IMDb RATING
6.3/10
2.8K
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A penniless woman meets a strange girl who insists she is her long-lost mother, and becomes enmeshed in a web of deception, and perhaps madness.A penniless woman meets a strange girl who insists she is her long-lost mother, and becomes enmeshed in a web of deception, and perhaps madness.A penniless woman meets a strange girl who insists she is her long-lost mother, and becomes enmeshed in a web of deception, and perhaps madness.
- Nominated for 2 BAFTA Awards
- 3 nominations total
Robert Douglas
- Sir Alex Gordon
- (uncredited)
George Howell
- First Cleaner
- (uncredited)
Penelope Keith
- Hotel Assistant
- (uncredited)
Roger Lloyd Pack
- Cleaner
- (uncredited)
Angus MacKay
- Vicar
- (uncredited)
Michael Strong
- Dr. Walter Stevens
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is a somewhat weird psychological drama about a mentally troubled young woman (Mia Farrow) who mistakes Liz Taylor's character for her dead mother. The situation is complicated by the fact that Farrow's character also resembles Taylor's dead daughter. Though the premise is a bit contrived, it becomes a bit touching as Taylor eventually becomes protective and concerned about the girl, who is being victimized by her own family. The film does suffer from several major flaws, most notably the appearance of Robert Mitchum, painfully miscast as Farrow's lecherous stepfather. Probably one of Taylor's most daring and least embarrassing roles from this period, she also looks surprisingly good here.
It's hard to find words to describe Secret Ceremony. It's definitely a film that you'd be surprised the likes of Taylor, Farrow, and Mitchum would be interested in being a part of, but their commitment to the material is admirable.
Taylor plays a homeless who has a chance encounter with a creepy young woman played by Farrow who stalks her because she reminds her of her dead mother. Luckily for Farrow, she reminds Taylor of her dead daughter and the two start living together in Farrow's mansion. Needless to say, things just keep getting creepier from there.
The big issue with this film is that we don't know Taylor's character well enough to figure out why she'd ever been desperate or crazy enough to go off and live with a complete stranger, especially one as creepy and obviously disturbed as Farrow. This weak motivation makes everything that happens after it feel unearned and, frankly, boring.
There are some interesting and creepy ideas sprinkled throughout including a dollop, but it's not as interesting as it could have been.
Taylor plays a homeless who has a chance encounter with a creepy young woman played by Farrow who stalks her because she reminds her of her dead mother. Luckily for Farrow, she reminds Taylor of her dead daughter and the two start living together in Farrow's mansion. Needless to say, things just keep getting creepier from there.
The big issue with this film is that we don't know Taylor's character well enough to figure out why she'd ever been desperate or crazy enough to go off and live with a complete stranger, especially one as creepy and obviously disturbed as Farrow. This weak motivation makes everything that happens after it feel unearned and, frankly, boring.
There are some interesting and creepy ideas sprinkled throughout including a dollop, but it's not as interesting as it could have been.
Joseph Losey's brilliant psychological drama follows the strange relationship between a prostitute(Elizabeth Taylor) and a waif-like girl(Mia Farrow) who resembles her deceased daughter. Taylor also bears an incredible likeness to Farrow's deceased mother, enabling the two women to create a world of their own where they can live as mother and daughter. Their secret world is disrupted, however, when Farrow's lecherous stepfather(Robert Mitchum) enters the scene. "Secret Ceremony" features expert performances from all, but it is Elizabeth Taylor who walks away with the honors, delivering a truly moving portrayal of an emotionally broken woman searching for some stability in her life. It's one of her most daring roles, and Miss Taylor handles it like the consummate actress that she is. The screenplay is by George Tabori, based on the prize-winning short story by Marco Denevi. (Universal later cut footage from the film and added extra scenes to make the picture acceptable for a television audience. Luckily, the video version is the original, uncut theatrical release).
I have liked this film since first seeing it upon its original release. It seems a little slow at times now and I'm really not sure I think very much of any of Robert Mitchum's, for me, lazy performance. In part, I feel this is not just his fault, as I understand that in the original story, some street kids (this was in Mexico) broke in and raped the Farrow character. So in the original her fear and excitement/obsession over sex is caused by this and not by any suggestion of impropriety on the part of Mitchum, playing her step-father. Seems to me this would have worked much better had the original scenario been retained. But never mind, we have what we have and we still have a most spooky and atmospheric movie, with Farrow and Taylor at their maddest, baddest and very best. Eerie location shooting in the art nouveaux decorated mansion and plenty happening to keep the hairs raised at the back of the neck. Unpredictable, worrying and well worth catching
What an unexpected, odd, treat. Films that travel undetected, spotted by accident - as it was in my case. I was reading about this startling Argentinean writer, Marco Denevi, when I discovered that one of his short stories had been adapted for the screen, directed by Joseph Losey of "The Servant" fame and with a cast to die for. Elizabeth Taylor as a prostitute that takes advantage of a peculiar girl, played with real zest by Mia Farrow who mistakes her for her mother, and Robert Mitchum, as the disruptor. This classy if bizarre production also includes Pamela Brown and Peggy Ashcroft in the cast. I enjoyed the weirdness thoroughly. It unsettled me and made me wonder how this film had been received in 1968. Apparently not very well. The one thing that made people talk about Secret Ceremony at the time was an infamous still with Elizabeth Taylor and Mia Farrow in a bathtub together. For lovers of the odd and unique this is a real treat.
Did you know
- TriviaWhen this movie aired on NBC several years later, it was not only heavily edited to sanitize some of the seamier sexual suggestions, but also included newly shot footage (none involving any of the actors or actresses who appeared in the actual movie: Michael Tolan, Paul Rogers), including a prologue and epilogue in which a psychiatrist character discussed the characters' failings and attempted to explain away the truncated movie's many plot holes. Amongst other major changes was the profession of Leonora Grabowski (Dame Elizabeth Taylor), who somehow morphed from a prostitute in the theatrical release to a wig model in the television version.
Of the TV version, director Losey said: "not one person connected artistically with the film was consulted or involved in those changes. They're absurd...completely destroyed the rhythm, intention and content of the film...absolutely reversing the meaning of the film."
- GoofsMoving shadow of the camera on the door-frame as it moves from Lenora's room to Cenci's room at the hotel in the Netherlands.
- Alternate versionsNetwork TV version is eight minutes shorter than the theatrical release, removing some scenes and featuring alternative footage for others.
- ConnectionsReferenced in The Abominable Dr. Phibes (1971)
- How long is Secret Ceremony?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Die Frau aus dem Nichts
- Filming locations
- Debenham House, Addison Road, Holland Park, London, England, UK(Lenora & Cenci go to this house at No. 8 after the cemetery - aka Peacock House)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $3,200,000 (estimated)
- Gross worldwide
- $1,133
- Runtime
- 1h 49m(109 min)
- Color
- Aspect ratio
- 1.85 : 1
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