The Mercenary

A Spaghetti-Paella Western directed by Sergio Corbucci, one of the most representative directors of the genre, including an international cast and many supporting Spanish family members. This is an entertaining Zapata/Spaghetti Western set in Mexico during the confrontation between Madero and General Huertas, which includes communist revolutionaries and evil bandits. A Pole named Sergei Kowalski (Franco Nero) is a mercenary, working for the highest bidder. While Paco Román (Tony Musante), who is a laborer who works in a silver mine owned by Elías García, rebels against his boss and humiliates him and his two brothers, including Colonel Alfonso García (Eduardo Fajardo). He is soon captured, but his friends save him from the firing squad. Kowalski is ordered to transport silver to a mine, but only finds that the Mexican rebel named Paco has formed a guerrilla group and taken control. Meanwhile, Kowalski makes a deal with Elias and his brother to get their money safely across the border. However, Sergei is hired by Paco and teaches the revolutionary leader how to put his idealistic fervor into practice. They are pursued by Curly (Jack Palance), a gay gunman dressed in white. Fate brought them together, greed made them inseparable, violence made them companions!.

The picture mingles violence, thrills, shootém up, comedy with tongue in cheek and it's fast moving and that's why it's quite amusing. It's a thrilling western with overwhelming and violent shootouts between the protagonists Franco Nero and Tony Musante and the enemies Jack Palance and Eduardo Fajardo. Tony Musante, such as Tomas Milian, puts faces, laughing, crying and overacting, but he plays splendidly. Agreeable intervention of an italian beauty as Giovanna Ralli. Furthermore, here appears usual secondaries from Italian Western as Franco Ressell, Raf Baldassarre, Jose Canalejas, Alvaro De Luna, Simon Arriaga, Lorenzo Robledo, Tito Garcia, and of course Eduardo Fajardo, Corbucci's ordinary. The highlights of the film are the Tony Musante's burying edge neck similarly to Franco Nero's ¨Corbucci's The Professional ¨, the confrontion at the bullfighting square and the Polish wielding a machine gun and shooting though with anachronism because is a modern model, in fact this is a fictional machine gun similar to the one used in Django (1966): Hotchkiss Mle 1914. This film belongs to the numerous group that are set during the Mexican revolution, called ¨Zapata Western¨ , like are the Italians: ¨Leone's Duck you sucker¨, ¨ Corbucci's The professional¨ ,¨ Giulio Petroni's Tepepa¨ and the Americans : ¨Peckinpah's The wild bunch¨, ¨Buzz Kulik's Villa rides ¨, and ¨Richard Brooks' The professionals¨. There are many fine technicians and expert assistants as the cameraman Alejandro Ulloa who makes an excellent photography with barren outdoors, dirty landscapes under a glimmer sun shot on location in haunted town of Cuenca and of course Almeria, Spain. The musician Ennio Morricone composes a classic Spaghetti soundtrack and well conducted by his habitual collaborator Bruno Nicolai. Well produced by Alberto Grimaldi -PEA productions- famous producer of ¨The trilogy of the dollars¨ filmed by Sergio Leone, along with the Spanish priction 'Copercines' . Sergio Corbucci's direction is adequate , he made several classic Italian western : ¨ Django¨, ¨The great silence¨, ¨Hellbenders¨ , ¨The specialist¨ and the ¨Compañeros¨, the latter bears special resemblance to ¨ The mercenary ¨ and along with ¨ ¨What am I doing in middle of the revolution¨ belongs a Corbucci's trilogy about Mexican revolution. Rating : 6,5/10. Good Spaghetti Western.

Franco Nero, sporting a burly mustache and sideburns, stars as Segei `The Pollack' Kowalski, an angelic opportunist, who, for profit not nobility, helps a revolutionary, Paco (Tony Musante), overthrow the corrupt Mexican generals. It is a very good Spaghetti Western, with a nice pace, good action, and interesting characters playing off one another. Jack Palance is Curly, an obviously gay bad guy, whose prissy demeanor hides his ruthlessness- that is until he kills his own partner out of spite and blows a few men's heads off. The story starts with Nero establishing his badassness while catching a dice cheat, forcing the gambler to eat the dice and saying, "When you get them back, I suggest you dont use them again." He is then hired to help protect a trainload of silver make it through rebel territory to the States. Nero goes to the mining town only to find it overthrown by Paco and his gang, and the mine collapsed. Nero luckily finds himself able to offer his help to the rebels and guide Paco in the art of stealing, strategically avoiding, and attacking the corrupt army, eventually overthrowing it. But, mostly it is not a buddy-buddy relationship, Nero is in it for the money, Paco is in it for the righteousness, yet they both respect each other. (To give a good example, at one point, while crossing the desert, Nero makes Paco and the revolutionaries empty their canteens so he can have a shower while they go thirsty.)

