) was recruited due to some embezzlement problems, and Ms. Stevens (once Ellen Coogan) was into drugs and a street gang. Basically, Murray's job is to launder money while Stevens provides bedside manner...
Trouble begins when Murray decides he wants the life he is pretending to lead. Envying neighbor Barry Nelson (as Hal Carter) and his growing family, Murray declares his love for Stevens and desire to have children; moreover, Murray wants to leave "The Company". As you might imagine, this isn't going to be easy. Stevens frighteningly refuses. Then, Murray's cover is threatened when a man from his past arrives on the scene. Sensing the man (whom you'll recognize as Ralph Waite from "The Waltons") is a threat, Murray must report him to "Company" leader Fritz Weaver (as Anderson)...
"The Borgia Stick" is a well-produced NBC-TV movie from 1967. Its quality and success helped return made-for-TV dramas to popularity; a 1950s staple, the TV drama had been replaced by theatrical films. But, by the late 1960s, the television-produced "Movie of the Week" was a ratings winner. Murray and Stevens are excellent; they are allowed a lot of natural, sexy chemistry. Producer Richard Lewis, writer A.J. Russell, and director David Lowell Rich would have been a winning team, if "Emmy Awards" had their categories intact. The crew re-teamed for "A Lovely Way to Die" (1968).
Some combination of this crew of New York City filmmakers might have familiar with a certain afternoon TV thriller - or, they must have used the same agency. For whatever reasons, they employed (at least) six "Dark Shadows" (circa 1966-1968) TV players in not only "The Borgia Stick" but also "A Lovely Way to Die". That's more than producer Dan Curtis allowed in the average episode of the supernatural serial. Herein catch (then) "DS-regulars" Hugh Franklin and Dana Elcar along with semi-regulars or bit players Conrad Bain, House Jameson, Barnard Hughes, and Ed Crowley – all in living color.
******** The Borgia Stick (2/25/67) David Lowell Rich ~ Don Murray, Inger Stevens, Barry Nelson, Fritz Weaver
Trouble begins when Murray decides he wants the life he is pretending to lead. Envying neighbor Barry Nelson (as Hal Carter) and his growing family, Murray declares his love for Stevens and desire to have children; moreover, Murray wants to leave "The Company". As you might imagine, this isn't going to be easy. Stevens frighteningly refuses. Then, Murray's cover is threatened when a man from his past arrives on the scene. Sensing the man (whom you'll recognize as Ralph Waite from "The Waltons") is a threat, Murray must report him to "Company" leader Fritz Weaver (as Anderson)...
"The Borgia Stick" is a well-produced NBC-TV movie from 1967. Its quality and success helped return made-for-TV dramas to popularity; a 1950s staple, the TV drama had been replaced by theatrical films. But, by the late 1960s, the television-produced "Movie of the Week" was a ratings winner. Murray and Stevens are excellent; they are allowed a lot of natural, sexy chemistry. Producer Richard Lewis, writer A.J. Russell, and director David Lowell Rich would have been a winning team, if "Emmy Awards" had their categories intact. The crew re-teamed for "A Lovely Way to Die" (1968).
Some combination of this crew of New York City filmmakers might have familiar with a certain afternoon TV thriller - or, they must have used the same agency. For whatever reasons, they employed (at least) six "Dark Shadows" (circa 1966-1968) TV players in not only "The Borgia Stick" but also "A Lovely Way to Die". That's more than producer Dan Curtis allowed in the average episode of the supernatural serial. Herein catch (then) "DS-regulars" Hugh Franklin and Dana Elcar along with semi-regulars or bit players Conrad Bain, House Jameson, Barnard Hughes, and Ed Crowley – all in living color.
******** The Borgia Stick (2/25/67) David Lowell Rich ~ Don Murray, Inger Stevens, Barry Nelson, Fritz Weaver
Why oh why is this not available for purchase. It exceeds anyones' wildest idea of tension,mystery and drama. The concept of the everyday man being caught in a web of intrigue has been done may times but never better than this.The cast is superb and Fritz Weaver excels .Can someone find this movie and release for all to see. I only caught it one night many years ago by chance but the experience was without parallel.Surely who ever made this or owns the rights can see the untold gratitude of so many people to repeat their pleasure and for those who have not seen it to witness a taught story with incredible twists and turns,imitated since but never bettered.Don Murray and the late Inger Stevens portray sensitively and unbelievingly ,initially ,the couple caught in this Web and Barry Nelson contributes valiantly.Someone out there do your stuff
Okay. Now I'm hooked. I was only 7 when the movie was released but I saw the movie (probably in B&W) on our kitchen TV. I don't even really recall what the movie was about but I vividly recall a scene watching them run down railroad tracks...and after 48 years it remains one of a handful of movie names that I remember. I think I might have been only 9 or 10 when I saw it.
After reading the other reviews here with so many others recalling the movie from those many years ago I can't help but wonder why we all so hooked on a seemingly insignificant movie.
Huh-after 47 years I searched it on IMDb to see if I'd see what the hell there was in this movie that so impressed me almost 50 years ago. Now I am scared-maybe ill see it again and end up needing therapy..
Intrigued more then ever now.
After reading the other reviews here with so many others recalling the movie from those many years ago I can't help but wonder why we all so hooked on a seemingly insignificant movie.
Huh-after 47 years I searched it on IMDb to see if I'd see what the hell there was in this movie that so impressed me almost 50 years ago. Now I am scared-maybe ill see it again and end up needing therapy..
Intrigued more then ever now.
Did you know
- TriviaThis was originally intended as a starring vehicle for Anthony Quinn.
Details
- Runtime
- 2h(120 min)
- Sound mix
- Aspect ratio
- 1.33 : 1
Contribute to this page
Suggest an edit or add missing content