The Body Stealers

Not a great movie low budget somewhat dated however have seen a lot worse e.g. The Avengers movie. Patrick Allen is business like in the lead. Passable if not particularly memorable film.

This is a fairly typical low-budget British sci-fi from the late 60's, and has as its 'stars' George Sanders and Patrick Allen, themselves quite common in such films. Things kick off to a fairly intriguing start, when parachutists start disappearing mid-jump. It's serious enough to make even the Army put down their cups of tea and investigate - or rather to call in top-whack investigator and philanderer Bob Megan (Allen) to see if he can get to the bottom of it. He sets about his task by doing a good deal of leering at various secretaries and pretty young scientists before waving a Geiger counter around and meeting a mysterious lady on the beach at midnight. She's no raving beauty but Bob has a go anyway, before wandering back to his digs and looking like he might manage a quick one with his over-the-hill landlady. But no, he's got a busy day ahead. Quite what happens next is spoiler territory, and I can't remember anyway. Worth a go if you like wondering how much the actors got paid and why.

A bunch of military paratroopers descend on a freefall flight and as a group from NATO wait for them to land they disappear in to thin air

A good opening hook and as the film continues you get the impression that the production have no idea to develop the film outside of the opening hook . In fact despite being a science fiction B movie you get the feeling the production crew are wanting to make a James Bond film and the premise does feel Bond like in many ways . Patrick Allen as Bob Megan is basically channeling Bond as he lights up a cigarette and eyes up every piece of skirt in sight . George Sander is a surrogate M while Neil Connery could easily be a surrogate Q How pathetic is that ? They couldn't get Sean Connery to star in THE BOY STEALERS as Bond but as a way of compensating for this they got Sean's brother !

One genuinely does wonder if at early draft stage THE BODY STEALERS may have been conceived as a straight forward esponaige thriller and rather late in the day became a science fiction genre movie ? Certainly there are scenes that remain confusing such as the culmination of a scene where Jim Radford pursues the mysterious Lorna and the rushed explanation of the ending . Quite often THE BODY STEALERS makes the top ten worst science fiction lists of people who have seen it . It's possibly not that bad and for a B movie the production values aren't all that bad simply because it is very talkative and therefore isn't reliant on special effects , but the problem is the screenplay is painfully under developed and its only al highpoint after the effective opening scene is a government minister being worried about Scotish nationalists repopulating the Highlands

A few minutes of well-shot footage of parachute jumps and aerobatic flying seem the real impetus for this British science fiction picture. When there are no bodies hurtling towards the ground or planes shooting past each other, what's left is a bad script with far too many scenes of men in suits talking in offices and not nearly enough science or action. Since it was made for a family audience, there isn't even much in the way of female flesh.

Patrick Allen and his improbably large chin take the lead. His character, a NATO troubleshooter, is big on the sub-James Bond womanising and tough posturing. Yet for all his smooth lines and fetching cardigans, he does curiously little to actually solve the mystery of disappearing military parachutists. Plot development consists of supporting characters waving a Geiger counter over a few things while Allen chases the girls.

George Sanders is normally a reliable figure (see the far superior Psychomania, for instance), but he is wasted here as a personality-deficient general. Hilary Dwyer has the requisite qualities for a female star, being very pretty and a great screamer. Lorna Wilde is quite fetching as a mysterious blonde, but the rest of the cast do little.

This is a competently-made film from people who understood the limitations of their budget, limitations which mean rare special effects and few action sequences. The real problem is an absence of ideas or any ambition beyond filling the screen for 90 minutes. Once all the aerial footage has been used up, what is left is a very unoriginal story with little imagination or characterisation and lots of dialogue of a "The minister isn't going to like this" type. Nonetheless, Reg Tilsley's jazz score deserves a mention, ratcheting the tension even when the most mundane action is unfolding on screen.

It's hard to recommend this film when there are so many better British exploitation films from the era; it lacks even any Austin Powers-ish campness and shows nothing of 1960s Britain. As an attempt at family-friendly science fiction from Tigon, a studio better known for its sexually-frank horror, it's a slight curio of film history. For entertainment, you're better off jumping out of a plane, or even watching an in-flight movie.

Abysmal sci-fi (an unwise change of pace for Tigon) which, up to this point, had been the low point of Anchor Bay UK's "The Tigon Collection" - not that there were any particular highs! Michael Armstrong, director of THE HAUNTED HOUSE OF HORROR (1969) - and who was eventually replaced by Levy - compared it to Ed Wood in his Audio Commentary for that film, and I can't say that he was too far off the mark!

A competent cast flounders in the face of an inane premise and lackluster handling: veterans George Sanders, Maurice Evans (as the chief villain/alien) and Robert Flemyng; heroes Patrick Allen and Neil Connery (yes, Sean's younger sibling!); starlets Hilary Dwyer (better suited to period pieces like her three films with Vincent Price - WITCHFINDER GENERAL [1968], THE OBLONG BOX [1969] and CRY OF THE BANSHEE [1970]) and Sally Faulkner (I was impressed by her in VAMPYRES [1974] and PREY [1977], and here looks lovely if nothing else!). However, Lorna Wilde is terrible as an alien temptress(!) - and the (mercifully brief) contribution of Shelagh Fraser as Mrs. Thatcher(!), an ageing nymphomaniac barmaid with a shrill voice, is positively embarrassing!!

One of its most hilarious - and dated - aspects is the way it presents Allen and Minister's aide Allan Cuthbertson(!) as a couple of would-be studs, in obvious imitation of the James Bond extravaganzas; the cheesy score (by Reg Tilsley, who fared better with THE HAUNTED HOUSE OF HORROR) doesn't help, either. A measure of the film's sloppiness is the fact that Hilary Dwyer's name has been mysteriously omitted from the cast list at the end of the picture, though I doubt she voiced her complaint about it to the production company! Patrick Allen's Audio Commentary is actually quite engaging though, understandably, he offers little insight into the film itself - given also that he doesn't remember much at all about its making, and had never even watched the damn thing until now!