A Minute to Pray, a Second to Die

A MINUTE TO PRAY, A SECOND TO DIE is a surprisingly gritty spaghetti western that makes good use of Alex Cord's rather unlikeable outlaw whose lack of charm makes him the polar opposite of Eastwood's Man with No Name. The story involves our hero and his sidekick arriving in a locale populated by the usual unpleasant bandits and the like, and the fun is enhanced by the presence of Hollywood stars like Arthur Kennedy and Robert Ryan in support. The film has surprisingly graphic scenes of torture and killing, and builds to an impressive siege climax which really delivers. While it falls just shy of being a classic, in most respects this one works.

Alex Cord plays Clay McCord(how apt!), an outlaw who has traveled to New Mexico on the promise of amnesty given by its governor(Robert Ryan). Unfortunately, Clay gets challenged by the local sheriff(Arthur Kennedy) who doesn't agree with the governor's plans, and decides to use Clay to lure other outlaws to the state, so that he can deal with them all at once. This leads to a big showdown at the end.

Not bad western is clearly based on the style of the Sergio Leone westerns, and is a decent attempt at doing so, though of course is not as stylish or memorable. Good cast, and an interesting character detail of Clay having epilepsy like his father, which sometimes makes him vulnerable.

Pleasant and enjoyable Spaghetti Western with lots action , thrills , fights and violence . In Tuscosa, New Mexico, the Governor offers amnesty papers to all outlaws . When outlaw Clay McCord (Alex Cord) learns the Governor of New Mexico has offered a pardon to all who apply for it at the town of Tuscosa , he's intrigued but suspicious about it , but he wants his redemption . Then Clay who suffers from troubled occasional epyleptic and strange spells about his deceased father arrives in a minering village called ¨Escondido¨ with a poster captioning the following : ¨If you ain't wanted Mister , you ain't wanted¨. The village is tyrannically domineed by a ruthless villain , boss Kraut (Mario Brega) , there Clay is healed by the beautiful Laurinda (Nicoletta Machiavelli) .Later on , in Tutcosa , Clay McCord's appearance triggers a violent mayhem , as he clashes with the local sheriff , Roy Colby (Arthur Kennedy) , and other outlaws . The Governor (Robert Ryan) then arrives and attempts to calm the situation , knowing that if McCord asks for amnesty , other outlaws will follow .A Minute to Pray, a Second to Die... That's all McCord gives them! The man with the twisted hand always shoots straight to kill!

This is a good S. W. plenty of action , shootouts , fist-play and with an interesting character : an outlaw who suffers epileptic fits which plagued his father as well . An above average Spaghetti Western with usual ingredients , a violent confrontation among bandits , an amnesty and eventually a complex chain of happenings leading to a shoot-out with McCord, Colby, and the Governor on one side while a band of outlaws comprise the other . Stars Alex Cord who plays efficiently the deranged gunslinger , and , even did all of his own stunts . He sought a Hollywood a hard way to success and he found one via his equestrian skills in the early 1960s starring some TV Westerns . Steady work came to him on such established western TV series as Laramie (1959) and Branded (1965) and that extended itself into acting roles on crime action series as Route 66 (1960) and The Naked City (1958). Gaining a foothold in feature films within a relatively short time, he starred or co-starred in more than 30 feature films, including Synanon (1965), Stagecoach (1966), Stiletto (1969) and Mafia (1968). After his film career declined in the late 1970s he turned to action adventure overseas with this notorious "spaghetti western" : A Minute to Pray, A Second to Die (1967) and the British war drama The Last Grenade (1970) and later commercial interest was drawn from his title role in Grayeagle (1977). In Un minuto per pregare, un istante per morire (1967) movie appears usual support actors who took part of hundreds of Spaghetti or Paella Westerns as Italians : Mario Brega, Gianpiero Albertini , Enzo Fiermonte , Giovanni Ivan Scratuglia , Spartaco Conversi , Fortunato Arena, John Bartha, Alberto Dell'Acqua , Ottaviano Dell'Acqua , as Spaniards : Lorenzo Robledo , Antonio Molino Rojo , Aldo Sambrell , Daniel Martin , José Canalejas , Francisco Sanz and José Manuel Martin .

