All the Right Noises

This film, very much of its time shows London in the early 1970's. Of course now a different world. Note the old fashion Underground ticket machines, and the Black and White Telly in the flat. The location looks very much like Churchill Gardens, Pimlico, with Battersea Power Station in the background. And, plenty of smoking going on, in pubs, and on the tube. The film is strangely sexy in its own way, with the young girl playing along with the much older man, its really a sexual fantasy come true. It is another one of those British low budget film where the low budget adds to rather that take away value. Watch for fun, which is what it is. Good for the BFI for bring to a larger audience on DVD

Far from the saucy romp suggested by the title, it's actually a very subdued triangle drama against a well drawn theatrical backdrop. Seen over fifty years later it's even more poignant than it doubtless seemed at the time since Tom Bell and Judy Carne are both now long dead and Olivia Hussey seventy-one years old.

After seeing Romeo and Juliet I wanted to see more of Olivia Hussey's work, in this film she is really perfect in this role of Lolita with the youthful beauty, maybe too youg because she plays a 15 years old who has an affair with a man twice her age! So of course the film is from the late 60s / 70s when it was not a big deal. But I admit that apart from this plot of scandalous and forbidden love story, is the wife going to catch them and all, the movie was a little boring.

A very small film that likely has seem only a be small number of people and a tiny theatrical release. Except for the young fifteen your old Olivia Hussey who had had the most amazing experience in Italy with Zeffirelli and Romeo and Juliet that made her famous across the world. She was like an innocent young child except she was older than her years, smoking a cigarette on TV and falling into a romance with Tom Bell in the film. His is fine, as is Judy Carne as his wife and the story is likeable enough though it his to see there is not anything that earth crashing.

For some reason the theme of older man and younger girl seems a perennially popular one in French cinema and is usually done - film and relationship - with charm and some believability. The stories of Colette an influence but not entire explanation. In Gigi, the film based on a Colette story, young Leslie Caron is an engaging ingenue. Her ultimate fate is glossed over however her love interest is the older but attractive and ultimate French charmer, Louis Jourdan, someone who could probably win over any girl's mother in his project. UK films on this topic however tends towards a peculiar mixture of moralising and prurience - exploitation under the guise of exploring social issues.

Here the film entirely lacks charm (other than Olivia Hussey's innate kind) or believablility. Tom Bell, as ever, plays a bluff manly man's man, but is neither charmer nor seducer. Perhaps his appearance was fashionable at the time but the over-long all-round facial hair gives him a slightly furtive appearance - a sort of hair-hoody, slightly suggestive of dirty-mac schoolyard-loiterer. His performance seems low key - as if hoping that few people will notice he's in the cast. Olivia Hussey, having just charmed the world with her youngest sweetest prettiest of Juliets, is an odd choice here - more a dirty mac fantasy than anything remotely believable. In real life a girl of such extraordinary prettiness would have experienced the interest and (usually) tiresome attentions of older men, would thus have well known her attractiveness and chosen someone special, whatever their age, of equal or greater attractiveness either of looks, style, manner, education, sophistication or simply very rich - not an ordinary middle-aged geezer. Putting aside the improbability, the story-line itself is so-so. The casting of Olivia Hussey makes the film ridiculous.