Carry on Follow That Camel

This isn't the strongest Carry On entry, it's not the strongest script but it's a solid plot ably handled.

However, in the absence of Sid James who had filming commitments elsewhere, Phil Silvers was cast & he drags it down. Every scene he's in is just the same ridiculous, self-indulgent gurning, giving no consideration to others in the scenes or to the film as a whole. He sticks out like a sore thumb to the detriment of everyone, dragging the film from a solid B to a desperate C-, coupled with his inability or unwillingness to actually learn his lines like an actual professional actor, no wonder he was disliked by other cast members.

Thank God he was only in the one film.

Originally released under the title Follow That Camel, Carry On Follow That Camel is the 14th entry in the long running series. Story plays out as a historical parody of the Beau Geste type of movies, thrusting Jim Dale and Peter Butterworth into the French Foreign Legion. There they are at the mercy of Commandant Maximilian Burger (Kenny Williams) and Sergeant Nocker (Phil Silvers brought in to try and boost American ticket sales).

Japery is prominent as the not so intrepid Legionnaires get involved with an angry army of Bedouins led by Sheikh Abdul Abulbul (Bernard Bresslaw). Joan Sims has a minor role as a big cleavage landlady, while it's Angela Douglas snagging the main gal role as Lady Jane Ponsonby, with a running gag of her sexual innocence being mined for all it's worth. It's actually a better film than the iffy reputation afforded it. True, missing big hitters like Sid James and Hattie Jacques is felt, but Silvers is ebullient playing a Bilko character, while it's nice to see the excellent Jim Dale bag the English lead and not letting anyone down.

It sits somewhere in the middle scale of Carry On films, neither too bawdy nor like the genial black and whites. But plenty of laughs to be had and it's a good production, the Camber Sands locations surprisingly passing muster as the Legionnaires desert hell. Well constructed battle sequences for the finale as well. 7/10

I wasn't really expecting much out of this "Carry On" spoof on Foreign Legion films – but it turned out to be a highly agreeable entry in the long-running series. Unusually for them, the film-makers went for an American lead in the person of Phil Silvers – then again, his Sgt. Nocker here was directly inspired by the latter's popular Sgt. Bilko characterization (which originated on TV); actually, the clash of comedy styles works surprisingly well here.

Most of the series stalwarts are on hand – Kenneth Williams as German fort commandant Burger (with matching short hair); Charles Hawtrey as Captain Le Pice(!); Jim Dale as Beau West(!), a dishonored Englishman who joins the legion (accompanied by loyal valet Peter Butterworth) after losing girlfriend Angela Douglas; Bernard Bresslaw has one of his best roles as the flamboyant villainous sheik; and Joan Sims is Madam Zigzig, hostess of the local tavern. Anita Harris also makes an impression as a sultry belly-dancer.

Apart from the traditional desert-march-fraught-with-mirages sequence, there are a couple of delightful running gags here – the naïve Douglas (who decides to stick with Dale) is taken advantage of by several men on her journey to join her lover, and eventually ends in line to being made Bresslaw's 13th wife!; another involves the constant attempts to violently curtail the cock's heralding of each new day by the reluctant soldiers. This good-looking film – which actually anticipates the team's other outing with an exotic setting, the even better CARRY ON...UP THE KHYBER (1968) – is satisfyingly capped by an action-packed climax.

Falsely accused of cheating at cricket by crafty love-rival Humphrey Bagshaw, disgraced British gent 'Bo' West (Jim Dale) abandons all hope of courting lovely Lady Jane Ponsonby (Angela Douglas) and heads for Algeria with his trusty manservant Simpson (Peter Butterworth), where the pair sign up with the French Foreign Legion. On hearing of Bo's hasty decision, Bagshaw confesses all; Lady Jane leaves immediately in pursuit of West, but is captured by nasty Arab Sheikh Abdul Abulbul (Bernard Bresslaw), who intends to make her his wife. When news of Lady Jane's abduction reaches Bo at the legion fort, he and a group of fellow legionnaires undertake a rescue mission, but soon become lost in the desert.

Despite missing the words 'Carry On' from its title, Follow that Camel is still considered to be part of the popular British comedy series, featuring as it does many of the familiar Carry On cast: Kenneth Williams, Peter Butterworth, Bernard Bresslaw, Charles Hawtree, Joan Sims and Jim Dale are all present and correct. Sid James, however, is nowhere to be seen…

With Carry On favourite James unable to appear in Follow That Camel due to prior commitments, the movie's producers, in a bid to secure a U.S. distributor, took the opportunity to cast American comedian Phil Silvers as disreputable legionnaire Sergeant Knocker. Drafting in Silvers was a bad move: not only did the lucrative stateside deal not happen, but the Sgt. Bilko star stuck out like a camel behind a palm tree, his comedic style completely at odds with the distinctly British humour. The result is one of the weaker 'Carry On' movies, the plot meandering as aimlessly as its lost legionnaires, the weak gags unable to quench this particular viewer's thirst for quality innuendo and silly slapstick.

The Carry On films represent a particular type of English humour. They are slapstick rather than intellectual, but often show a degree of humanity and pathos lacking in American slapstick. For years it has been customary to condemn Carry On as being low-brow and low-budget. They certainly were low budget, particularly compared with their American equivalents, but they compare favourably with the American movies.

It was a mistake to introduce Phil Silvers into this film. He gives the impression over overacting, whereas the British actors are merely camp. His style of humour is crass rather than subtle. Some have said that he dominated the film. He does not. He detracts from it.

This is an enjoyable movie, though undemanding.