Sid Caesar stars as the bumbling right-hand man of mob boss Robert Ryan, who is sent to find a corpse buried in a suit lined with stolen mob money.Sid Caesar stars as the bumbling right-hand man of mob boss Robert Ryan, who is sent to find a corpse buried in a suit lined with stolen mob money.Sid Caesar stars as the bumbling right-hand man of mob boss Robert Ryan, who is sent to find a corpse buried in a suit lined with stolen mob money.
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Looks like I'm the only one here who really enjoys The Busy Body, a movie I've watched many times and love. Sid Caesar is really funny, prissy and nitpicky as an obsessive-compulsive, overly fastidious clothes horse (a parody of a GQ/Esquire reader) who is a deliveryman for the mob (like the boss's lunch). Sid's decision to play it straight, as opposed to a scaredy-cat type like Don Knotts, works. Robert Ryan's great, a tough as nails, quick igniting organized crime boss, a combination of Marine drill sergeant and hood. The interaction between these two makes BB the fun pic it is. I wish there had been more of it. The supporting cast is a true who's who of comedic geniuses, from Bill Dana and Dom DeLuise to Godfrey Cambridge and Marty Engels. An added bonus is a young Arlene Golonka in the prime of her stacked sexiness and sweet, ditzy personality. The Vic Mizzy soundtrack is a plus.
This is definitely not the greatest film comedy, but it has it's moments.
The plot has to do with mob boss Ryan's discovery of a large scale theft of cash that seemed about to be uncovered by his mob's bookkeeper, Bill Dana. Dana is killed in front of Ryan and his right hand gopher Sid Caesar while barbecuing (somebody tampered with the oil used on the barbecue grill). When the discovery is made, Ryan zeroes in on Caesar as the thief, and probable murderer of Dana. Caesar spends the film trying to 1) keep out of the hands of Ryan and his goons (Godfrey Cambridge and Marty Ingalls), 2) keep out of the hands of the police (Richard Pryor), 3) keep his meddlesome mother out of his hair (Kay Medford), 4) solve the mystery of the death of Dana and his disappearing corpse, 5) find out who, exactly, is trying to frame him, and 6) looking after Dana's newly made widow (Arlene Golonka) who is looking very appealing to Caesar.
Actually the plot fits pretty well, but it is a so-so plot for all that. I think by the time the film is half-way through you will realize who the framer is. But it is the little shticks by borscht belt comics, Caesar, Jan Murray, Cambridge (with Ingalls), Dana (briefly), and with long time comedian Ben Blue and recent arrivals Richard Pryor and Dom DeLuis, that should hold one's attention. Blue is the perennial nervous nelly, a witness against Caesar who is confronted by him (not threatened by him, mind you, but confronted) and keeps collapsing in fear of being tortured. As mentioned in another comment on this thread, a woman tries to vamp a dummy that Caesar has left at a bus stop. You have to understand that Caesar introduced her to the dummy as his friend , Matthias Kreplach, who was rich. The woman leaves in a huff when Matthias just won't respond to her chatter - he just sits there like a dummy.
I may add that while that scene is good, my favorite moment is the last scene involving Jan Murray and Anne Baxter as a larcenous husband and wife. He gets a final rise out of her that George Sanders did not achieve in ALL ABOUT EVE.
The plot has to do with mob boss Ryan's discovery of a large scale theft of cash that seemed about to be uncovered by his mob's bookkeeper, Bill Dana. Dana is killed in front of Ryan and his right hand gopher Sid Caesar while barbecuing (somebody tampered with the oil used on the barbecue grill). When the discovery is made, Ryan zeroes in on Caesar as the thief, and probable murderer of Dana. Caesar spends the film trying to 1) keep out of the hands of Ryan and his goons (Godfrey Cambridge and Marty Ingalls), 2) keep out of the hands of the police (Richard Pryor), 3) keep his meddlesome mother out of his hair (Kay Medford), 4) solve the mystery of the death of Dana and his disappearing corpse, 5) find out who, exactly, is trying to frame him, and 6) looking after Dana's newly made widow (Arlene Golonka) who is looking very appealing to Caesar.
