Bandolero!

A patchy western which has rather ambivalent attitudes towards it's two main characters,the Bishop brothers,oddly played by Jimmy Stewart and Dean Martin! It's most improbable to accept the above as siblings,never mind Western badmen.The film itself seems to wearily accept this as all throughout the two are treated as sympathetic ne'er-do-well's trapped by unfavourable circumstance,whereas the rest of Martin's gang are portrayed as ruthless villains.

The best scenes are certainly in the first 30 minutes of the film,with Martin and his gang waiting to be hanged after a failed bank robbery;Cowboy drifter Stewart accidentally finds out about the impending execution of his brother,and overpowers the hangman involved so he can arrange an elaborate escape.All these early scenes work very well,continually laced with effective black humour,and an enjoyable concentration on Stewart and witty duologue's with such familiar Western character actors such as Ray Barcroft,Dub Taylor and Guy Raymond.

After the escape,things oddly turn flat.Stewart robs a bank(non-violently)afterwards,Martin and gang gently abduct Raquel Welch,and are relentlessly pursued by Sheriff George Kennedy and deputies.There's good chemistry between Stewart and Martin,and one or two effective scenes thereafter,but BANDOLERO! tends to get bogged down in dullish conversation and not enough action.A sub-plot of Ms Welch falling in love with Martin(after his gang ruthlessly murdered her husband Jock Mahoney) is even more improbable than Dino and Jimmy being members of the same family,and her attempt at a Latin-American accent(she is of Bolivian descent)is adequate but that doesn't automatically mean a good performance.Another sub-plot involving murderous bandits gives the film a surprisingly brutal and violent edge,aspects which were creeping into US film at this time in the late 60's,which as far as Western films were concerned reached a near zenith in the following year's THE WILD BUNCH.The film should've been shorter with better pacing,but isn't too bad thanks to Messers Stewart and Martin,despite their obvious miscasting.

this movie has larry mcmurtry written all over it--as someone else has noted, three of the characters have names that later showed up in "lonesome dove", roscoe's last name is bookbinder, and larry mcmurtry is a bookseller and book fanatic, most of the film is set near the texas/mexico border, where lonesome dove is located, and dee and mace have a brotherly relationship much like call and gus (and don't forget "lonesome dove" began as a screenplay intended for james stewart and john wayne) and dee and mace talk about going to montana and starting a ranch......

larry mcmurtry doesn't get a screen credit here, but i'll betcha he had something to do with the screenplay......

anyone know for sure?

Without comparing it to any of the acknowledged "greats" or even better westerns any of the stars made, "Bandolero" is a satisfying movie - interesting enough story with a bit of a humorous twist, well-mounted, beautifully shot, and everybody involved does their customary good job. If it drags a bit in some of the campfire scenes, it makes up for it in the action scenes. Must single out Rudy Diaz, who plays the chief Mexican bandit, as making a particularly vivid impression in his few scenes. Oh, I almost forgot, another rousing Jerry Goldsmith score worth owning on its own account. What more can you ask, seeing great guys like Jimmy, Dean, George, Harry Carey & Co., and of course Raquel, going thru long-practiced paces they knew so well by this time?

Mace Bishop is slumming his way across Texas when he hears that his brother has been caught robbing a bank and is due to be hung, along with his whole gang. Posing as a hangman, Mace manages to convince the Sheriff of his stolen identity and merrily sets about preparing for the execution. When the day comes Mace goes through the motions until the first chance he gets to slip Dee a gun unseen – allowing them to escape. While all the men ride out of town, Mace finishes off the bank that Dee failed on and rides on to meet up with the gang fleeing to Mexico – however even with a hostage, the Bishop gang are closely pursued by an angry Sheriff Johnson.

From the very start this film marks itself out as a strange mix that relies on its stars more than anything else. The opening scene is edgy but then the credits are laid back with an almost comic theme tune. The first half continues with this tone and is quite relaxed and enjoyable while also being a bit amusing; however once the Bishops escape, things begin to go downhill but yet there is still over an hour to go. The film forgoes the amiable tone it had in the start and tries to build a story and characters but does neither very well at all. It all drags and is never really convincing with the actual 'chase' sort of petering out in a distracting subplot involving Mexican bandits while the rest of the characters change and act totally unconvincing. It affected my enjoyment of the film – not because it got more serious but because it never got involving. The ending is a massive gunfight that is more silly than exciting and is just a lot of noise to satisfy the audience rather than a good conclusion to the story.

The characters are a problem because they seem to have been written to suit the stars rather than being true to the story and situations. The best examples of this are Maria (who falls in love too easily), Dee (who is just Dean Martin and not an end of the road bandit) and Mace (who is just James Stewart). People on this site have said that this film gave the stars the chance to play bad guys but this is nonsense – the 'bad guys' here are the gang, who are set as mangy in order to help us see how likable and honourable the Bishops are. Martin plays to his smile but does nothing else – certainly he is not the tough criminal that the opening scene would have us believe he is. Stewart suits his role but there is nothing to him other than a watered down version of his personae and a bit of relaxed charm; this makes for dull viewing though. Welch looks gorgeous and yet she cannot make us believe in her character at all and she is all about being Raquel Welch rather than being a character – heck, even an attempted rape seems to have been shot to show off her back and legs. Kennedy just saunters along in a wasted role and the rest of the gang just do the best they can with thin characters.

Overall this is a pretty poor film that has an enjoyable little first half but then unsuccessfully opens up into an attempt at a story with characters and such. The story is weak and falls down in the second half, partly due to the characters just not convincing at all. The stars try to work with the material but they are only ever partly successful – Stewart being OK, Welch forcing the emotion and Martin just smiling and relying on his celebrity status. The first hour is OK but this is one for real fans of the actors but nobody else.

An entertaining Western whose major selling points are a winning cast and beautiful outdoor photography, 1968's "Bandolero!" proved an easy 100 minutes for me to sit through. In it, James Stewart rescues brother Dean Martin and his sleazy gang from a neck-stretching party in 1867 Texas, after Dino & Co.'s botched bank robbery. They hightail it over the Mexican border with the recently widowed "vistoso" Mexican Raquel Welch as their hostage, while sheriff George Kennedy and his posse follow in hot pursuit. Truth be told, Kennedy is more hot for Raquel than the pursuit of justice, and who wouldn't be? Racky, 28 here and at the peak of her sex goddess phase, looks terrific, and acts very passably. She makes for a very convincing Mexican (although, in real life, her father was Bolivian and her mother of English descent). Stewart (need it even be said?) is fine as always, and supplies much of the film's humor with his double takes and slowpoke delivery. This is no Anthony Mann Western, however, and Stewart was ever so much more impressive in oaters such as "Winchester '73" (1950) and especially "The Naked Spur" (1953). Dino, it should be added, is also fine as a decent guy who just can't seem to make good. "Bandolero!" also features some amusing lesser characters (particularly that hangman!) and a surprisingly gritty and quite violent conclusion. It's no Peckinpah bloodbath, but following what is essentially a fun, lighthearted Western, it does shake the viewer. Lesson to be learned: Don't press your sexual "favors" on a Mexican woman if she's anywhere near a six-shooter!