The Awakening of the Beast

I have been along time fan of Coffin Joe. I kept hearing about this film and finally go to see it on Channel Four a few years ago. Many say it is the best Coffin Joe film but I think maybe they are wrong.

Sure, it is great and different. Going down a different road than the first two. The idea is great and the short story's are funny and often disturbing. I love the soundtrack and the colour segment at the end in the LSD trip into the world of Coffin Joe.

I can see why it was banned at the time and it is still shocking today.

Not Coffin Joe's best but it is probably close...

It may take some finding but you should definitely hunt it out.

This isn't a Coffin Joe movie properly, but rather a film about drugs that makes stuff like Corman's "The Trip" pale by comparison. The plot isn't linear, and that is exactly the greatest strength of the movie, and what gives it the particular atmosphere it has. First we see several different little stories, all involving people behaving in the most bizarre ways due to drug use.We soon know that all those scenes are stories narrated on a tv talk show by a scientist who tries to prove his theories about drugs and the human mind with the help of Mojica and his creation, Coffin Joe. The utter absurdity of the scenes is what makes the whole experience worthwhile. Probably Mojica's best work as a proper film maker, not just a horror flick director.

Having recently caught this strange film on Independent Film Channel,it certainly warrants a viewing, if only for the curiosity of Jose Mojica Marins.

Primarily,he uses two scenarios: a round-table of psychiatrists discussing drug addiction,and alternate scenes of the addicts in question, who are given LSD as part of the experiment.

The poverty and demoralization (particularly of women in Brazil) is explored, and the scenes are stark, turning gradually to crude, horrific and even at times humorous. There is one scene in particular where a young woman is interviewing for a job as a maid and she envisions her prospective employer, who is obese and wolfing a plate of pasta)as a hideous looking Pekingnese dog.

Overall a creative and strange commentary on the drug cultures of the late 1960's and 70's.8/10.

Awakening of the Beast (1970)

** (out of 4)

Bizarre film from Marins using his Coffin Joe character as a fake thing to try and create a social commentary on society. In the film we see a television show where various doctors are debating the effects drugs have on society. The controversial actor/director Jose Mojica Marins is involved in the debate because people are wondering if his character Coffin Joe might influence people to do drugs. The final twenty-minutes has four people given LSD to see how they react. This is a complete mess of a film but I guess that adds to the surreal nature of the movie and series for that matter. I've read that Marins couldn't get a third Coffin Joe film off the ground so he had other filmmakers send him left over film stock just so he could throw something together and this is the result. The film is extremely well made as I'd be lying if I said Marins directing style wasn't something completely original. The visual look of the film is quite amazing as the director paints a very ugly picture of the underground drug community and its easy to see why the government had the movie banned in Brazil. Marins paints a cruel and ugly world full of abuse, both sexual and physical and the images brought to the screen are certainly unlike any other. There's one sequence where men line up to put their face up the skirt of a woman. Another scene where an overweight pervert tries to seduce a young woman. We get various acts of perversion and then the LSD sequences turn to full color and really give the eyes a treat. The performances are all about what you'd expect, although Marins puts himself above the rest. The movie is all over the place and I'm really not sure how strong the message on society is but those whose who enjoy strange and bizarre movies are bound to eat this one up.

I really don't understand why so many people around the world rave about Zé do Caixão (Coffin Joe). I've seen two of his films: "Esta Noite Encarnarei No Teu Cadáver" and now "Ritual Dos Sádicos" and I was disappointed.

His films run like this: long scenes filmed by a non-moving camera spiced up with long speeches by Zé do Caixão. The way he imagines Hell (Esta Noite Encarnarei No Teu Cadáver) or a psychedelic trip (O Ritual dos Sádicos) are somewhat funny but they are no visual wonder at all - people howling and squirming around, long dark corridors, lights blinking and suddenly we stumble on another of the lengthy speeches delivered by Zé do Caixão in which there will be reflections about life, death, the human vanity etc.. It may at fist seem funny, but as there are many of these speeches, as the time goes by the laughter will disappear and boredom take its place. Imagine a radio horror play illustrated by slide images and you won't be far from Zé do Caixãos films.

Zé do Caixão has good ideas and a very dramatic fantasy - his main problem it that he expresses his obsessions more by words than by images - his nightmare images are static. I think that in a film images and words should flow together - there should be something like a symphony.

All in all, I don't deny Zé do Caixãos imagination but (unlike, for instance, Dario Argento and Jean Rollin) he is not able to express fully the richness of his world visually and that is essential in a film.