Twisted Nerve

Something I've always liked to do is look through classic horror gems, and unearth some truly forgotten gems, like this one which was hampered with controversy when released and sadly failed to make any impact. This is a shame given that this is a well and truly crafted thriller with great performances that does echo tension with the actions of the lead character.

The biggest strength relies on Martin who has an alter ego who pretends to be a simpleton, just so he can con his way into a woman's affections. Despite living a lift of wealth and good looks, his mind is anything but stable, with an overbearing mother and a down syndrome brother who is put away for just being handicapped and is more or less forgotten about, apart from by Martin, a deep hatred for his stepfather, his mind begins to shatter like a broken mirror which sends him into a spiral. It is often difficult to pull this kind of thing of convincingly, but here it is done right and slowly builds throughout the movie.

Okay this isn't a perfect movie and does have some lower points, like there is just way too much time focused on Martin's descent into madness, instead of moving along at a quicker pace, it seems that other elements of the film suffers in a way, and also the message at the beginning of the movie just contradicted the events of what happens, is also just silly. But asides from this is a really good movie with camera styles and technique that echoes Hitchcock, along with well written main characters, something that's rare these days, does make this viewing a treat.

The casting like I already said is excellent Hywel Bennett who plays Martin was the clear standout, his performance was chilly and captivating, his pleasant features and broad range are both hypnotic and terrifying. Hayley Mills who plays the female lead was also excellent and pulls off the victim angle and of course has great chemistry with the male lead. Billie Whitelaw gives a great sympathetic turn as the owner and Susan's mother, she felt very tragic as a woman whose just wants to be loved.

All in all "Twisted Nerve" is a very complex thriller that may be slow burning at times, but well worth a watch.

Hayley Mills and Hywel Bennett who scored big in The Family Way, she as the eager bride and him as the groom with nervous performance problems, made several films after that together. But Twisted Nerve is about as different from The Family Way as you can get. Hayley Mills still had some box office clout via the Disney films she made. But it's Bennett here who has a meaty role as a narcissistic sociopath.

He meets Hayley Mills when both are suspected of shoplifting in a London toy store. But Mills and Bennett both get out of it after he puts on a second personality, a man with the development of a seven year old. Mills feels sorry for him and Bennett makes a note of her address and makes sure to bump into her.

He may act a seven year old as a ploy calling himself Georgie. But in is real life role as Martin, Bennett is getting an understandable case of the hots for Mills. She can't take him seriously though in his little boy persona. That's when Bennett's narcissism takes over and he goes full blown psychotic.

Bennett dominates this film, he enters the room your eyes are on him even if he's not speaking. Beautiful as Hayley Mills was at the prime of her life, she can't keep your attention when Hywel is in the scene.

The film fills you full of anticipation. You never know when Bennett is going to finally lose it, but when he does you are fearful of this man/child.

Nothing like The Family Way, but still a good film.

Martin/Georgie is a mommy obsessed psychopath with a mental age of an infant.Georgie dupes his way into beautiful Hayley Mills' residence and the sinister things begin to happen..."Twisted Nerve" is a psychological thriller strongly influenced by Alfred Hitchcock's "Psycho".The camera-work is outstanding as is the acting.There are only two murders shown in the film,so fans of horror will be disappointed.The soundtrack by Bernard Herrmann of "Psycho" fame is truly memorable as is the whistling theme later used by Tarantino in "Kill Bill Vol 1".The characters are well-written and there is strong emphasis on oedipal complex.8 out of 10.

Not at all bad. From an uneasy, start complete with voice-over to try and mitigate the non PC nature of the main thread of the film, this builds very nicely to a very decent climax. Hywell Bennet is most effective as the young man who tries to break from his mother and Hayley Mills surprisingly good playing against type.

If it hadn't been for the controversy surrounding the film regarding 'Mongols', she may have gone on to a much more interesting career. Good pacing and fleshed out secondary characters help to make this an absorbing psycho thriller, with some quite nasty moments and a splattering of blood.

A storm in a tea-cup is how to describe the glaring reputation formed by this obviously influenced Hitchcok-like, British slow pot-boiler psycho-thriller. At its core is a very daring, but questionable theme (or better put taboo) that landed it in hot-water with the media when released, as it opens with a disclaimer ruling out the scientific connections between siblings of mongoloid children being linked to criminal behavior. Well it must have been effective in some shape, as that's one way to get your film noticed! Screenplay/writer Leo Marks wouldn't be wet behind the ears to controversy, due to the fact he wrote the story for chillingly sleazy 1960 'Peeping Tom' that saw director Michael Powell's work getting heavily cut.

Martin Darnley is a coldly smart, but considerably nurtured and lonely young lad of a wealthy family that sees his mother smother him, while his domineering step-father wants to get rid of him and his mongoloid brother hospitalized. Assuming a false identity under Georgie; a nice, but mentally back-wards boy he meets a young lady Susan Harper who he takes a real shine too. Under certain circumstances and made-up stories he finds himself staying at a lodging house owned by Susan and her mother Joan.

Where it goes on to spark the interest and really builds around is the dark and unnerving psychological interplay of Martin (with a magnificently conniving and edgy performance by Hywel Bennett) manipulating and preying on the goodwill of others to adapt and form his new identity for ones own gain. The biting (if heavy-handed an absurd) material really does complement the calculative, random and moody ambiance, where it demonstrates a glassy sort of tension awaiting to break from the dramatic actions of the progressively plotted layout. This is more so character-based, than anything related to thrills. Bernard Herrmann's grandiosely sizzling score eerily caresses with the catching whistling rift by Bennett's character striking a cord. Director/writer Quentin Tarantino would sample the jarring whistle tune in 'Kill Bill Vol. 1'. Most of the suspense arose from Herrmann's masterful arrangement, than anything visually. Roy Boulting does an accomplished job directing, even with some stretched-out moments it remains curiously gripping throughout and the expressive camera-work takes shape to where it reaches its hysterical climax. The lovely ladies that appear are a terrific Haley Mills as Susan and Billie Whitelaw is absolutely great as her mother Joan. There's also a boisterous Barry Foster appearing as one of the lodgers.