The Girl from Rio

There are certain scenes in this film (like the hero's first meeting with super-villainess Shirley Eaton) where it seems to be on the edge of breaking sexual taboos and doing its premise (females want to rule the world by making men slaves) justice, but it never dares to. The result is a film with no sexuality and some tame violence. Despite the choppy plot, the film is not overly bad until its climax, where its amateurishness runs rampant (terrible editing, overuse of stock footage). Worth seeing only as a curio. (*1/2)

Girl from Rio, The (1969)

** (out of 4)

Coming from the same era as his FuManchu pictures, this European spy-caper comes from Jess Franco and actually is fairly decent as long as you don't expect too much from it. In the film, which is basically a take-off on Mario Bava's DANGER: DIABOLIK, former Bond girl Shirley Eaton plays Sumitra, the leader of a female gang who plan on taking over the world by turning all the men into their slaves. The girl gang must try and fight a couple evil men (one played by George Sanders) who plan to try and stop them. There's no question that this isn't a very good film but at the same time it's actually better than you might expect it to be. The biggest problem is with the screenplay that really doesn't offer up anything overly original or entertaining as the film's pacing is always at a stop-go motion that ends up killing the film. We get a lot of funky visuals as there's no question this is one of those psychedelic pictures that I'm sure many potheads might enjoy. You've got a pretty good soundtrack, some decent cinematography and it's good to see some familiar names showing up. Sanders was certainly slumping at this point of his career but he manages to be mildly entertaining here. Eaton also manages to turn in a decent performance and it really does appear as she's into everything going on and having a good time playing pretty much a female James Bond. She's certainly chomping away at the dialogue and appears to be having a blast. I think those unfamiliar with the work of Jess Franco might find themselves enjoying this because they're not really sure what they would normally be seeing from the director. Franco worked a few films into this genre but I'm personally not a fan of any of them so in the end this is a decent effort but there's just not enough soul here for me. I prefer his 70s output, which featured more bizarre and poetic films.

Since I recently watched Mario Bava's Danger Diabolik, I had an urge to see some other, lesser known spy movies. This is Jess Franco's attempt at the genre and he almost pulls it off. If it weren't for some lapses in action (and logic) this one would have been very good. But far too often, nothing much of interest is going on. In a typical James Bond movie, there are many instances where the action stops to further the plot. In The Girl from Rio, these stops in the action do nothing to advance the story. They are just there.

Franco probably had one of the bigger "name" casts in The Girl from Rio that he ever worked with. Shirley Eaton, from Goldfinger, is the villainous Sumuru. George Sanders, who I always get a kick out of watching, is very funny as the equally villainous Sir Masius. The biggest problem with the casting is Richard Wyler as the films hero. He's not interesting enough to carry the part.

Having watched a few Franco movies over the past few years, The Girl from Rio is decidedly tame. While the movie has its moments, the usual Franco sleaze is not evident. Too bad - it might have made some of the non-action moments more tolerable.

Without even trying to, I have somehow managed to see four of director Jess Franco's 140-plus films over the last few months. The man has been so very prolific is so many film genres that he is seemingly unavoidable for anyone whose tastes tend toward the "psychotronic." "The Girl From Rio" (1969) is one of his more coherent, impressively made, larger-budgeted, less sleazy efforts, at least compared to some other works in his gigantic oeuvre. In this one, formerly golden Bond girl Shirley Eaton plays a character widely referred to as Sumitra, although here she's usually called Sunanda (AND despite being based on Sax Rohmer's female villain Sumuru...don't ask). She and her all-woman army plan to conquer the world from their base city of Femina (near Rio), if American playboy on the run Jeff Sutton and crime boss Masius (the always-worth-watching George Sanders) don't get in the way. The film features excellent set and costume design, a chic and catchy theme song, unusual camera angles and a decidedly mod feel. Shirley is just fine in her villainess role, and viewers who enjoyed Maria Rohm's work in that same year's "Venus in Furs" (also by Franco) will just eat her right up here. The picture, for the most part, has its heart in the right place and is something of a gas. Sadly, it is also excessively padded with inevitable Carnivale footage, never goes far enough in terms of sex and perverseness, is grossly deficient when it comes to well-choreographed action scenes, and lacks the budget to make good on its admittedly smashing central conceit. The film's a mixed bag, to be sure, but a stylish and enjoyable one. I would never recommend ingesting psychedelics before watching it, but still, the picture almost demands to be seen that way...

The clever marketeer is he is, Jess Franco naturally also cashed in on the huge temporarily success of psychedelic spy movies like Mario Bava's ultimately sensational "Danger: Diabolik!". Franco is the ideal man to shoot a similar film, as he could freely insert as much sleaze, kitschy scenery and absurdly grotesque plot twists as he wanted to. And he partially understood this very well, as "The Girl from Rio" revolves on a man-hating organization, led by a funky dressed lesbo, that plots to turn all men into obedient slaves! Unfortunately (for them, at least), the diabolical plans conflict with the daily business of a feared crime syndicate boss, played by George Sanders. All the right ingredients are well-presented, yet this is a surprisingly weak and unsatisfying adventure movie. The plot is rich on imagination, but seemingly only on paper, as the action is quite tame. The film is also very colorful...but not too bright and especially shocking was the total lack of vicious sex. There's a bit of nudity, sure, but too few according to normal Franco standards. All the characters are sick in the head, so the least I expected (or hoped for) were more perverted undertones or frenzied themes. Franco obviously had a bigger budget as usual to work with, and I must say he spends that money well on more convincing set pieces and talented cast members. Particularly the veteran actor George Sanders ("Village of the Damned", "Psychomania") is one of the best players ever to appear in a Franco production. Too bad even he can't save "The Girl from Rio" from being a huge letdown. A legendary Euro-smut filmmaker like Jess Franco could and should have done more with this concept. Shame, shame, shame...