IMDb RATING
5.9/10
1.3K
YOUR RATING
A scientist who has been preserved in suspended animation wakes up to find himself in a primitive society in the future.A scientist who has been preserved in suspended animation wakes up to find himself in a primitive society in the future.A scientist who has been preserved in suspended animation wakes up to find himself in a primitive society in the future.
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Call me a geek, but I was 13 years old when I first saw this pilot, at a pre-release screening at a Star Trek convention.
It exhibits numerous elements characteristic of Roddenberry's finest, including a compelling premise, focus on recognizable human interactions, and some light, thoughtful humor: e.g. a reference to the teachings of "Saint Freud".
Sadly, it didn't have quite the kick of some of his better work, but rather plays like one of the weaker episodes of one of them. That is to say the story is pretty good, some of the characters display a potential for significant depth, but it drags a bit. I see it as kind of a "Star Trek - The Motion Picture", without the million dollar light show, or the established relationship with the characters that would have brought us back for Star Trek II no matter how excruciating it was.
It ain't easy maintaining the emotional pacing necessary for a "human adventure" while interspersing enough action (and scifi eye candy/gadgetry) to keep the plot moving. I thought it was not just watchable, but endearing in it's way... which is more than I could say for "Planet Earth"; which I thought came across as a rather superficial remake, dumbed down a bit for the masses.
It exhibits numerous elements characteristic of Roddenberry's finest, including a compelling premise, focus on recognizable human interactions, and some light, thoughtful humor: e.g. a reference to the teachings of "Saint Freud".
Sadly, it didn't have quite the kick of some of his better work, but rather plays like one of the weaker episodes of one of them. That is to say the story is pretty good, some of the characters display a potential for significant depth, but it drags a bit. I see it as kind of a "Star Trek - The Motion Picture", without the million dollar light show, or the established relationship with the characters that would have brought us back for Star Trek II no matter how excruciating it was.
It ain't easy maintaining the emotional pacing necessary for a "human adventure" while interspersing enough action (and scifi eye candy/gadgetry) to keep the plot moving. I thought it was not just watchable, but endearing in it's way... which is more than I could say for "Planet Earth"; which I thought came across as a rather superficial remake, dumbed down a bit for the masses.
As you would expect from Roddenberry there are many themes about the good and bad sides of human nature explored, and his optimism about the fate of the Human race shows through as it often does in Star Trek.
The plot follows a scientist who is researching suspended animation in deep underground caverns. He is supposed to be asleep for a week, but due to an Earth quake he is buried for 150 years.
When he awakes, he finds his world has been destroyed by war. PACS - a group of Unisex humans live underground, while the mutants (the only outwardly sign being 2 navels!)live outside.
Little is know about the ancient technology of the Nuclear Power plants and both sides fight to have the "man from the past" help them.
The moral dilema for out hero is which side he chooses to help.
Despite its age, this film ain't too bad. There's no flashy special effects , but an entertaining moral tale against slavery and oppressive regimes.
Look out for Gene Roddenberry's wife making an appearance (better known as Counsellor Troi's Mother in Star Trek The Next Generation).
The plot follows a scientist who is researching suspended animation in deep underground caverns. He is supposed to be asleep for a week, but due to an Earth quake he is buried for 150 years.
When he awakes, he finds his world has been destroyed by war. PACS - a group of Unisex humans live underground, while the mutants (the only outwardly sign being 2 navels!)live outside.
Little is know about the ancient technology of the Nuclear Power plants and both sides fight to have the "man from the past" help them.
The moral dilema for out hero is which side he chooses to help.
Despite its age, this film ain't too bad. There's no flashy special effects , but an entertaining moral tale against slavery and oppressive regimes.
Look out for Gene Roddenberry's wife making an appearance (better known as Counsellor Troi's Mother in Star Trek The Next Generation).
This was supposed to be a possible series that combines several themes from Star Trek. It takes place on Earth after a nuclear war, and some of the inhabitants faired differently depending on the area. This is similar to the Omega Glory. Some of the people have adapted and evolved into stronger humans as in Space Seed. Some lived under ground like in Spocks Brain. As in Star Trek, this is a small morality play.
The main character is a man from the 20th is awakened, and he has lost scientific knowledge needed by everyone. It found by a group called Pax. They want to end violence on Earth and restore it. They get around the earth in a high speed underground train called a "sub-shuttle." This survived the war. You can clearly guess that in each episode they would visit a different part of Earth in the same way Star Trek visited other planets.
This was not turned into a series, but was reworked into another pilot starring John Saxon. He was more of a Captain Kirk like lead.
Either version would have made a good series.
