IMDb RATING
7.0/10
2.7K
YOUR RATING
A trio of reformed juvenile delinquents work as undercover cops.A trio of reformed juvenile delinquents work as undercover cops.A trio of reformed juvenile delinquents work as undercover cops.
- Nominated for 7 Primetime Emmys
- 6 wins & 20 nominations total
Browse episodes
7.02.6K
1
2
3
4
5
6
7
8
9
10
Featured reviews
The Precursor to Jumpstreet
When this show first premiered in 1968, little did anyone know that over the next three decades that there would be several youth oriented shows. Shows like "21 Jumpstreet", "Starsky and Hutch" and "David Cassidy-Man Undercover" were all cop shows aimed at the youth market, but this was the granddaddy of them all. Michael Cole, Peggy Lipton and Clarence Williams III were perfectly cast and this show will always come to represent the era that it was produced in.
Most unique cop show of the late 60s.
The Mod Squad centered around three youthful cops, that were recruited to the LA police force in the late 60s. This show was truly cutting-edge as a concept back then. Three cool, under thirty hipsters as cops?? Yep! And it worked, because this was one of the most popular crime dramas of all-time.
The Mod Squad included Pete Cochran, a rich kid looking for kicks, who runs afoul of the law. Then there's Linc Hayes, a black ghetto youth who's struggling to survive, and gets himself busted. Lastly, there's Julie, a gorgeous young woman who suffers from a sad home life, and flees it. She too gets wrapped-up in law-breaking. Instead of throwing these three offenders in the clink, Capt. Greer has the idea of making them undercover cops, as long as they all agree to obey the law from then on.
Linc, Pete, and Julie were the coolest cops on TV in the late 60s. They all dressed in the latest 60s youth fashions, used hip lingo, and had the street-smarts necessary to do their jobs, as cops in the urban jungle of LA. The three were almost like a family, with Capt. Greer looking out for them like a kindly father would.
By working together in harmony, the Mod Squad showed that the societal chasms of race, class, gender, and even generational strife, could be overcome. It may have been an idealistic vision, but then the 60s were an idealistic period. It was so positive to see the three very different Mod Squad members, have a cooperative working relationship, despite their differences. They set an example, that folks could strive to follow in real life.
I highly recommend the Mod Squad, and not only for those who are nostalgic for the 60s. It's simply a quality show, enjoyable for all ages. Like Linc Hayes would say, it's 'solid man'.
The Mod Squad included Pete Cochran, a rich kid looking for kicks, who runs afoul of the law. Then there's Linc Hayes, a black ghetto youth who's struggling to survive, and gets himself busted. Lastly, there's Julie, a gorgeous young woman who suffers from a sad home life, and flees it. She too gets wrapped-up in law-breaking. Instead of throwing these three offenders in the clink, Capt. Greer has the idea of making them undercover cops, as long as they all agree to obey the law from then on.
Linc, Pete, and Julie were the coolest cops on TV in the late 60s. They all dressed in the latest 60s youth fashions, used hip lingo, and had the street-smarts necessary to do their jobs, as cops in the urban jungle of LA. The three were almost like a family, with Capt. Greer looking out for them like a kindly father would.
By working together in harmony, the Mod Squad showed that the societal chasms of race, class, gender, and even generational strife, could be overcome. It may have been an idealistic vision, but then the 60s were an idealistic period. It was so positive to see the three very different Mod Squad members, have a cooperative working relationship, despite their differences. They set an example, that folks could strive to follow in real life.
I highly recommend the Mod Squad, and not only for those who are nostalgic for the 60s. It's simply a quality show, enjoyable for all ages. Like Linc Hayes would say, it's 'solid man'.
I like Mod Squad more now than I did then
I was to young to relate to Mod Squad when it was on TV but I've been watching it again and I kinda like it now. The show was sponsored by Chrysler and they drive a Dodge Challenger. My first car in the 70s was a Plymouth 'Cuda so im a Mopar guy through and through and really enjoy shows with Chrysler products. Mannix and the Brady Bunch was also sponsored by Chrysler. Mod Squad is a ride down memory lane.
Continuously helpless female lead
As I'm re-watching the series on DVD, two things stand out to me:
* It's very much of its' late 1960s time with the counter-culture and all. But it's amazing to me that three full-time undercover cops have so much time to not do, well, cop things. They seem to start their own cases all the time instead of being assigned what you'd expect undercover cops to do... long-time stake outs of drug dens and such. They're being paid for something but they're always just living a teenage life and crime just happens to show up while they're doing it.
* The fact that Julie apparently can't do anything to defend anyone except running for Linc and Pete just grates my nerves. She sees trouble, she screams, and she runs for help. There were some strong women in the 1960s -- nobody messed with Kitty on "Gunsmoke" -- but "Mod Squad" isn't there. It would be a decade before a show like "Cagney and Lacey" hit the airwaves but it was desperately needed.
* It's very much of its' late 1960s time with the counter-culture and all. But it's amazing to me that three full-time undercover cops have so much time to not do, well, cop things. They seem to start their own cases all the time instead of being assigned what you'd expect undercover cops to do... long-time stake outs of drug dens and such. They're being paid for something but they're always just living a teenage life and crime just happens to show up while they're doing it.
* The fact that Julie apparently can't do anything to defend anyone except running for Linc and Pete just grates my nerves. She sees trouble, she screams, and she runs for help. There were some strong women in the 1960s -- nobody messed with Kitty on "Gunsmoke" -- but "Mod Squad" isn't there. It would be a decade before a show like "Cagney and Lacey" hit the airwaves but it was desperately needed.
A Decent Cop Show from the 1960s!
I could see why Peggy Lipton became a star from this television show. She captures the role of Julie perfectly with a range of vulnerability and innocence in the role. Peggy Lipton's performance as Julie is believable in this somewhat unbelievable series. Anyway the series may be dated but there are plenty of surprise guest appearances. The other actors like Michael Cole, Clarence Williams, and Tige Andrews complete the male dominated cast. Each episode features a mystery to solve but without the gore and violence of today's crime dramas. The Mod Squad is largely more character driven than plot and action driven. Plenty of guests are familiar faces on television. The Mod Squad are three very different individuals whose lives are turned around by a police captain. He gives them a second chance in redemption and becoming unlikely police officers. I love the California scenery. The show was a hit largely because of the chemistry among the cast members and the time period for audiences. To see African Americans and Caucasians interact was still a new experience on television but not in reality. This show was caught up in the hype of the late sixties and early seventies of the counterculture. This show didn't shy away from controversial issues as well.
Did you know
- TriviaSeries creator Buddy Ruskin, a former Los Angeles police officer, used his experiences with a special L.A.P.D. youth squad as the basis for this show.
- GoofsSome of the police cars used by the L.A.P.D. during the series weren't actually used by the L.A.P.D.
- ConnectionsFeatured in The 23rd Annual Primetime Emmy Awards (1971)
Details
Contribute to this page
Suggest an edit or add missing content







