The Blood of Fu Manchu

If you read the plot synopsis of "Blood Of Fu Manchu" it sounds like exploitation gold, but don't get your hopes up: it doesn't make the most of its premise (to put it kindly). Despite noted smut peddler Jess Franco in the director's chair, it is quite tame, and despite being part of the Fu Manchu series, a stereotypically fat, unshaven, cackling bandit has by far the most screen time (Shirley Eaton fans will also be disappointed; her part is a 2-minute cameo). Location filming in Brazil and Christopher Lee's commanding (even if unconvincing) performance are pretty much its only assets. ** out of 4.

The fourth film in the revived Fu Manchu series from hit-and-run international film producer Harry Alan Towers is the first one directed by Jesus (Jess) Franco, a cult icon best known for the staggering quantity of his films, as well as their usually appalling quality. In hindsight, Towers and Franco were destined for each other. Both were specialists in speedy international productions and each usually juggled more than one project at a time.

"Fu Manchu's Kiss of Death" (the shooting title) was filmed back-to-back (or perhaps simultaneously) with the next film in the series "The Castle of Fu Manchu" and shows evidence of having been written on the fly. The script is loosely constructed and constantly sidetracks itself with multiple subplots and far too many characters. The most intrusive involves the a South American bandit chief, whose protracted exploits take up so much screen time that viewers just walking in would think they were in the wrong theater. Probably designed to show off the Brazilian exteriors, it is tempting to say that these sequences look like rejected scenes from "The Wild Bunch", but that would be giving Franco's footage too much credit.

As evidence that Towers was not above ripping off himself, the film opens with a sequence that is a remake of the opening of "Brides of Fu Manchu", with women chained to pillars in an underground hideaway. As in "Brides", one is led to a snake pit but, instead of being lowered in, she is gingerly bitten in the throat by one, thereby becoming the carrier of the title's kiss of death. The contrast between the lighting, staging and sets in these two sequences gives ample testimony of how low the series had fallen in just two years.

The ever-present Maria Rohm (AKA Mrs. Harry Alan Towers) shows up as a jungle missionary wearing a gaucho hat and red leotards. She gets involved in yet another subplot about a proto-Indiana Jones leading a medical expedition. Apparently, this plotline exists only to provide the hero, afflicted with the death kiss, with a miraculous cure at the last minute.

While the rest of the cast was having fun in the Brazilian jungles, stars Christopher Lee and Richard Greene never leave the studio in Madrid, Spain that was home to all the film's interiors. Guest star Shirley Eaton appears in one brief scene that appears to be an outtake from one of the two Su-Muru films she was making for Towers at the time. (The second was also directed by Franco.)

It's hard to believe that this film (retitled "Kiss and Kill") got major USA playdates in 1968 as a solo feature.

The evil Fu Manchu continues his endless quest for world domination but first; he has developed a plan to eliminate his arch-enemies (of which Scotland Yard's Nayland Smith is top priority). So our oriental master-criminal has kidnapped 10 of the most beautiful women on the planet and stuffed their bodies with the world's deadliest poison. Their orders are to seduce the enemies and kill them with "the kiss of death". His fiendish plan almost succeeds but Smith survives the assault and goes after Fu Manchu, who shelters in the jungles of South America. The premise of this sequel sounds promising enough but, don't be fooled, it's a terribly boring and unexciting film. There are so many things wrong with this production I don't even properly know where to start. For starters, the screenplay introduces way too many characters and actually none of them are worth mentioning. There's no tension and there's a total lack of gore and sleaze, as well (considering Jess Franco signed for the direction, I was at least hoping for this). There are a lot of battle sequences but they're painfully tame and tedious. Franco makes no use of the great jungle-location at all and the editing is lousy. Judging by his emotionless performance, Christopher Lee wasn't interesting in repeating the Fu Manchu role for the fourth time at all. Jess Franco also directs on automatic pilot, meaning without the slightest bit of passion or motivation. For him this was just another easy-money job in between some euro-trash cinema highlights like "99 Women" and "Marquis de Sade: Justine". The absolute best Fu Manchu film remains the 1932 "Mask of Fu Manchu" (starring Boris Karloff), although Don Sharp's efforts "the Face of…." and "The Brides of …" are pretty good as well. There's absolutely nothing to recommend about this one, so avoid unless you're a perfectionist...or really REALLY bored.

The fourth entry in the Fu Manchu series with Sir Christopher Lee is a very mild diversion at best. Lee, playing the dastardly arch villain, appears to be just going through the motions. This time, his fiendish plan is to abduct a dozen sexy young women, and use them as assassins. Their blood is filled with poison and they are dispatched to various major world cities to murder Fu Manchus' enemies. On the side of good are Fu Manchus' chief nemesis, Nayland Smith (Richard Greene), Carl Jansen, a so-called "archaeologist" (Gotz George), Dr. Petrie (Howard Marion-Crawford), and Ursula Wagner (Maria Rohm), a nurse.

Another collaboration between screenwriter / producer Harry Alan Towers and the extremely prolific director Jess Franco, this is going to be awfully disappointing for those people that love Francos' ultra-sleazy 1970s output. Titillation is minimal. As a jungle adventure / pulp nonsense bit of entertainment, it's okay, but it falls short of any potential. Overall, it lacks style and energy, and some viewers may even find it boring. Even the action scenes aren't very exciting. The location shooting in Spain and Brazil is adequate, and there are some very fine looking ladies (also including Shirley Eaton of "Goldfinger" fame as The Black Widow) to add to the scenic value.

Lee is just okay, unfortunately, although there is pleasure in watching Tsai Chin ("You Only Live Twice") as Fu Manchus' sadist daughter Lin Tang, and the lively Marion-Crawford. Ricardo Palacios is amusing as a bandit leader, but the film simply spends too much time with his uninteresting gang. Greene, credited as a "guest star", doesn't get all that much to do.

If you're a fan of Lee and / or Franco, you could definitely do better than this.

Five out of 10.

The 4th of the 5 Fu Manchu movies with Christopher Lee takes the villain to a new hiding-place in Brazil. He uses a snake venom to blind and kill his enemies. Immune girls are passing on the poison to the victims by a kiss of death. Carl Jansen (Götz George) finds Fu Manchu, and Nayland Smith urgently needs help because he's been kissed already. The whole movie makes no sense at all (even the trip to Brazil isn't necessary for Nayland Smith, since the antidote was available in England from the girl who gave the kiss), but I didn't worry much about logic because it is so much fun! Just a handful of examples: Dr Petrie is unshaken by any danger, but cold tea really upsets him... A bandit steals a book, then throws it away: "No pictures, only words! Terrible!" he says with the justified wrath of the illiterate. The governor keeps Jansen prisoner for three days under false accusation - and apologizes that "good chess players are hard to find"!

Ricardo Palacios as Lopez makes a much better co-villain than Horst Frank in the previous movie because he provides such a great difference: the short, fat, sweating, ugly bandit compared to the tall, lean, stiff, ascetic mastermind. Lopez is the first one with the guts to ask: „How much do you pay?", and Lee dryly replies: „Freedom is not measured in terms of money..." Brilliant moments, and the camera work with its close-ups and focusing is looking much more creative than the traditional job in „The Vengeance of Fu Manchu". Last not least, more sexy girls than ever before! I voted 7/8/5/7/4 for the five movies.