Don't Wait, Django... Shoot!

DON'T WAIT, DJANGO...SHOOT! is a lame attempt to jump onto the Django bandwagon, and it's obvious from the outset that the main character's name has merely been changed to Django in post production in order to cash in on the success of the Franco Nero movie. It's nothing like a Django film at all, the titular character doesn't even wear the trademark clothing, and is instead a standard vengeance-seeking gunslinger.

The film opens as an elderly man is gunned down by a gang of Mexican cut-throats, leaving his grown up son and daughter seeking revenge for the crime. This revenge takes an inordinately long time to play out, with the running time interspersed with routine intrigue and some very unexciting shoot-outs.

One of the most interesting things about the production, for me, is the presence of Ivan Rassimov in the leading role. Rassimov is well known for his appearances in '70s movies like DEEP RIVER SAVAGES and it's fun to watching him play against his real-life sister, Rada, but he doesn't make much of an impression in this one. Pedro Sanchez has a supporting role and plays the usual larger-than-life character. The truth is that nobody's on fire here, particularly director Edoardo Mulargia who churned out at least a dozen of these cut-price spaghetti westerns.

This film should really be called Wait Django…just wait because that's what he does for most of the film! Periodically some guys turn up to be shot but it's all about the waiting.

Y'see, Django (this time played by Ivan "I'm a man, not a fish" Rassimov) is out for revenge after some bandits double cross his dad, steal his dad's money, then steal the money from themselves, then get themselves killed by another guy who steals his dad's money, then hides in a hotel with Django outside while some other guys come to Django's house and are all like 'where's Django at?', who then get themselves killed so some other guys turn up asking "Where's those guys at who were asking where Django's at?" and so on and so forth until just about everyone ends up dead.

Ivan and Rada Rassimov really look alike, eh? Never noticed that before. This one at least tries to be different, but in a rather uneventful way that must have saved a fortune on locations –Seriously, there's like four different locations here – Django's house, Bad guy number one's house, the village where the guy hides out, and bad guy number two's ranch. That's it! Thrown in a comic drunk guy, a fat sidekick and a whole lot of doing nothing and there's your film.

Good 'nervously tapping a silver dollar on a table' action though

I recently watched Don't Wait Django...Shoot (1967) on Tubi. The storyline revolves around Django's father getting killed in a business deal gone wrong. When Django returns home, chaos ensues.

Directed by Edoardo Mulargia (Shango) and featuring Ivan Rassimov (The Humanoid), Ignazio Spalla (Sabata), Rada Rassimov (The Good, The Bad and The Ugly), and Marisa Traversi (Flashman).

The film offers a classic Django experience complemented by an excellent Italian spaghetti western soundtrack. The settings, attire, and props were meticulously chosen, creating a visually immersive experience. The shootouts and action scenes were well-executed, contributing to the film's solid appeal. While the storyline is somewhat cliché, it remains enjoyable to watch unfold.

In conclusion, Don't Wait Django...Shoot is an average to slightly above-average addition to the western genre. I would give it a 5.5/10 and strongly recommend it for fans of the Django series.

This Spaghetti Western from Mulargia is a very nice B-Movie with good actors, music and atmosphere.

The most time of the movie is placed in a little town and that is very good for the atmosphere of the movie. Ivan Rassimov is very good in the part of Django and also Petro Sanchez is a very good partner for him. Rassimov's sister plays his real sister Rada. You can also see the writer and director Vincenzo Musolino in the part of Hondo. The great score is composed by Felice Di Stefano who also composed a few other scores for Mulargia and Musolino.

All in all this Western is a great B-Movie and a must see for Spaghetti fans.

Directod Eduardo Mulargio (as Edward G. Muller!) churned out a bunch of cheapie spaghetti westerns in the genre's heyday in the late 60's to early 70's. Don't Wait Django, Shoot is one of them, with Ivan Rassimov (as Sean Todd - the blue-eyed character actor mostly known for his roles as villain and psychopathic killer in gialli) in the role of Django Foster (he's got a surname too this go around!) trying to avenge the death of his father by a bunch of Mexican cut-throat extras with greasy faces. The production values are as low as you'd expect from a Django clone probably made in a week to turn in a quick buck, there's lots of non-acting going on, the dialogue is very poor and the script seems to have been conceived in one day and written in another. Entire scenes seem to exist for no other reason than to communicate a single line and the gunfighting is dime a dozen. The movie looks like it was shot 15 minutes from Rome instead of Arizona, Sonora or wherever it's suppose to take place. There are dozens more well made, more interesting, more entertaining spaghetti westerns out there and I'm not even talking about the A-list pictures of Leone, Corbucci or Sollima. This is a third-tier quickie at best and just not a good movie.