The Incident

I caught this movie on AMC at 3 o'clock this morning (or so), and was blown away! What a tense, gritty drama - and what a cast! I was trying to figure out who was who, as they were all so young (Ed McMahon? Donna Mills? Ruby Dee without Ossie Davis? Wow!) Martin Sheen's baby face made his psycho character all the more frightening. To me, the movie is a great time capsule of the sixties, and of New York. I do have a complaint to register regarding the AMC channel - instead of squeezing the end credits to make room for commercials for the next movie, how about staying true to your movie fans who have a compulsive need to read the credits, and show them full-screen to the end? Who's with me on this one? Thank goodness for IMDb to get us through!

The plot is simple: Late night subway riders are terrorized by 2 thugs out for kicks. The thugs jam the subway doors so no one can get on or off and the conductor never visits the car. It really makes the viewer feel trapped with the rest of the victims, who are, by the way, pretty standard stereotypes of everyday America. There's the teenagers in love who are always kissing, the black man with a chip on his shoulder about white America and his social worker wife who pleads for him to not be so angry, two servicemen on their way to or back from an assignment and one has his arm in a cast, the harried married couple with a sleeping child, the elderly Jewish couple, the alcoholic, the squabbling couple, a man who may or may not be homosexual, a sleeping bum, and that may or may not be all. Tony Musante as the creepier of the two tough guys is well played. He has venom dripping off of him like a coiled serpent about to strike. His villainy is so real you I sometimes wondered if he was acting or just really mean in person. Martin Sheen, of all people, plays the other tough guy, who seems like he is drawn along by the lead of his pal into the mental and physical games they play on the other subway riders. The two laugh a lot at the misfortunes of their sport and as you watch you wonder if there is a happy ending in sight or is this one of those movies where nobody goes home happy, not even the viewer. The movie is in stark black and white and made better by that fact. In the shadows behind each characters eyes you see a universe of fear and loathing but you keep looking for a positive sign. A very well made movie with my only quibble being that the set up is kinda long. We see each person making it to the fateful subway car and learn their back history. If this film were remade today I can see this entire section being dropped. We could start right in on the subway and use flashbacks to illuminate the histories. But that's just me.

The Incident was a film that got great critical notices when it came out then seemed to disappear. I was waiting more than 50 years to see it and it was worth the wait.

A bunch of familiar players pair off in twos mostly some married, some not and at least one gay guy looking to hook up in those pre-Stonewall days. They're all quite absorbed with their selves and significant others not to notice a pair of deadly hoodlums, Tony Musante and Martin Sheen board the train. These two are quite deadly and they are the first we meet. And when we do meet them we see how deadly they are.

As our dramatis personae gather on the subway after we see bits of their lives, Musante and Sheen start to terrorize the occupants of the subway car. All of them so self absorbed in their own situations they don't make any kind of move. The men humiliated, the women degraded.

I'd love to know where the transit cops were? This was in the Lindsay years and back then the big campaign was to advertise New York as Fun City.

Some of the more memorable couples were Jan Sterling and Michael Kellin, Thelma Ritter, and Jack Gilford, Ed McMahon and Diane VanderVlis, Brock Peters and Ruby Dee.

The Incident is a film testament to New Yorkers legendary code of non-involvement. When rescue comes, it comes at the hands of the only non-New Yorker on the train.

After 50 years The Incident with its many fine performances packs a wallop.

"The Incident" is a dark story, drama and crime picture set in New York City. Much of the story takes places on a late night subway ride when two hooligans run roughshod over the people in the last car of the train. This is hardly an entertaining film, and not very good as a mystery or crime film. It's a social film with a picture of inner city hooligans abusing people and threatening them with violence. It's also a good picture of how people can be cowered by fear.

The acting is very good by all of the cast, which includes some prominent names of the day. Among them are Jack Gilford, Thelma Ritter, Gary Merrill, Beau Bridges, and a young Ed McMahon. It's one of the first movies, outside of TV, for Martin Sheen. He co-stars as Artie Connors in the lead roles with Tony Musante as Joe Ferrone.

This isn't a film for families or anyone who wants some laughs or mystery. But, if one is training or interested in civil order or handling rowdy characters who threaten people or the peace, this might be a good film to watch. Those who live in the big city who watch this film will likely not be taking any late night subway rides.

I remember seeing this film in the movie theaters when it came out in 1967. I had gone with a couple of friends to see it. This movie so infuriated all three of us (there was my friend's wife too) at first of all the passivity of all the passengers and how nobody cared to help anyone else and then there were the two hooligans (Musante and Sheen) and their arrogance and their not respecting other people's space or privacy. With this film, you get to see how each and every person works in a terrifying situation.

I was so happy this film was finally released on video. I have been waiting for over 30 years to see it again to see if my opinions had changed--and they hadn't.