Actually the plot fits pretty well, but it is a so-so plot for all that. I think by the time the film is half-way through you will realize who the framer is. But it is the little shticks by borscht belt comics, Caesar, Jan Murray, Cambridge (with Ingalls), Dana (briefly), and with long time comedian Ben Blue and recent arrivals Richard Pryor and Dom DeLuis, that should hold one's attention. Blue is the perennial nervous nelly, a witness against Caesar who is confronted by him (not threatened by him, mind you, but confronted) and keeps collapsing in fear of being tortured. As mentioned in another comment on this thread, a woman tries to vamp a dummy that Caesar has left at a bus stop. You have to understand that Caesar introduced her to the dummy as his friend , Matthias Kreplach, who was rich. The woman leaves in a huff when Matthias just won't respond to her chatter - he just sits there like a dummy.
I may add that while that scene is good, my favorite moment is the last scene involving Jan Murray and Anne Baxter as a larcenous husband and wife. He gets a final rise out of her that George Sanders did not achieve in ALL ABOUT EVE.
6tavm
With Sid Caesar recently departed and this movie finally available to order from Netflix, I finally got this a few days ago. I watched it with Mom just now and she wasn't too crazy for it. I wasn't either though I was highly amused by Caesar much of the time I was watching whenever he had scenes with Dom DeLuise, Ben Blue, or Richard Pryor whose movie debut this was. His highlights, however, was when he took a dummy (don't ask) to a bus bench where he spoke Russian gibberish to a woman from there and when he encountered Arlene Golonka when she was in her stripper costume and he reacts to her moves. Director William Castle, who usually made gimmicky horror movies, doesn't seem to have much of a comedy flair but the players do the best with what's given them. So on that note, The Busy Body is worth a look. P.S. It was a nice surprise to see the Chicago landmarks since it was made at the time my parents were living there and when I was the first-born of the family. And to find out Ms. Golonka was also born there.
I was surprised to see that 'William Castle was the director for The Busy Body
that Paramount used. Castle is best known for ow budget horror films with
special effects and sometimes cheesy ones at that. This cast of name players
was something wasn't used to.
I also note that sSd Caesar was the star. As this is a Paramount this film had the look and feel of a Jerry Lewis film. If Lewis had starred and maybe a Frank Tashlin directed The Busy Body might have been a classic.
Top crime boss Robert Ryan puts his gofer Sid Caesar on the syndicate board and tells him to retrieve a blue suit from a recently deceased board member. Instead Caesar has him buried in it. With a million dollar sewn in the lining of said suit.
One of the big problems is that Robert Ryan just doesn't do comedy. His part would have worked better with a Lionel Stander or a Sheldon Leonard in it.
In a large supporting cast of familiar faces standing out is Kay Medford as Sid's gangster widow mom.
Nice film, funny in spots, but could have been better.
I also note that sSd Caesar was the star. As this is a Paramount this film had the look and feel of a Jerry Lewis film. If Lewis had starred and maybe a Frank Tashlin directed The Busy Body might have been a classic.
Top crime boss Robert Ryan puts his gofer Sid Caesar on the syndicate board and tells him to retrieve a blue suit from a recently deceased board member. Instead Caesar has him buried in it. With a million dollar sewn in the lining of said suit.
One of the big problems is that Robert Ryan just doesn't do comedy. His part would have worked better with a Lionel Stander or a Sheldon Leonard in it.
In a large supporting cast of familiar faces standing out is Kay Medford as Sid's gangster widow mom.
Nice film, funny in spots, but could have been better.
Since Sid Caesar died a few days ago, I decided to watch one of his movies. "The Busy Body" makes no pretense about being silly. The characters are pretty much what we expect: Caesar is the nervous everyman mixed up in a murder case, Robert Ryan is the slimy exec, Arlene Golonka is the cleavage-flaunting blonde bombshell, and Kay Medford is the overprotective mother. The movie features the first appearance of Richard Pryor but he doesn't have much to do. I figure that an old-school director like William Castle wasn't about to let Pryor play the kind of character for which he eventually became renowned. In the end it's not any kind of comedy classic but funny enough for the brief period that it runs.
Did you know
- TriviaFilm debut of Richard Pryor.
- GoofsThe first time Rose faints, George grabs a bottle of Coke and pours it in Rose's face, then puts the empty bottle on the Coca-Cola fridge, but the second time she faints, there are two bottles on the fridge and a much larger spill of Coke on the floor. It seems this was supposed to be the third fainting spell but the second was cut out.
- Quotes
George Norton: [Margo insists George takes a sip of the drink he made her] Hmm. I left out the scotch.
Margo Foster Kane: Ah- ha ha.
George Norton: There's no scotch in this scotch sour.
- ConnectionsFeatured in Biographics: Richard Pryor - The Gold Standard of Comedy (2023)
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