Aside from nice bits of humor, it sports some religious allusions, such as, Paco begins with only twelve men + Nero (their Jesus), they masquerade at one point during a religious parade and attack while dressed as angels and virgin Mary's, as well as Nero being strapped to a t-shaped cross when captured. There is also a nod to Macbeth when Paco's woman uses his power drunk naiveté to convince him to turn against Nero. The film makes use of an obviously fairly high budget, with many large battles, crowd scenes, entire towns destroyed, planes bombing, and many locales. It has an interesting structure, since the bulk of the film is told in flashback before returning to the beginning and then reaching the grand finale. The Morricone score is great, and amazingly enough, very understated. Corbucci's direction has never been better.

(Any film that opens with a shot of a dwarf clown dressed like a matador, you just know is going to be good)

I recently got hold of the Japanese DVD print via ebay. This is of really high quality and I was amazed that this film is not more widely known or appreciated. What a brilliant film. In many ways it is similar to Companeros and if you liked that wonderful film you will also love this. The story is somewhat far-fetched but is very enjoyable and fast paced in a 'boys own' way. The machine gun makes its familiar appearance. Franco Nero, as always, delivers a superb performance and Jack Palance gives a very good performance as a very unpleasant killer. The music is brilliant and the duel in the bullring is incomparable and is perfectly choreographed to the wonderful music. If you are interested in westerns you have to see this film.

Revolution, repercussion, robbery, shootout, greed, treachery, cynicism, retribution, all comes together in this fervently crafted, stylishly filmed and unabashedly violent spaghetti western flavoured with Mexican spices. The Mercenary is fun, amusing & thrilling from start to finish, and is laden with political underlinings that provide more depth & richness to its plot & characters.

Directed by Sergio Corbucci (Django & The Great Silence), while there is a playful, adventurous vibe to how the events unfold and are presented, the film doesn't hold back on brutality when the occasion calls for it. Corbucci's direction isn't as precise as in aforementioned classics but he nonetheless exhibits sufficient control over all aspects to give us another satisfying extravaganza.

Franco Nero plays the eponymous opportunist with charisma & pizzazz as he aids an idealistic peasant, finely acted by Tony Musante, in leading a rebellion in return for monetary gains. The on-n-off collaboration & fluid rapport they share with each other is what keeps the drama flowing. And then there is Ennio Morricone's terrific score that effortlessly elevates certain moments to new heights.

Overall, The Mercenary is a fascinating combination of skilful direction, solid acting & spirited soundtrack, and is easily amongst the finest examples of zapata western. A spicy mix of action, humour & violence that delivers the desired goods and also serves as a critique of Hollywood's handling of Mexican revolutions, Corbucci's film is engaging & entertaining in equal measure and comes thoroughly recommended.

Franco Nero is as cool as he's ever been, in the role of the title character. Sergei Kowalski is a Polish scoundrel who tends to only look out for number one - and make a couple of dollars in the process. He makes the acquaintance of Paco Roman (Tony Musante), a peasant tired of mistreatment who assumed the role of revolutionary. They are subsequently united in many episodic adventures as they scheme to rob a bank of silver to fund Pacos' movement. Working against them are characters such as Alfonso Garcia (Eduardo Fajardo), and Curly (Jack Palance), a rival who turns bitter and vengeful.

"The Mercenary" is considered by some to be one of the finest Spaghetti Westerns ever made, and this viewer would have to agree. It manages the neat trick of combining action, comedy, and drama, without ever getting too maudlin, silly, or gory. Both Musante and the fiery, incredibly sexy Giovanna Ralli supply the necessary humanity in a story often hinging on the differences between the Pollack and the freedom fighter. Paco has found a cause bigger than his own personal comfort, but Kowalski remains mostly concerned with financial gain. Special guest star Palance is very funny; sporting an appropriately curly, ridiculous looking wig, he's good for a number of chuckles. He also bares his backside for the camera, in a comic dose of nudity. Nero is priceless as a man who always uses what's available to strikes matches for his cigarettes, and who continues "billing" Musante for services during a gun battle.

The fact that this story uses the Mexican revolution as a backdrop allows for some political / social commentary, as it did for various other Italian oaters that did the same thing. It also boasts typically wonderful Ennio Morricone music and splendid widescreen photography by Alejandro Ulloa.

A fine film with subtly poignant moments and a resolution that will leave a smile on ones' face.

Eight out of 10.