The main character is a man from the 20th is awakened, and he has lost scientific knowledge needed by everyone. It found by a group called Pax. They want to end violence on Earth and restore it. They get around the earth in a high speed underground train called a "sub-shuttle." This survived the war. You can clearly guess that in each episode they would visit a different part of Earth in the same way Star Trek visited other planets.
This was not turned into a series, but was reworked into another pilot starring John Saxon. He was more of a Captain Kirk like lead.
Either version would have made a good series.
Genesis II was made for CBS, who turned it down in favor of the Planet of the Apes series, with the thinking that a network could have only one science fiction show on its schedule at a time.
Planet Earth was made for ABC, and it wasn't a sequel, rather, the next episode of the same premise, with a new male lead and a lighter tone.
Star Trek: The Motion Picture's script was written to be an episode of Genesis II. (and was in turn, stolen from an older episode of Star Trek! (Earth satellite comes back looking for its maker))
Andromeda uses two of the characters' names (Dylan Hunt and Harper Smythe)though it has little to do with the original concept. By using the names I suppose the producers could call it "Gene Roddenberry's Andromeda") I really wish they would have made a Genesis II series instead,
IMHO: I liked that Mariette Hartley was set up to be a recurring, love-interest/villain for Dylan. It could have been a good show, though I have to agree with the poster who said it probably would have only lasted one season. Still, 26 episodes would have been great to have.
Planet Earth was made for ABC, and it wasn't a sequel, rather, the next episode of the same premise, with a new male lead and a lighter tone.
Star Trek: The Motion Picture's script was written to be an episode of Genesis II. (and was in turn, stolen from an older episode of Star Trek! (Earth satellite comes back looking for its maker))
Andromeda uses two of the characters' names (Dylan Hunt and Harper Smythe)though it has little to do with the original concept. By using the names I suppose the producers could call it "Gene Roddenberry's Andromeda") I really wish they would have made a Genesis II series instead,
IMHO: I liked that Mariette Hartley was set up to be a recurring, love-interest/villain for Dylan. It could have been a good show, though I have to agree with the poster who said it probably would have only lasted one season. Still, 26 episodes would have been great to have.
Originally filmed as the pilot for an aborted television series, this television movie from the creator of Star Trek stands as a strong piece of entertainment on its own. It's rarely seen today; there has never been official VHS or DVD release in America, in fact.
The movie demonstrates a lot of ingenuity (the sub-shuttle and the idea of Freud as a saint come to mind). It also captures some of the magic of the original series in its themes, but presents them with a 1970s mentality. It also has some of the camp charm of the original Trek (especially in regards to the underground cave set); the futuristic city's architectural style reminds me of a better realization of the planet Deneva from the original series episode "Operation--Annihilate!" The parade of former Trek actors -- Majel Barrett (Christine Chapel), Percy Rodgriguez (Commodore Stone), Ted Cassidy (Ruk), and of course, Mariette Hartley (whose two belly buttons here is a "gotcha" to the censors, who wouldn't permit her belly button to be shown on the original Trek) is also sure to please any original series fan.
While the film occasionally lapses into weak moments (the reactions to the nuclear shockwave at the end are among the laughable moments), it is nonetheless indicative of a series with great potential. A rare find, and well worth the watch to catch a glimpse of one of a Roddenberry series that never was. (This film was remade as Planet Earth, another failed pilot, a year later.)
The movie demonstrates a lot of ingenuity (the sub-shuttle and the idea of Freud as a saint come to mind). It also captures some of the magic of the original series in its themes, but presents them with a 1970s mentality. It also has some of the camp charm of the original Trek (especially in regards to the underground cave set); the futuristic city's architectural style reminds me of a better realization of the planet Deneva from the original series episode "Operation--Annihilate!" The parade of former Trek actors -- Majel Barrett (Christine Chapel), Percy Rodgriguez (Commodore Stone), Ted Cassidy (Ruk), and of course, Mariette Hartley (whose two belly buttons here is a "gotcha" to the censors, who wouldn't permit her belly button to be shown on the original Trek) is also sure to please any original series fan.
While the film occasionally lapses into weak moments (the reactions to the nuclear shockwave at the end are among the laughable moments), it is nonetheless indicative of a series with great potential. A rare find, and well worth the watch to catch a glimpse of one of a Roddenberry series that never was. (This film was remade as Planet Earth, another failed pilot, a year later.)
Did you know
- TriviaThe science fiction justification for Lyra-a (Mariette Hartley) and other Tyranians having two navels is that they have redundant circulatory systems. However, Gene Roddenberry joked that the behind-the-scenes reason was to make up for the covered navels mandated by network and studio censors during the production of Star Trek (1966).
- GoofsWhen Dylan Hunt is first shown being discovered after the earthquake, his right leg is hanging off the table he is strapped to. When the camera angle switches to the inside the chamber, both legs are now on the table.
- ConnectionsFollowed by Planet Earth (1974)
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