IMDb RATING
6.0/10
2.1K
YOUR RATING
A wealthy amnesiac begins to suspect that his devoted wife is not really his wife and that he is not the man people keep telling him he is.A wealthy amnesiac begins to suspect that his devoted wife is not really his wife and that he is not the man people keep telling him he is.A wealthy amnesiac begins to suspect that his devoted wife is not really his wife and that he is not the man people keep telling him he is.
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I have no way of knowing whether this film might have worked, had I not read the blurb at kanopy, which gave away the game. Talk about a spoiler! There are many film references here, to Plein Soleil, Diabolique, et al., but the film lacks the subtlety and nuance of those creations--at least I think. Would it have been a surprise, if I had not already been told the gist of the story before I watched the film? C'est dommage.
When a viewer watches a thriller directed by Julien Duvivier with Alain Delon and Senta Berger, his or her expectation is of at least of a great film. Unfortunately the swan song of Mr. Duvivier is an absolutely flawed and deceptive film, with a terrible storyline and a screenplay with many plot holes and lack of character development. The situations are absurd and unbelievable and the open ending disappointing. My vote is five.
Title (Brazil): "Diabolicamente Tua" ("Diabolically Yours")
Title (Brazil): "Diabolicamente Tua" ("Diabolically Yours")
I usually confound this film, in Alain Delon's filmography, with LES FELINS. Same period, same kind of atmosphere; a lonely and handsome - Alain Delon - man somewhere "prisoner" of circumstances, as Clint Eastwood in THE BEGUILED; though this latest comparison is far more obvious with LES FELINS. This Duvivier's feature is less powerful and convincing than the René Clément's one, typical of the fifties and sixties. They don't make such films anymore, with such schemes and topics. But it's good, not the best of this great director, who was shining in the thrities with movies such as LA BANDERA, LA BELLE EQUIPE. Duvivier died after the shooting in a car accident, because of a brain damage.
Right from the opening credits (which, by the way, are very cool; notice how the words seem to respond rhythmically to the music), it's easy to see that this film bears a striking resemblance to the 1991 thriller "Shattered": we have a car accident, a woman who mysteriously survives without a scratch and a man who gets badly injured, develops amnesia, and tries to piece together the puzzle of his previous life but senses that something isn't quite right, something doesn't add up. The plot is enigmatic and twisty but has some holes, and it won't fool anyone who's previously seen "Shattered" (or "Gaslight", for that matter). But Duvivier's innovative direction makes this a surprisingly undated thriller. Alain Delon gives one of his liveliest performances...and who could forget to mention Senta Berger's terrific body? (***)
"Diabolically Yours" from 1967 is a derivative film with parts of Gaslight, Vertigo, Diabolique, take your pick. Directed by Julian Duvivier, who would die in a car accident shortly after this film was made, the film stars Alain Delon and Senta Berger.
Alain Delon wakes up from a three-week coma after a car accident, and he can't remember anything, not even this gorgeous woman who claims to be his wife Christiane (Berger).
Apparently, he is a wealthy businessman named Georges Campo. He is brought to his palatial estate to recover, and he's mighty impressed. There's a doctor there (Sergio Fantoni) and a mysterious servant named Kim (Peter Mosbacher).
It doesn't take Georges long to become suspicious of the whole setup. His wife won't have sex with him which for me is the most ludicrous part of the film, since it's Alain Delon we're talking about.
The name Pierre Lagrange keeps going through his head, and he comes to believe he's a prisoner in the house and part of some plot. Voices in the night tell him he's going crazy and to kill himself, and his dreams are disturbing.
The film keeps us in the dark as we wonder about Christiane's weird relationship with the servant, and just what the doctor's role is.
Despite what you might guess as the film continues, it's actually quite intriguing. Both Delon and Berger are at the height of their eye-popping beauty.
Delon brings humor to the role, as well as playing a confused but determined man. When Chistiane brings a decorator to the house, Delon playfully follows him around, mimicking the man's gait.
Berger looks very sixties with her hair and fashions, looking like the ultimate '60s fashion model, chosen for her beauty. Today she remains not only a beautiful woman, but an incredibly accomplished actress and producer.
The end of the movie won't be to everyone's taste. It wasn't mine.
There is a lot to enjoy here, including the cinematography. In the end, it's a disjointed film but watchable.
Alain Delon wakes up from a three-week coma after a car accident, and he can't remember anything, not even this gorgeous woman who claims to be his wife Christiane (Berger).
Apparently, he is a wealthy businessman named Georges Campo. He is brought to his palatial estate to recover, and he's mighty impressed. There's a doctor there (Sergio Fantoni) and a mysterious servant named Kim (Peter Mosbacher).
It doesn't take Georges long to become suspicious of the whole setup. His wife won't have sex with him which for me is the most ludicrous part of the film, since it's Alain Delon we're talking about.
The name Pierre Lagrange keeps going through his head, and he comes to believe he's a prisoner in the house and part of some plot. Voices in the night tell him he's going crazy and to kill himself, and his dreams are disturbing.
The film keeps us in the dark as we wonder about Christiane's weird relationship with the servant, and just what the doctor's role is.
Despite what you might guess as the film continues, it's actually quite intriguing. Both Delon and Berger are at the height of their eye-popping beauty.
Delon brings humor to the role, as well as playing a confused but determined man. When Chistiane brings a decorator to the house, Delon playfully follows him around, mimicking the man's gait.
Berger looks very sixties with her hair and fashions, looking like the ultimate '60s fashion model, chosen for her beauty. Today she remains not only a beautiful woman, but an incredibly accomplished actress and producer.
The end of the movie won't be to everyone's taste. It wasn't mine.
There is a lot to enjoy here, including the cinematography. In the end, it's a disjointed film but watchable.
Did you know
- TriviaLast film from director Julien Duvivier, who died from a car accident, just after the shooting. So, the opening scene of the film with a car crash was prophetic for the director.
- ConnectionsReferenced in Post Mortem with Mick Garris: William Friedkin (2011)
- How long is Diabolically Yours?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Djavolski pozdrav
- Filming locations
- Ancienne distillerie, Frémainville, Val-d'Oise, France(a few scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- DEM 2,750,000 (estimated)
- Runtime
- 1h 33m(93 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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