Today We Kill, Tomorrow We Die!

My first positive review for a while, and it's for this little Western potboiler. A guy who has spent five years in prison for the murder of his wife which he was not responsible for organises a band of the meanest hombres around and goes to kill the real culprit of the crime. The murderer happens to be the leader of a bunch of merciless gangsters who hold up stagecoaches and dispose of anyone who gets in their way, so our hero and his desperadoes have their work cut out for them. But where there's a will..

Lacking the technical expertise of Clint Eatwood's finest, this is still a thoroughly engaging spectacle. So what if the dead bodies sometimes move, and the fists obviously never make contact with skin? Thanks to robust characterisations, lashings of wit, enthusiastic gun battles and an infinitely hissable villain this is well worth catching at the wee crack of dawn when you can't sleep. In fact, it's so entertaining I am postponing my own bedtime at 2.30 a.m to recommend it to everyone. Now that's commitment. YAWN. 6/10.... ZZZZZZZZZ *Head collapses on Z key*

WOW ! This was one good western, and it also has Bud Spencer (one of my fave actors) as one of the main roles! Heres the plot :

A man named Bill Kiaowa was sent to prison for 5 years for killing his wife....a crime which he didn't commit.When he's released from jail, he rounds up his old buddies to help him kill the man who killed his wife....

Yeah, your thinking, oh, just another boring western! It is just one of those simple westerns that were rip offs of " The good, the bad, and the Ugly" but give it a shot! Its worthwile!

Today it's me.... gets 6/10

After five years in jail, Bill Kiowa (Montgomery Ford) is released and he hires four skilled men for his gang: the tough O'Bannion (Bud Spencer); the sheriff Jeff Milton (Wayde Preston); the gunman Bunny Fox (Stanley Gordon); and the gambler Francis 'Colt' Moran (William Berger), using the money his father gave to him. Bill seeks revenge against the sadistic leader of the Comancheros James Elfego (Tatsuya Nakadai), who killed his Indian wife Mirana Kiowa (Diana Madigan) and framed Bill that was sent to prison.

"Oggi a me... domani a te!" is an entertaining western with a story of revenge written by Dario Argento and the director Tonino Cervi. The poor DVD released in Brazil by Diafilme Distributor has many mistakes in the cover: the name of Dario Argento is highlighted as actor in the front cover; the synopsis is totally wrong; and the name of the director is also wrong (Giulio Petroni, instead of Tonino Cervi). Further, the DVD does not have the original audio in Italian, but only dubbed in Portuguese and in English without subtitles. My vote is six.

Title (Brazil): "Mato Hoje, Morro Amanhã" ("Kill Today, Die Tomorrow")

Co-written by Horror-great Dario Argento, one of the filmmakers I have the highest respect and admiration for, Tonino Cervi's "Oggi A Me... Doani A Te!" aka. "Today It's Me... Tomorrow It's You" of 1968 is an average Italian revenge Western that has its highs and lows, certainly no highlight of the great Spaghetti Western genre, but a film with some definite qualities and some very good moments.

After spending five years in prison, Bill Kiowa (Brett Halsey) seeks nothing but to take revenge on merciless Outlaw James Elfego (Tatsuya Nakadai), who has destroyed his life. In order to fight Elfego's notorious gang, Kiowa hires five men, among them the huge O'Bannion (Bud Spencer) and gambler Francis 'Colt' Moran (William Berger)...

It is beyond doubt that Dario Argento is not only a Horror genius, but also a brilliant writer of Westerns, since he co-wrote the story to Sergio Leone's ingenious "Once Upon A Time In The West". The plot of "Today It's Me... Tomorrow It's You!", however, certainly has some interesting points, but is ultimately nothing more than average. One of this movie's biggest qualities is the cast, as it features the legendary Bud Spencer in one of his early Western roles, the great Spaghetti Western regular William Berger in one of his typical cool-cat roles, and the famous Japanese character actor Tatsuya Nakadai, who is just great as the diabolic villain. Brett Halsey is not too charismatic in the lead, but his performance is not bad either.

The quality of the score differs throughout the movie, I didn't like the main theme, but some parts of the soundtrack are pretty good, especially the drum sections, accompanied by a yell, and Nakadai's character's theme. The movie's biggest flaws are the buildings and locations. They look OK at times, but over-all the movie delivers the visual impression of European woods in the fall much rather than the old West. This could have been a lot better if it had been filmed on better locations (such as the Spanish Almería), but it is an overall decent Spaghetti Western. My fellow Spaghetti Western enthusiasts should have a good time. 6/10

Dario Argento… Italian horror-specialist?! Well one of them anyway. Yep Argento co-penned this highly enjoyable spaghetti western that had a strong ensemble cast of interesting names to boot. Featuring Brett Halsey, Bud Spencer, William Berger and quite a memorable Tatsuya Nakadai… with a machete! Not only fun and absorbing, but one of the better entries of the long-listed and wide-ranged spaghetti sub-genre. The story is your basic revenge formula, but the script is sharp, unsparing and riddled with well-judged humour that never takes away from the gradual build-up to a thrilling, if offbeat standoff in swampy woodland terrain. These final passages are very well delivered by director Tonino Cervi, by pulling out an atmospheric tone together with the bold violence. But before even leading up to all of this, are some reliably creative and gusty set-pieces that aren't out of place. The brisk style is evident, and music composer Angelo Francesco Lavagnino's flamboyant score randomly punctuates some uncanny sounds. While, the formidably cunning camera-work of Sergio D'Offizi adds to the intensity. Japanese actor Nakadai is stupendous, and had me transfixed with his vibrant expressions as the shady, clever weasel-like villain. He stole every shot he was in. Halsey basically just looked good in black, and stared you down with that steely glance in a fitting performance as the revenge seeking heroine. Spencer bombards the screen with his robust personality and stature. The pacing stays tight, and pretty dry with little in the way of lapses.