Johnny Yuma

This is one of several of American actor Mark Damon's European ventures; he worked in various genres (such as historical epics and horror films) but also did a number of Spaghetti Westerns – including Sergio Corbucci's light-hearted RINGO AND HIS GOLDEN PISTOL(1966; originally bearing the similar title JOHNNY ORO) and the politicized KILL AND PRAY (1967), where he actually played the villain; even so, I don't feel he exudes the ruggedness which is part and parcel of this stylized subgenre!

Despite interesting credentials (incidentally, the widescreen German print on the budget DVD I rented omits the opening titles completely…so that the sequence where they ought to be merely shows Johnny Yuma wandering aimlessly on his horse!) – director Guerrieri, co-scriptwriter Fernando Di Leo – this is a minor genre effort, hindered more than anything else by a not very compelling plot line (drifter Damon battles sultry aunt Rosalba Neri and her gunman lover Lawrence Dobkin for an inheritance); unsurprisingly, the latter ends up befriending the hero and is ultimately himself deceived by the femme fatale.

The film is undecided whether it wants to be serious or approach the genre with tongue-in-cheek (hinted at by the presence of a greedy Mexican bum who aids Damon throughout) – though sentimentality over the murder of a child who has harbored the wounded hero (as often happens in this type of film, the latter receives a thorough beating only to re-emerge a stronger person for the finale) suggests something deeper may have been intended. The Mexican pueblo in which the tale unfolds supplies the requisite Western atmosphere, but also proves the ideal setting for the climactic gunfight. The score by Nora Orlando isn't bad and, yet, the lyrics to the title song seem to have been hastily scribbled down – having little to do with the action proper of the film!

Johnny Yuma sure is smug. I think that's what might put people off this film a bit (cos it sure ain't Rosalba Neri). Johnny's just inherited a ranch from his uncle, who's just died from sudden bullet to the back of the head, courtesy of Neri and her brother. They know Yuma's on his way, so they arrange for an ageing gunslinger to come and do the business on Yuma too.

Yuma's lightning fast with a pistol, however, and blasts his way through enough bad guys to populate a small African country. His got a Mexican sidekick too, and I was fairly surprised at the sudden change in tone halfway through the film, as both Yuma and his sidekick play the film for laughs, so when the bad guys start doing stuff like executing Mexican folk for no reason and at one point beating a child to death (!), I was thinking that perhaps they were making up this film as they went along. They also give Yuma a good beating at one point too, but it only temporarily takes that stupid smug grin off his face.

Rosalba Neri, as usual, is lush and great. She manipulates every man in the film, including Yuma (who thinks he's got her sussed out, but he's wrong). She's the best thing about the film and greatly helps where actor Mark Damon (Yuma) just yucks it up at every given opportunity. This is an overly violent western that's well worth a watch, especially the epic gun fight at the end and the way over the top killing of one of the bad guys – a bit of a jaw dropper, that bit.

After some difficulty, Johnny Yuma arrives at his ailing uncle's ranch to take over day to day operations, only to find out that the old man has been murdered by his beautiful gold-digger wife and the woman's vicious brother.

Good production values, a likable performance by Mark Damon, and a breezy action packed script combine to make this an entertaining, if not exceptionally deep, above average addition to the spaghetti western genre.

Co-star Rosalba Neri is one of the hottest European babes ever to grace the screen. Here she's absolutely perfect as the cold-hearted user (and abuser) of weak men.

Damon and Neri appeared together in at least one other picture, The Devil's Wedding Night, a pretty good horror movie that's of particular interest for those of you that want to see what's underneath Rosalba's dresses.

This is a very decent, if somewhat obscure, spaghetti Western. It lacks a famous-name director like Sergio Leone or American male stars like Clint Eastwood or Henry Fonda, or even Cameron Mitchell (the lead is the journeyman European actor Mark Damon), but it has one principal strength--Rosalba Neri as the sexually voracious villainess. Neri today tends to be labeled as a "scream queen", casting her into category with a lot of more modern-day American bimbos with little talent beyond taking off their clothes. Neri, however, was a very good actress, even if she was usually dubbed into English. She had a ten or fifteen year career under her belt before she started regularly stripping off in the last few years before she retired in the early 70's (and even though she was in thirties by then and didn't have the benefit of modern-day plastic surgery, she managed to outshine the present-day "scream queens" even in that department).

More importantly though, she was actually in good movies now and then--and this is one of them. Neri plays the young widow of a wealthy man (whose murder she herself no doubt arranged). She finds out that her late husband left his fortune to his gunfighter nephew, Johnny Yuma (Mark Damon), so she beguiles her various lovers and her sleazy brother into trying to murder him. The plot gets a little confusing at times, but you never lose interest when Neri is on the screen. She is deliciously evil and quite sexy, even though she only strips for her parrot(!) and not the viewer in this early role. Check it out if you like spaghetti and saucy Italian actresses.

This film essentially begins with a married woman by the name of "Samantha Felton" (Rosalba Neri) arraigning to have her wealthy husband killed in order to inherit his sizeable ranch and fortune. The problem, however, is that her husband had recently written to his nephew "Johnny Yuma" (Mark Damon) who has agreed to give up his life as a gunslinger in order to work on the ranch and eventually inherit a part of it on some future day. Not at all content with that idea, Samantha reaches out to another gunslinger by the name of "Linus Jerome Carradine" (Lawrence Dobkin) to help her out in that regard. But what she doesn't realize is that both Johnny and Linus have previously met under somewhat amicable circumstances, and both share a healthy respect for one another--and this complicates things to a certain degree. Now, rather than reveal any more, I will just say that this was an interesting film due in large part to the involvement of several different characters with their own individual agendas. That being said, while it may not be the best Spaghetti Western ever produced, it's certainly worth a watch and I have rated it accordingly. Slightly above average.