Don't Raise the Bridge, Lower the River

In a film that will only really appeal if you're a keen fan of Jerry lewis, Terry - Thomas, for me,was the saving grace of this picture. It was the only reason I bought it in the first place, but thankfully, aided by some fine support from a young Patricia Routledge, Bernard Cribbins and John Bluthal, the film is still worth a look-in. The story is also quite amusing, although I can't help feeling that it could have been used to a much bigger comic impact. Thankfully, there are enough comic scenarios are characters to help fill out some of the gaps for the film to become too slow. Terry - Thomas puts in a fantastic, stereo-typical "cad" performance and there's some great mugging from Bernard Cribbins but apart from that, the film is a bit of a dead loss.

Oh dear oh dear oh dear. I can't make my mind up if this is one of those so bad it's good films or if it's just awful. The only stand out thing for me is it is the first film appearance of the fantastic British actress Patricia Routledge as a dotty girl guide leader. Other than that, it's one of those films you either give up on half way through because it's so terrible or stick with it because it's a bit bonkers.

Jerry was cardboardish and unfunny. Good effort by Terry-Thomas, his scenes were funny. Jacqueline Pearce as Jerry wife was attractive but added nothing to the film. There was generally poor writing & directing. I was surprised to see Jerry Paris (the dentist neighbor from the Dick Van Dyke Show) was the director and not Jerry Lewis himself.

The unseen pilot of the Plane to Lisbon on the British Air Company that has no offices had some funny lines. I particularly like the line were they cruising " somewhere between 8,000 and 30,000 feet." I cannot really find any reason to recommend watching this movie, it is not campy and doesn't even show off Jerry's typical shtick.

Jerry Lewis as a professional schemer who marries a lovely Brit and moves to Swinging London, but neglects his new spouse by always putting his eccentric clients first. She sues for divorce and gets custody of their manor--but while she's away, Lewis sneaks back in and turns the property into a restaurant/discotheque with a Chinese theme. Lewis, working solely as an actor-for-hire, is more appealing when he's restrained, but at the same time was getting too old for juvenile antics like this. Screenwriter Max Wilk adapted his own novel (!), but doesn't have much of a sense of humor. His ingredients here include loud divorce arguments, the mumps, blackmail, suspected infidelity...and Lewis doing a really awful Chinese imitation with his two front teeth stuck out. *1/2 from ****

A labored comedy that lurches from one silly set piece to the next, 1968's "Don't Raise the Bridge, Lower the River" is certainly middling Jerry Lewis at best. In this one, Jerry plays an American wheeler-dealer living in London who is so busy chasing after money and arranging schemes that his wife, the yummy Jacqueline Pearce, dumps him in disgust. To win her back, Jerry turns her family mansion into a Chinese disco (don't ask!) and arranges a deal with his sometimes-partner, the usually dependable Terry-Thomas, to steal the plans for a new oil drill and sell them to the Arabs. Many unfunny situations ensue, some of them painful. Lewis is a bit cooler here than usual, only occasionally lapsing into his trademark goofiness. Jerry & Terry would have made a good comedy team, but they DO need something better to work with. Anywaste, I originally rented this one out because I had so enjoyed Ms. Pearce's work in a pair of 1966 Hammer horror films, "The Plague of the Zombies" and "The Reptile," and she turns out to be a gifted comedic actress here. Other pleasant surprises include the presences of Margaret Nolan (so fondly remembered by fans of the movie "Goldfinger") and Patricia Routledge, almost 25 years before playing Hyacinth Bucket on the Britcom "Keeping Up Appearances." Still, despite some good folks in the cast, I think I only laffed once: when Jerry said that one of his mumps had just exploded (again, don't ask!). This is a film that will best be appreciated by those who are either very stoned, very young or, I suppose, very French!