Crime and Punishment

First, I should admit that I have never read the novel on which this movie is based. Therefore, I don't know how well I can review the movie. But even so, I will say that "Prestupleniye i nakazaniye" (called "Crime and Punishment" in English) really chills you. We see how Raskolnikov completely loses his mind in the aftermath of his deeds. The black and white photography - plus the bleak, eerie setting - help give that feeling.

I don't know whether or not this is the best adaptation ever of Dostoyevsky's novel, but it's certainly not one that you're likely to forget. It's as chilling as St. Petersburg looks. I definitely recommend it.

PS: the name Rodion Raskolnikov describes his character. "Rodion" comes from the word meaning birth (implying rebirth), and "Raskolnikov" comes from the word meaning schism (implying mental breakdown).

Despite a 3 hour 40 minute running time, this film just scrapes the surface of Dostoevsky's great novel. It manages to lose all trace of the (usually bleak) humor that pervades the work and also every hint of the religious message that provides the underpinning of the story. Despite these reservations, this film is nonetheless worth seeing for the performances -- especially those of Georgi Taratorkin as Raskolnikov and Yefim Kopelyan as Svidrigailov. Innokenti Smoktunovsky appears as a quirky Police Inspector on Raskolnikov's trail. The film also does a good job of depicting the shabby milieu in which Raskolnikov lives. This is slated for release on DVD, one of these days, by Ruscico.

I recently read the novel for the first time and loved it. But I really wanted to hear the characters speak in Russian and not in the faint British accent I imagined reading my English edition. I don't speak or read Russian, so a film with subtitles was my only option. Having no experience with Soviet-era cinema, and as a child of the Cold War, I'll admit I went into the viewing with far too many suspicions of this "state sponsored" adaptation. I was pleasantly surprised by the obvious respect with which the story was treated.

The film perfectly captured almost every nuance of the novel, such as Rodya's claustrophobic physical and mental existence as well as the bleakness of St. Petersburg's slums. The characters were all faithfully portrayed, except maybe for Svidrigailov. He seemed to be portrayed more sympathetically than I think Dostoevsky would have intended. While he certainly was a tragic figure, I didn't read him as being quite as gallant as he appeared in the film.

My only other gripe is one I've read on here somewhere else. There is no hint of the redemption Raskolnikov experiences which is so essential to the whole story. But don't let this, or any of the other comments on IMDb about the film's pace or length deter you from watching it. Anyone who loves the novel and yearns to hear the story told in its native tongue will find the experience a rewarding one.

It is very interesting to compare this Russian version of "Crime and Punishment" with the Julian Jarrold version of 2002, since both are so outstandingly excellent, but in different ways. Also here all the actors' performances deserve nothing but praise, although some more than others, especially Georgi Taratorkin as Raskolnikov: he couldn't be more perfect, exactly as he is described in the novel, acting convincingly feverish enough all the way without overacting, while Sonia, Katerina and Dunia also are very well found, better than in the BBC production. The settings are also more than perfect, especially the den of Raskolnikov, better than in any other film and communicating precisely the correct atmosphere of the book. Rasumichin, Porfiry, the mother and Luzhin are less apt, Luzhin too much of a cad, Rasumichin too much dressed up, the mother like any mother and Porfiry as formal as a dummy. Here we enter the lacks of this film: it never really comes to life, it lacks the necessary dramatic touch, it is too stiff and formal, the lack of any music except sound effects gives it a certain sterility, and the scenography is entirely without imagination, like a formal theatre setting in the suburbs, although it's the same St. Petersburg so overwhelmingly well rendered in the BBC film. Still, Georgi Taratorkin is the best Raskolnikov you'll ever see, and you can't make a less than excellent movie on such a major masterpiece of world literature. Like the English film, the piety towards the original proves rewarding enough to to make the film a feature of paramount excellence.

Crime & Punishment being one of my favorite books, I've been trying to find a film adaptation that does the book justice. This is it! Prior to this version, I'd attempted to watch a couple American versions, which were loosely based on the novel but, of the few I found, I couldn't get through the first five minutes. This Russian adaptation, on the other hand, sucked me in immediately. Georgi Taratorkin was near perfection as the paranoid intellectual, Raskolnikov. On all accounts, the roles were well cast, the book's characters coming alive in three dimension on the screen. The screenplay also translated well from Dostoevsky's original, which is rare. And the film editing, though dated and in black-and-white, I would argue reflected the book's dark storyline. Great movie, and even greater book!