Farewell, Friend

Alain Delon and Charles Bronson star as Dino Barran and Franz Propp, two French Foreign Legion veterans returned to Marseille after fighting in Algiers. Dino makes the acquaintance of a comely lass named Isabelle (Olga Georges-Picot), who entices him into a plan to return some stolen bearer bonds to a banks' vault. He will use his medical training as a cover, working as a doctor. But while hiding in the basement, waiting to make his move, he encounters Franz, who's there to rob the vault. The two men end up locked inside it, and while they wait for the building to open up again, they spend some time forming a friendship.

The idea is that the two unlikely friends develop a strong enough bond that neither one will be willing to rat the other one out, even after Franz is later apprehended and grilled by the police.

On the surface, this would seem to be a standard comic heist movie, but it's the initially antagonistic relationship between these mismatched characters that is the real heart and soul of the film. Delon had wanted to work with Bronson since seeing "Machine-Gun Kelly", and suggested him for the role of Franz. They have great chemistry, and are particularly funny in the early going when they keep trying to one-up each other. Offering fine support are lovely ladies Georges-Picot and Brigitte Fossey as bank employee Dominique, whom Dino turns to for help. Bernard Fresson is also great as determined police inspector Antoine Meloutis.

Although a little over-extended at just under two hours, "Farewell, Friend" offers up a fair amount of fun and humour, as well as a bit of suspense. (Franz is often attempting a trick of submerging as many coins as possible in a drink before it will overflow the cup / glass.). It also has a bit of action, and some memorable and delicious twists late in the game.

Delon is cool as always, and Bronson is just a joy: smiling, laughing, joking. If you're a fan of one or both of them, you'll have a pretty good time watching this one.

Seven out of 10.

Bronson shines in this great film. This is clearly one his his best pics yet. The movie is great. The story, the acting... Everything. The chemstry between Bronson and co-star Alain Delon works well.

One quesion though... why is Bronson billed so low? Look at how the cast is listed on imdb page... Bronson WAS the star of this, along side Alain Delon.

I've heard that new DVD versions of this film are terrible in quality. I have an OLD vhs of this that is pretty good. The quality isn't great, but it is surely watchable. I guess I'm lucky.

Anyway- go see this movie now!

This will probably be my shortest comment ever; but I havent seen this film in years. However I have always liked it as a great vehicle for both Bronson and Delon. Its finely rcrafted, smooth and slick and still has a raw edge to it. When you think about intelligent action films this one is hard to forget.

A clever script from the late SEBASTIAN JAPRISOT and smart performances from the two male leads - ALAIN DELON and CHARLES BRONSON (or should it be the other way around) result in an engaging and entertaining thriller.

Add to the above the competent direction from veteran JEAN HERMAN and a sparse but effective score by FRANCOIS DE ROUBAIX, it becomes easy why this film has an odd timeless quality.

This is a buddy buddy or bonding story with two loners, both disillusioned and world weary, returning, presumably from Algiers. Like the other colonial powers of this time (post WW II leading into the 60s), France had struggled to keep up appearances overseas. Losing Algiers was a bitter blow.

ADIEU L'AMI (the original title) chronicles the actions of our two (anti) heroes as they struggle to make a go of it, after their discharge.

One thing happens after another, and the viewer really has to pay attention, because JAPRISOT is lean and economical with his script: if it is there, then there must be a reason.

Suffice to say, these two men battle it out, physically and psychologically, one long weekend. Their motivation is quite different, their goals are different - their survival depends entirely on each other. That ALAIN DELON and CHARLES BRONSON are outwardly so different - the former, arguably a pretty boy, and the latter an ugly thug, adds to the chemistry.

That quest makes for a great story, which in turn, makes for a great film.

Lest I forget there are women in this film, and true to the Japrisot method, they too are memorable, though not nearly as fleshed out; to say much more would be to spoil one's delight in discovering their true nature.

FAREWELL, FRIEND HAS BEEN RELEASED IN THE UK; AN ANAMORPHIC IMAGE, 16.9 ENHANCED; IN English ONLY (not even subtitles for the hard of hearing); A RUNNING TIME OF 110 MINUTES; MONO SOUNDTRACK but the DE ROUBAIX music has lots of punch!

Highly recommended.

It is my personal opinion that "adieu l´ami" is one of the most underestimated movies of alain delon. Its psychological structure is of a highly complex density and needs to be analysed more. Especially the ambivalent role of women, sex and violence makes plenty of different interpretations possible. I propose to view "adieu l´ami" as an early outlook to the risky and multi-individualistic lifestyle and social attitude of the late ninetees. Comparing now the plot of "adieu l´ami" to the reality of western societies it must be seen as a masterpiece of impressing directive power.