Eagles Over London

It's the Dunkirk evacuation in 1940. British soldiers fight bravely in a rear guard action. They encounter German soldiers dressed in British uniforms. They're killed and their identities stolen. The Germans secretly board the ships to England and work to sabotage the war effort. They zero in on the new radar installations.

No expense was spared in recreating Dunkirk. There are lots of extras and lots of explosions. Captain Paul Stevens is shown to have discovered the dead soldiers and he suspects infiltration. The problem is that he fails to catch the first guy. It seems like a great opportunity to confirm the situation to him so that when the higher ups refuse to accept it, it becomes even more intense. The fact that he gets full cooperation saps the movie of its potential tension. The other fact that an enemy gets so close to him detracts from the audience's opinion of the Captain. The problem is that the film loses intensity once they get home from Dunkirk.

There is a laughable miniature scene. There is bad history. The radar stations don't look like that. Most of them are located in remote places along the coast. The film becomes a lot flatter after a rip roaring start. The reinvention of the Battle of Britain gets to a wrong place. I guess that there is some good action. Even there, there is too much big dying in the shootouts. I'm willing to give this a pass for some fun action.

Here we have, yes, another Italian war movie from the early 1970s. This one features a half-decent international cast and a slew of decent action sequences.

As the British evacuate Dunkirk, several German saboteurs infiltrate their forces. They kill a squad of English troops and take their ID tags. Frederick Stafford, the platoon leader, finds the dead men and realizes their IDs are missing. Upon returning to England, he heads efforts to locate the saboteurs before they can blow up radar installations along the coast.

The film boasts a good international cast: Frederick Stafford, though dubbed, is pretty good as the Hungarian-English Captain. Van Johnson does a corny bit as an English Air Marshall and even participates in a few aerial battles. Francisco Rabal is very good as the German officer who befriends Stafford; Stafford realizes who he REALLY is and must face him during the bone-shattering climax. Hottie Ida Galli turns in a good performance as Stafford's girlfriend. I must also note the presence of Luigi Pistilli as the German group leader. The man was marvelous in the Leone westerns and is very good here as well.

The battle sequences range from superb to incredibly corny. The dogfights involve live action, miniatures, and poorly edited black and white stock footage. The ground combat scenes are often confusing -- but exciting -- since the British and German infiltrators wear the same uniforms. Great cinematography -- this appears to be filmed on location in England is is done well. The music score is typical adventure type stuff but does the job. Much of the combat footage found itself recycled in Umberto Lenzi's FROM HELL TO VICTORY in 1979.

Overall, for a good cast and great direction by Enzo Castellari, I give it a 7/10.

If you know anything about WWII history this will have you either laughing at the ridiculousness of it all or raging at the inaccuracies (Warning - this film contains a PIAT-zooka). But beneath it all is a reasonable plot, with some classic characters, the hard as nails sarge, the clueless youngster., etc which make it still kinda fun.

This is the most innacurate depiction of the RAF and the Battle of Britain that anyone could envisage. Look no further than the aircraft in use on the movie. They have Messerschmitt 109s dressed up as spitfires and Spitfires dressed up as Messerschmitts. How stupid could you get.

The idea of Van Johnson as an air Commodore hysterically controlling an air battle above wartime London from the cockpit of a Fighter of indeterminate breed is also to ludicrous to contemplate.

Possibly one of the worst war films ever made

From the director of the original 'Inglorious Bastards', this war film contrives rather cheekily to transpose the English-speaking Germans behind enemy lines from the Ardennes Offensive to the aftermath of Dunkirk; while there's plenty of dramatic spectacle on what was doubtless a fraction of the sort of budget Tarantino later had to play with.