Daughter of the Mind

I had read the book, "The Hand of Mary Constable" in my dad's Reader's Digest Condensed Books, so I was thrilled when I saw that it was going to be a Movie of the Week.

Unfortunately, it didn't live up to the book, as is frequently the case. In particular, the technology supposedly employed by the hero (which was actually the protagonist's name in the book, Alexander Hero) was ridiculously inadequate.

The book had a real downbeat Cold War mood to it and was a highly effective and timely thriller. I first heard the term "cybernetics" there.

Much later, I read the uncondensed version of the book, and though it had a lot more sex (not at all a deterrent), it wasn't as propulsive as the condensed version.

I just came across this old TV movie of the week and after reviewing other reviews, it seems we all experienced the same thing in seeing this movie - we were all young when we first saw it, vividly remember the hand in the fishbowl and recall "daddy, daddy, daddy...." Whoever said films don't leave an impact?

First saw this made for TV film back in the 1970s when I was about the same age as the little girl in the movie.I wasn't able to understand it properly at the time,but the ghost theme captured my imagination.I found it very appealing and intriguing when I saw it again much later on as an adult.

Ray Milland has been grieving his dead daughter, Mary. Now, oddly, she has begun appearing to him--and it seems so very real. As a result, he goes to see a parapsychologist (Don Murray)--perhaps he can help Milland figure out if he's going crazy or if the child really is trying to contact him. Along the way, they learn that a government agent (Ed Asner) is watching them--unsure if maybe, perhaps, these manifestations are the result of the work of a hostile nation. After all, Milland is a top cybernetics scientist--maybe someone is deliberately messing with his mind. I don't want to say more, as it might divulge where it's going next.

Overall, it's a very tense and interesting made for TV film. However, there are quite a few plot holes and the whole thing seems overly complicated and far-fetched. Some of the film relies on technology that isn't even possible today--more than 40 years later!! Still, it is entertaining and it's nice to see such an accomplished cast (also including Gene Tierney and John Carradine) in a TV movie that often has more light-weight actors!

By the way, Pamelyn Ferdin who plays Ray Milland's dead daughter, Mary, should be a very familiar face and voice if you grew up when I did. She played on a bazillion TV show, such as playing Felix's daughter on "The Odd Couple" and was the voice of Lucy in three Charlie Brown movies/TV shows. Also, there's a tiny role starring Virginia Christine as the housekeeper. You may recognize her as Mrs. Olsen--the Folger Coffee lady.

1969's "Daughter of the Mind" was one of ABC's earliest Movies of the Week, and like so many from that first decade left an indelible impression on younger viewers, based on the 1964 novel "The Hand of Mary Constable" by Paul Gallico, best known for writing "The Poseidon Adventure." Ray Milland and Gene Tierney, reunited from 1951's "Close to My Heart," again portray a married couple, Professor Samuel Constable and his wheelchair-bound wife Lenore, being visited by an apparition which claims to be their late daughter Mary (Pamelyn Ferdin), killed in an automobile accident some two months earlier. Enter parapsychologist Alex Lauder (Don Murray), keeping an open mind on the supernatural, while C.I.C. Inspector Saul Wiener (Ed Asner) suggests that foreign agents may be involved due to Constable's private government work. Everything is played with total conviction, keeping the audience guessing for the first two thirds, and even if there aren't any paranormal phenomena on hand it's still an enjoyable watch. Among the many guest stars present is venerable scene stealer John Carradine, around for only two minutes but making an impression on Lauder; his character, Mr. Bosch, is a lifelong illusionist who points the way to the final answer: "don't try to figure out how it was done, that's a waste of time...just start from zero and say this is the illusion I want to create, now how will I go about it?" Though only 49, the still beautiful Gene Tierney looked much older, in what turned out to be her final feature film role.