Goke, Body Snatcher from Hell

Turner Classic Movies broadcast Goke at 2AM, October 03, 2006 in a gorgeous, widescreen, sub-titled print. It's great that they were able to secure a print of this quality. There are many questions, few answers, in the allegorical script. The last of the J-horrors produced late in the decade, the pulp sci-fi magazine elements are presented in searing colors and psychedelic effects, giving this film an unforgettable visual impact. Great looking women are a major plus. Injecting an anti-war, anti-Viet Nam stance throughout the entire film took a lot of nerve and must have damaged its theatrical distribution with US exhibitors. The movie producers at the Sci-Fi channel should carefully study this film.

First of all, if you want to see this flick, you'll have to look for one of the out of print tape copies made by Sinister Cinema. They used to have them and in widescreen (more or less) but apparently cannot make any more. Mine was one I found for sale that was already viewed but was lucky to find.

The widescreen is not the complete picture, but it's close, there's not too much cropped off at the sides and it's about 1.66 to 1 ratio. Pretty good image and color too. The story concerns an airplane crash landing on some sort of island or rural area, where a spaceship has landed. The alien is a life form which takes control of a person by entering the body, and then turns that person into a vampire, who drains its victims of all blood. It seems this alien is the vanguard of an advancing conquest. The whole thing is pretty eerie but has plenty of goofy moments that will make for laughs. There's the whole idea of mankind racing to destroy itself along with pretty vapid references to Vietnam, and how terrible the world is. The idea is that the earth will get what it deserves since we can't live in peace. Good old 1970s peacenik hand-wringing at the terrible state of humanity, with a good dash of cardboard character clichés thrown in. You'll want to see it for the really weird execution of a pretty spooky premise, and fast paced too. One of those type of films that cries out for a remake by someone who knows how to handle sci-fi horror.

Goke is one of those films that I had only heard about in the 1980's but was never able to see. It had a reputation among the hard core film fans as something out of left field but not very good. Many years later I had forgotten about the film but had chanced across director Sato's deliriously silly kid's film "Golden Bat". I was rather surprised that this film was by the same man.

The film is very artificial from the first shot of a model jet in front of a red sky to the rock quarry most of film takes place in. Most Japanese film fans will recognize this quarry. It's in samurai films, gangster films and every other episode of Power Rangers. The cheapness is off-set by the care of the direction and photography. The special effects are super color saturated and very bizarre at times. While definitely not a children's film, Sato utilizes a number of techniques from Golden Bat including the generic action music and the kabuki inspired movements for the possessed.

The energy that's put into this film makes up for the logic gaps, bad acting and cheapness. The ending is very unexpected, nightmarish and disturbing. Finishing this film is like waking from a very bad night of sleep. As Sato has no further films in his listing here yet lived for quite a while after, I wonder what was his state of mind while making this film.

Recommended.

A seemingly ordinary flight is quickly and inexplicably cursed by blood red skies, a bomb threat and suicidal birds splattering themselves against the windows. As if this were not enough, a globular glow-in-the-dark UFO causes the plane to crash in an unoccupied and desolate area which looks suspiciously like the quarry where Fred Flinstone once worked. The survivors are soon faced with an alien invasion in the form of moldy cosmic silly putty. The slime takes over human hosts by oozing its way up over the face and into a gash opened in the hypnotized victims forehead...a gash which, even when closed up, rather resembles a vagina and gave me the uncontrollable giggles.

Anyway, the possessed human hosts go on vampiric killing sprees, draining their victims of blood and turning them a pleasant shade of blue. In the end, the dwindling survivors show their bravery and do battle with the nasty aliens, or become cowardly lumps of Jell-o and run away screaming. There's a lot of anti Vietnam War protesting throughout, complete with stock footage of wartime atrocities. It's a nice touch, considering the time in which this film was made and the unpopularity of anti-war protesting period. There's also a surprising twist ending which, for some reason, reminded me of Fulci's film "The Beyond" combined with "28 Days Later."

All in all, this is a goofy, badly dubbed and totally entertaining film to watch. If you're a fan of Japanese cinema, vampire films and sci-fi flying saucer invasions, you won't want to miss this one.

This was another film I had long been intrigued by via a solitary still from it in a horror-film tome of my father's; it's also proof that the Japanese could make adult-oriented horror just as well back in the day (and not merely kiddie stuff like the "Godzilla" films – one of which, incidentally, followed this viewing). Intriguingly, the Janus logo which preceded the opening titles suggests this may be forthcoming on DVD from Criterion (I haven't yet purchased the other cult Japanese horror they've released, JIGOKU [1960], due to the defective first pressing of that film's disc; having watched GOKE, I wonder whether I should take the plunge now…hoping that I end up with a corrected copy).

Admittedly, the plot of the film isn't all that original: the English title, obviously, implies a certain kinship with Don Siegel's 1956 classic – while the gelatinous alien which possesses the human body through the face(!) is also redolent of THE BLOB (1958); but maybe its influences actually came from European genre efforts – as a matter of fact, two Italian films I've just watched have a good deal in common with it, namely CALTIKI, THE IMMORTAL MONSTER (1959; the oozing creature, again) and PLANET OF THE VAMPIRES (1965; the remote setting, the 'body snatcher' element, the vivid color scheme and even the final apocalyptic revelation)! Besides, the fact that the narrative revolves around a handful of passengers from a crashed plane also brings to mind the oft-used 'hazardous situation' plot line of classic Hollywood films such as FIVE CAME BACK (1939), STAGECOACH (1939) and the like; under pressure of hunger, thirst, isolation and the imminent threat of alien takeover, all the basic natures of the various characters come to the boil – leading most of them inexorably towards their doom!

This mish-mash of elements ensures a stylish and entertaining ride – but it's all filtered through the innately weird sensibilities of Japanese cinema (not to mention the country's first-hand experience of nuclear fall-out, which unmistakably pre-occupied most of their sci-fi entries), giving it a distinctive creepiness; the final reel – peppered with red-tinted newsreel footage of devastation and violence – has the two lone survivors finally reaching civilization, only to be met with a less than comforting sight.