Adam at Six A.M.

Saw Adam at 6AM decades ago. I believe it was Michael Douglas's first movie and he was still in college when asked to make the movie. The movie gets its name, when Adam starts his trip east in the red sports car and the camera focus on the clock 6 AM. The movie was very low budget. Several scenes in Mo at the home were never cropped and you can see the the lighting and other equipment. They never went back to re shoot. Michael's voice hadn't developed, but you can see his grace and charm even at this young age.

The movie starts to drag about 3/4 through and doesn't pick up.Obvious when the movie was casted, producers wanted the Douglas name even if only the son of Kirk was available. Movie appears to be related to the the graduate.I'm still trying to remember the res sports car, was it and Austin Healey? Reminds me of my TRS 3 in college. I knew I had something in common with Michael Douglas.

The person who made the comment that the title of this film makes no sense is incorrect. Of course, the title makes sense. The main character, Adam, is a young college professor who spends the summer working at a blue collar job. Thus, he gets up at 6 a.m. to go to work. The entire movie is about the summer that he spends working at this job. I first saw this film when I was about twelve or thirteen, and I absolutely loved it. It's now a period piece, but it's an excellent period piece. The last shot of this film--which I won't reveal here--is wonderful. I've described it to many, many people over the years as being one of the funniest things that I've ever seen in a movie. I can still remember watching this on television with my brother and my father, and we all laughed hysterically at that final shot.

Call it sentiments of generation X before generation X. This movie was fantastic. It asks the sincere question: do you see yourself as successful, or do others see it in you? And what would happen if you and society found your success in different places? The last scene captures the outcome visually with great symbolism.

Michael Douglas plays a young semantics professor who has several close lady friends. I believe the film takes place in California. It has a definite hippie-era vibe. The soundtrack is kind of country-sounding, and it makes you wish they'd spent a little cash on getting some popular rock musicians to do the score. No real original music to keep the film "fresh-feeling". I've seen a dozen better films from this era about similar subject matter. Nicholson was in about five or so of them. Douglas always has a p***ed off look on his face in this movie. But I still enjoy almost every MD film I watch. He's just not Jack Nicholson. Then again, who is? Except Mr.Ray-Bans himself.

A minor cult classic for fans of 70s films. Joe Don Baker is outstanding. I highly recommend it, if you see it in the late-night TV listing.