Tick, Tick, Tick

George Kennedy has never been better as the frustrated outgoing sheriff, and Jim Brown is good also, as his disillusioned replacement. Pot boiling is kept on the high burner by Don Stroud and his band of KKK rednecks. When a White boy is arrested for manslaughter following his drunken car accident, things reach the time bomb stage of the film's title. Special mention must be made of the sound track that although somewhat inappropriate, is none the less excellent. Ultimately "Tick Tick Tick" comes across as a dark period of history, frozen in time by this wonderful film. Despite the good and plenty of stereotypes, the movie does not come across as preachy, but merely as an entertaining look into the past. - MERK

Jim Brown takes over as a sheriff of a racially segregated southern town from George Kennedy in the 50's. Excellent human nature study of the time when a turn of events forces Brown to seek Kennedy's assistance with a tense situation. Outstanding performances by the entire cast. Believe Kennedy and Brown fans would be impressed with this film.

This was one of my most memorable movies from when I was a kid. It seems to be about real people, who move from humor to fierce tension back to humor again. Northern organizers help a southern black man get elected sheriff in a small town (which feels like a lot of small towns down south) in the 60's, and he gets to deal with the reality of being elected. The movie sets up quite a few stereotypical characters; for some of them, it knocks down the stereotype, and then for others it lets it stand. People (black and white) in the town have to choose between their traditions, their comfort, and their values, as tensions rise when the new sheriff tries to do his job.

It's not high drama, but it's real.

This film is hugely under rated and deserved a clutch of awards.

"Racial tensions threaten to explode when a black man is elected sheriff of a small, racially divided town in the Deep South".

The movie is set in a time when race almost defined a nation. And the picture captures the period brilliantly illustrating the culture, language and music of the era.

There are stand out performances from George Kennedy-surely one of his finest- as the former sheriff coming to terms with unemployment and racism. The town mayor played by Frederic March, who gives a charismatic amusing performance. But the best of all and the one who steal the show is Clifton James who is apparently hostile to the new sheriff but events have a way of changing minds. Where he excels is his ability to convey his thoughts silently, a skill few actors possess.

All the cast are convincing as is the ultimate theme and outcome of the story.

Highly recommended:

8/10.

This movie isn't typically my genre of choice, since it's predictably depressing, but I watched it for love of Fredric March. Even in his old age, in one of his last movies, he managed to turn a throwaway part into a memorable one. He plays the mayor of a Southern racist town, and he takes a healthy bite out of all his lines.

Freddie isn't the star of the movie, though. Jim Brown is, playing a new sheriff in town. Even though no one wants him to take the job, and his pregnant wife begs him to step down, he thinks it's important to take a stand. He gets heckled, his wife gets threatened, and he nearly loses his life in a routine arrest, but still he won't quit. Depending on your point of view, you'll either think him admirable or not prioritizing the right things.

One of the great parts of the film is George Kennedy, the retiring sheriff. He's always a solid, consistent performer, and he carries the energy of this movie from scene to scene. One of the lousy parts of the film is Jerry Styner's music. This is a serious movie akin to Hurry Sundown, and during some sequences, Styner wrote comical, cartoon-esque music. Was he told to lighten the mood, or did he have no idea what the movie was about? It's quite distracting, but if bad music won't hinder your enjoyment and you like George Kennedy, you can give this a shot.