It contains an original musical score by Carlo Rustichelli , it is sensitive and rousing as well , this is one of the best soundtracks of the genre . Likewise, a colorful and evocative cinematography by Aiace Parolin, shot on location in Desierto de Tabernas, Almería, Andalucía, Spain and De Laurentiis Studio, Rome, Italy . The motion picture was professionally directed by Franco Giraldi . This Italian writer/filmmaker (and Sergio Leone 's assistant director) so consistently mixed the good with the mediocre that it became quite impossible to know what to expect from him next . He directed four Westerns with abundant touches of humor (Seven guns for the MacGregor -1966- , 7 women for the MacGregor -1967- ) and one serious and violent (A minute to pray , a second to day -1968- ) . Rating : 7/10 , acceptable and decent movie that will appeal to Spaghetti Western buffs .

The cast alone tells you this will be a notch above the usual Italian western. Veteran actors Robert Ryan and Arthur Kennedy team up with Alex Cord who, at the time, seemed on the verge of stardom. The result is a movie that's both off-beat and down-beat and yet it'll satisfy those who seek more from a western than just gunplay. Especially interesting here is the character played by Alex Cord. One expects the "hero" in these westerns to be taciturn and introspective, but "Clay McCord" is an extreme example and, surprisingly enough, he's often shone in a passive, even weak position. Much is made of the fact that he fears falling prey to the epileptic fits which immobilized his father, and in these moments of helplessness he's either at the mercy of those who wish to harm him or those who wish to help him. To emphasize his passivity, Clay McCord -- don't you love that name? -- is often shone stripped to the waist as if he were little more than an attractive plaything being put on display. There's even a strong masochistic streak in his nature, most in evidence when he's used as a punching bag by his enemies and then suspended by his wrists and left hanging above the middle of a street. Not only does he often fail to protect himself, but McCord is equally ineffective in protecting those around him. Nearly everyone who helps him is killed.

While "A Minute to Pray, a Second to Die" is far from being a complete success, it has a depth and a tone which sets it apart and causes it to linger in the memory. It's also a good showcase for Alex Cord whose career tended to decline after this point following a few promising years in the mid-1960s. He must have been about 34 years old when he filmed this -- in his physical prime -- and the scene of him hanging by his wrists, bare-chested and sweaty, is a memorable piece of cinematic "beefcake."

Back when the Italians were making their so-called 'Spaghetti Westerns', studios often obtained the services of non-Italians to play the leads in their films. The idea was that these B-list foreign actors would increase the marketability of the films abroad and folks like Rod Steiger, Clint Eastwood and Lee Van Cleef were often seen in these movies. In "Un minuto per pregare, un istante per morire", Alex Cord, Arthur Kennedy and Robert Ryan starred...and it was unusual to see that many American actors in one of these films.

Cord plays Clay McCord, an outlaw who is headed to Tuscosa, New Mexico Territory. Why? The territory has just approved an amnesty for criminals. In other words, if they sign a document promising to obey the law, their past crimes will be forgiven. But Cord realizes this might just be too good to be true...and that's exactly the case. Scum-bags, bounty hunters and the like plan to kill these outlaws before they get to the city...and in McCord's case this actually occurs IN Tuscosa...mostly because the Sheriff (Kennedy) is a jerk. But when the Governor (Ryan) arrives and swears the support the amnesty, McCord MIGHT just stand a chance.

Like you'd expect, this movie is extremely violent...as are nearly every Italian western. Lots of remorseless killings are the norm in this one and they seem to take precedence over the plot at times. Add to that a very simple plot and you have what amounts to an exciting time-passer and not much more.

By the way, I really liked Ryan's performance....very low key and convincing.