Catweazle
- TV Series
- 1970–1971
- 30m
IMDb RATING
7.9/10
1.2K
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A medieval wizard (though not a very good one) is transported to the modern age.A medieval wizard (though not a very good one) is transported to the modern age.A medieval wizard (though not a very good one) is transported to the modern age.
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When I think of the TV shows I loved as a kid that seem to have disappeared into the ether of television limbo such as many episodes of Patrick Troughton's Dr Who, series one and two of "Ace Of Wands" and the whole of "The Flaxton Boys", it seems almost like magic that from around the same time, the two series, each comprising thirteen episodes of Richard Carpenter's creation of Catweazle can be tracked down and watched. I can well remember watching it on Sundays at teatime and have just finished watching the last episode of Series One. I'm happy to say it holds up really well today, a testament to Carpenter's skilful writing and Geoffrey Bayldon's enchanting performance in the title role. Catweazle of course was the Anglo Saxon wizard who to escape pursuing Norman soldiers cast a spell on himself which threw him 900 years into the future. There he meets and forms a dependant, if sometimes prickly friendship with a teenage boy, nicknamed "Carrot" whose father's farmhouse now stands on the spot of his old dwelling.
Just about the only spell of Catweazle to work in the modern day is that of hypnosis which he casts on young Carrot to never reveal his identity to others and to occasionally make himself invisible to certain people, such as big-lunk farmhand George, who's regularly around. Catweazle's only aim is to get himself back to his own time but until he finds the right spell to do this there's plenty of time for he and Carrot to have many misadventures out in the countryside where the boy and his recently widowed dad live.
Clad only in a raggedy old gown and sporting tousled long hair and grizzled beard, Catweazle was a terrific creation, brought to life wonderfully by Bayldon who, with a mischievous twinkle in his eye, immerses himself totally in the part to create one of British children's TV's most original and lovable characters. Much of the fun comes from old Cat becoming acquainted with modern inventions such as the motor car, camera, telephone (or telling-bone as he amusingly terms it) and even the simple light bulb a.k.a. the sun in a bottle to his disbelieving eyes. There's a nice chemistry between the old magician and his schoolboy chum, winningly played by young Robin Davies and the rest of the adult cast put in performances notably lacking condescension. Guest stars throughout this run included well-known British actors like Hattie Jacques, Peter Sallis, John Junkin and Patricia Hayes but it's fair to say none of them got the better of the displaced old boy.
Topped off with a bright and breezy theme tune, it's a really lovely series the likes of which they certainly don't make anymore and I'm now looking forward to moving onto series two.
Just about the only spell of Catweazle to work in the modern day is that of hypnosis which he casts on young Carrot to never reveal his identity to others and to occasionally make himself invisible to certain people, such as big-lunk farmhand George, who's regularly around. Catweazle's only aim is to get himself back to his own time but until he finds the right spell to do this there's plenty of time for he and Carrot to have many misadventures out in the countryside where the boy and his recently widowed dad live.
Clad only in a raggedy old gown and sporting tousled long hair and grizzled beard, Catweazle was a terrific creation, brought to life wonderfully by Bayldon who, with a mischievous twinkle in his eye, immerses himself totally in the part to create one of British children's TV's most original and lovable characters. Much of the fun comes from old Cat becoming acquainted with modern inventions such as the motor car, camera, telephone (or telling-bone as he amusingly terms it) and even the simple light bulb a.k.a. the sun in a bottle to his disbelieving eyes. There's a nice chemistry between the old magician and his schoolboy chum, winningly played by young Robin Davies and the rest of the adult cast put in performances notably lacking condescension. Guest stars throughout this run included well-known British actors like Hattie Jacques, Peter Sallis, John Junkin and Patricia Hayes but it's fair to say none of them got the better of the displaced old boy.
Topped off with a bright and breezy theme tune, it's a really lovely series the likes of which they certainly don't make anymore and I'm now looking forward to moving onto series two.
I watched Catweazle when it was originally broadcast and I loved it. I was only seven and nearly 50 years on Talking Pictures channel have started showing it again and it's even better than I remember, possibly because I originally watched it in good old black and white and now I'm watching it on a colour TV.
Thank you Talking Pictures, another terrific series from the 60s, 70s and 80s. Happy memories.
Poor Catweazle! All he wanted was a spell that would make him fly. While he never took off (not by magic, anyway), the series definitely did!
Catweazle holds a special place as a classic English series, earning a well-deserved 8/10 from me. Originally aimed at children, this enchanting show has proven to be a delightful watch for adults as well, thanks to its timeless charm and whimsical storytelling.
The series, with its mix of magic, humor, and a touch of nostalgia, captivates viewers of all ages. Its appeal lies in the clever writing and the endearing portrayal of the titular character, Catweazle, a wizard from the 11th century who finds himself in the 20th century. The show does an excellent job of blending historical and modern elements, creating a unique and entertaining narrative.
What makes Catweazle particularly enjoyable is its ability to transport viewers into a world of fantasy and adventure. Despite being a children's show, it does not shy away from clever humor and intricate storytelling, making it just as appealing to an adult audience. It's the kind of series that brings joy and laughter, irrespective of your age.
Having watched Catweazle multiple times, I can attest to its rewatchability. Each viewing brings a fresh sense of enjoyment and a deeper appreciation for its creativity and charm. It's a series that continues to entertain, no matter how many times you return to it.
The series, with its mix of magic, humor, and a touch of nostalgia, captivates viewers of all ages. Its appeal lies in the clever writing and the endearing portrayal of the titular character, Catweazle, a wizard from the 11th century who finds himself in the 20th century. The show does an excellent job of blending historical and modern elements, creating a unique and entertaining narrative.
What makes Catweazle particularly enjoyable is its ability to transport viewers into a world of fantasy and adventure. Despite being a children's show, it does not shy away from clever humor and intricate storytelling, making it just as appealing to an adult audience. It's the kind of series that brings joy and laughter, irrespective of your age.
Having watched Catweazle multiple times, I can attest to its rewatchability. Each viewing brings a fresh sense of enjoyment and a deeper appreciation for its creativity and charm. It's a series that continues to entertain, no matter how many times you return to it.
I don't think was shown in the US. I was raised in Mexico and is where I saw it. I have asked many people who grow up in the US and don't have a clue of "Catweazle" it was a dorky show, but good memories of my childhood. Spanish title "El Brujo Que Quizo Volar" "The sorcerer who wanted to fly"
Did you know
- TriviaCatweazle's pet toad/familiar was called Touchwood.
- GoofsIn a number of episodes, close-ups of Catweazle reveal he has fillings.
- ConnectionsFeatured in Zomergasten: Episode #8.3 (1995)
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- Also known as
- Кетвизл
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- See more company credits at IMDbPro
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