Nanny and the Professor

In the background of this show is a romance that can never take place. The adults have no choice but to stick to their assigned roles. This show takes advantage of the popularity of "Mary Poppins". The "nanny" seems to have certain powers over those of the mere mortal. Always subtle, never garish, her 'powers' aid in her care of the widowed professor's children.

A nice little show, especially for the younger set. I, on the other hand, have always admired Juliet Mills. She is wonderful in the part and has charmed me completely in whatever she does.

Return with me, if you will, to Friday night in the fall of 1970...I was 4 years old and remember this show with fond memories. I recall that this was sandwiched between "The Brady Bunch" and "The Partridge Family" on ABC. Many years passed and then in the mid '90s, it reappeared on the FX cable station. Luckily, I recorded some of the episodes and still have them. When I've mentioned this show in the past, my friends didn't recall it. I always remembered Juliet Mills and how I wished I had someone like her in our home. She wasn't a witch, but possessed psychic ability and always had a sweet disposition that was irresistible. I also remember Waldo, the family sheepdog and the rooster, Sebastian. I wish this would get released on DVD for those of us who want a reminder of a simpler time when television was clean and wholesome.

Although it has been years since I laid eyes on this show, I remember it fondly as being a whimsically charming diversion. As the fey Phoebe Figalilly, Juliet Mills was lovely and charming in her playing of the magical nanny who brings love into the motherless home of three children and their Professor father played by the always amiable Richard Long. Prudence, Hal and Butch made for an endearing trio of kids, and there were some amusing guest stars such as Elsa Lanchester as Nanny's eccentric Aunt Henrietta. Innocently wholesome entertainment from a bygone era, this little show - which ran just two seasons - contained many heart-warming episodes such as the restoration of an old defunct but ornate water fountain in the city park. Once cleaned-up, restored & in working order, Prudence remarks that the face of the lady figurine now had a smile on it, whereas she used to frown! Richard Long, who played Professor Everett, was a very likeable actor who also played Jarrod Barkley in THE BIG VALLEY. Long tragically succumbed to a heart ailment and died at the relatively young age of 47 in 1974.

Juliet Mills had a early experience playing a supernatural character long before PASSIONS in this 1970-1971 TV series that also starred Big Valley's Richard Long. The show was well cast and the episodes were generally strong in a lighthearted way, a pleasant way to spend thirty minutes. If you are reading this review along with the others, I will dispense with the normal plot synopsis as the facts of this show are already clear to you. As with most shows that only lasted one or two seasons, this series has been seldom seen since it originally departed from the airwaves. I hope that TV Land or some of the other competing networks for this kind of show will decide to run this again in its entirety, as it is a good clean comedy worth viewing again, and should be a hoot to watch for a serious fan of PASSIONS just for a early glimpse of Juliet Mills!

This show was a mid-season replacement in January of 1970 (15 episodes), picked up in the fall of 1970 for a complete run thru March 1971 (24 episodes) and picked up again in the fall of 1971 where it ran until December (15 episodes).

During those three seasons ABC had another wholesome entry in the magic sitcom genre (that already included Bewitched and The Flying Nun) this time inspired by the success of Mary Poppins whereas we find a magical nanny (think ESP to the max power) who comes to help a widower raise his children. Whereas shows like Bewitched and I Dream of Jeannie frequently played on the romantic relationship or sexual tension between the two leads (there was even some sexual tension between The Flying Nun's novice nun Sister Bertrille and playboy Carlos Ramirez!), Nanny and the Professor had virtually no character development and the plots began to repeat themselves. Wheras Mary Poppins had a mother in the household the TV show wisely dealt with a father only. While this left the door open for romantic involvement and possible marriage (think Eight Is Enough), this simply was not to be.

Charming as the characters were, they just didn't grow as a family. Bewitched kept interest over the years first by watching the newlywed couple cope with their differences, having their first child, and eventually raising two children.. I Dream of Jeannie moved from sexual tension to engagement to marriage. The big dilemma that was built into Nanny was that the show had two young attractive adults living together under the same roof with young impressionable children. Any sign of sexual tension would have been taboo in 1970 (Jeannie at least lived in a bottle) so they kept the character of Phoebe "Nanny" Figalilly uninterested in Professor Harold Everett and kept a goofy look on the Professor as he got ready with dates uninvolved with the show or his character.

The show eventually played to its only audience that could care less in the social aspects of the plot, young children, when it finished off it's run as a Saturday morning TV cartoon in 1972 (original cast members providing the voices). When shows got canceled in those days that's where they went, funny as it may seem now. From Gilligan's Island to Welcome Back Kotter from Happy Days to Punky Brewster and even TV favorites Mr. T and Gary Coleman animation was the ghostly graveyard of sitcoms.

ESP Note: Juliet Mills wasn't the only actress from this show to play a role where the character has ESP. Six-year-old Kim Richards who played the young Prudence Everett had a long run in television as a child actress but is best known as Tia, the girl with ESP, in Disney's Escape to Witch Mountain (1975) and Return to Witch Mountain (1978). She also played a young woman with ESP in her self-produced film Escape (1990).