Daddy's Gone A-Hunting

Brit beauty Carol White ("Some Call It Loving") stars as Cathy Palmer, a newcomer to San Francisco. Almost immediately, a stranger named Kenneth Daly (Canadian actor Scott Hylands ("Death Hunt"), receiving an "introducing" credit) contrives a way to meet her. Initially, he seems quite charming, and they enter into a relationship for a while, until he starts revealing himself as a major league turd. She breaks it off with him, even aborting the baby that he had fathered. She moves on, and finds a new guy (Paul Burke ("Valley of the Dolls")), a rising politician, and gets pregnant by the new guy. Trouble is, Kenneth is not going to let her go unpunished. He begins to terrorize her, demanding that she kill her baby in order to atone for the death of his child.

This is a pretty decent movie, albeit with some flaws. It's kind of a mixed bag, with a lead character who's not terribly sympathetic, a script credited to Larry Cohen ("The Stuff") and Lorenzo Semple, Jr. ("Flash Gordon") that has lines both bad and good, a lack of complete credibility, and performances that are uneven. It does get better and better as it plays out, leading to a seven minute finale high above the city streets that will actually have people catching their breath. Director Mark Robson, who'd started out crafting some fine psychological black & white horror for producer Val Lewton, and graduated to bigger things like "Valley of the Dolls" and "Von Ryan's Express", handles things with a certain degree of style. The filmmakers don't seem too concerned with making viewers choose a side in the still-contentious "pro life" vs. "pro choice" debate, and mainly focus on making an entertaining, slick, tried-and-true revenge thriller.

Ms. White is lovely to look at, but doesn't make her character all that interesting. Hylands is fine, having a little more to work with; Kenneth supposedly was prepared to become a better man upon learning of impending fatherhood, so he takes the abortion thing VERY hard. Burke has little to do in the grand scheme of things. The very fine supporting cast includes such familiar faces as James Sikking ('Hill Street Blues') and Barry Cahill ("Coffy") as FBI agents, Mala Powers ("Cyrano de Bergerac") as Cathy's friend Meg, Walter Brooke ("The Graduate") as Jerry Wolfe, Mathilda Calnan ("Silver Streak") as Ilsa the maid, and Dennis Patrick ('Dark Shadows') as the abortion doctor.

Excellent location shooting and an effective pace help to make this reasonably engrossing, and worthy of another look from genre devotees.

Seven out of 10.

Worthwhile B movie that fails to make the most of a good idea. And both Play Misty for Me(71) and Fatal Attraction(87) reworked its premise and plot. Mark Robson's direction is economical to a fault, and the film needs more detail and development;it feels perfunctory and thin like a made-for-TV film. And the supporting characters are cardboard.

The film has some effective scenes, generates interest and suspense, though the build-up is ultimately better than the payoff. Scott Hylands is very good and convincing but, Carol White is perhaps too stoic,and she doesn't garner much sympathy for her character. The rest of the cast goes through their paces without making an impression, except for an annoying housekeeper, and "Prissy",the cat. Ultimately, the subject matter and Scott Hylands' performance are what make it worthwhile. Hard to find film deserves a DVD release, hopefully with the trailer.

This film is like a fun bad TV movie. It has a thrilling story but the film is marred by the stale performances by the lead actors. If you've never heard of Carol White it's no wonder. She is sweet but gives her part no energy. Her line readings are flat and don't add any life at all to this thriller.

She looks like a bargain basement copy of Julie Christie but with out the charm. This seemed to be her big break in Hollywood after having had some success in England. Here she displays why there was no reason she would ever become a star. Why was she cast in this? There must have been countless other actresses who could have brought some fury to character. This part required a bit of madness and Carol was just too ordinary to deliver. But I suppose a film featuring abortion was a sensitive subject then and perhaps bigger stars did not dare take the part.

The early scenes of the film seem contrived and trite when the characters meet. The changes that show time progressing are quite corny and dated but the late sixties fashions are cool. Carol White, though, looks short with that heavy hair-do which gives the impression that she has no neck.

The film picks up after the dreary first half. There are some neat twists and turns that keep this film from being totally forgotten. The ending is exciting even though the lead actors don't show any tension in their performances. You can't tell if Carol White is terrified or ready to do anything to help her baby. Her character goes to great lengths plot wise but you could never tell by looking at her face.

So, over all it's fun and chilling thriller thanks to the plot but not the actors.

A surprisingly potent and strangely disregarded psycho-stalker picture marked by taut direction and capable performances, it also benefits from its appealing San Francisco location filming. It's a distressingly plausible scenario...girl aborts the child of her former lover, latterly marries another man, and becomes pregnant again. The first lover, now quite clearly a dangerously unbalanced nutcase, shows up to settle the score.

A briskly paced little nail-biter which occasionally goes a tad bit over-the-top, DADDY'S GONE A-HUNTING is ripe for a much-deserved reinvestigation.

6.5/10

It would've been better if the character,'catherine' had been more sympathetic.

I apologize,but I was rooting for 'ken' to get away with it all. The story is different,though.A boyfriend terrorizing his ex-girlfriend because she aborted his child...it really could've been done better.