The Sweet Ride

Hollywood starlet, beaten down by the high price of glamor and success, is ready to leave her career for a mercurial surfer, who is under the thumb of a controlling tennis bum. Cheesy Twentieth Century-Fox answer to the youth movement in cinema of 1968, complete with swastika-wearing bikers and also a funny buddy (Bob Denver) straight out of the "Beach Party" movies from the earlier part of the decade. Jacqueline Bisset is obviously a beautiful women, but not so much here; the combination of gummy color cinematography and an unattractive part conspire to make the up-and-coming star look haughty and silly. Tanned, muscular Tony Franciosa gives the stilted proceedings a little kick, but Franciosa had already outgrown parts like this smug tennis hustler (it's the type of dumb role which would help kill off interest in him as an actor in the next few years). Although the picture is swill, there is some fascination (for buffs, at least) in seeing a major studio frantically trying to be 'with it'...keeping up with the kids, as it were. ** from ****

This movie essentially revolves around three men by the names of "Collie Ransom" (Anthony Franciosa), "Dennis 'Denny' McGuire" (Michael Sarrazin) and "Choo Burns" (Bob Denver) who share a beach house in Southern California and pretty much take the world as it comes. Then one day an attractive woman by the name of "Vicky Cartwright" (Jacqueline Bisset) appears and catches the eye of both Dennis and Collie but since Dennis was the first to meet her he is given the opportunity to date her first. What he doesn't realize, however, is that she is dealing with some personal issues that will make it difficult for anybody to get close to her at this particular time. Now rather than reveal any more I will just say that this film had an enormous amount of potential as it was gifted with talented actors and some good supporting musical numbers from both Dusty Springfield and the extremely talented but poorly managed rock group known as the Moby Grape. Unfortunately, the director (Harvey Hart) apparently had no idea what he was doing as the plot meandered all over the place with several sub-genres colliding with one another before ending on a dramatic and somber note. That being said, although I liked the overall late-60's atmosphere, I couldn't quite come to turns with the fragmented ambiance and for that reason I rate is as just average.

A heartfelt drama about all the different troubles one is faced with in life, the film is done in a superbly realistic manner. The characters are well developed and the relationships between them are well defined, but it is perhaps the acting of the characters that is the best part of the film, especially from Michael Sarazzin. However, the storyline itself is not all so great, as it is too familiar and too ponderous. The film also feels rather musty and B-grade, like a standard midday movie on television. But for the characters and the acting, the film is worth the watch. Great characters and acting… just not such a great plot.

The characters/actors really bring this together. Terrific chemistry all the way. The director was clearly not afraid to hang back and let the actors perform. And Tony Franciosa is great as usual. The film really captures the California beach bum/beatnik lifestyle. Highly recommended.

This film exemplifies its era both as an artifact, and in content. As the poster proclaims, it has it all: surfers, bikers, broads, not to mention Selective Service. (Maynard G.Krebs avoids getting drafted by pretending to be Gilligan-see for yourself!) A great theme song, too, written by Lee Hazelwood, and sung by Dusty Springfield.