Bloodthirsty Butchers

Bloodthirsty Butcher (1970) is a UK film 🇬🇧 that I recently watched on a free trial of Full Moon on Prime. The storyline revolves around the infamous barber, Sweeney Todd, who kills his victims, serves their meat in pies, and makes a killing in London. But can anyone stop his reign of terror?

Directed by Andy Milligan (Carnage), the film stars John Miranda (Innerspace), Annabella Wood (The House That Vanished), Berwick Kaler (A Knight's Tale), and Jane Hilary (Summer Wishes, Winter Dreams).

This is another low-budget film, and it certainly feels like it. The movie starts off with a promising introduction to Sweeney Todd, including an entertaining kill, but it quickly falls apart once the acting and dialogue come into play. Todd's character is more annoying and awkward than creepy or cunning, which diminishes the impact of the story. His attempts at womanizing feel forced and unconvincing. The long sex scenes are oddly paired with a Disney-like soundtrack that clashes with the content, further detracting from the film. Unfortunately, there isn't much positive to say about this film, aside from its cool poster.

In conclusion, Bloodthirsty Butcher is a rare take on the Sweeney Todd tale that I would recommend skipping. I'd score it a 3.5-4/10.

BLOODTHIRSTY BUTCHERS is Director Andy Milligan's dubious take on SWEENEY TODD. As such, it contains all of the Milligan mainstays: sub-trash, thrift store costumes, beyond rubbish dialogue, "actors" who appear dazed by their surroundings, not-so special effects, etc.

John Miranda plays the barbarous barber, and Jane Hillary is his ghoulish, piemaking accomplice, Maggie Lovett. In all fairness, the two principals don't do a bad job of wading through this swill. Alas, Milligan's signature lack of production values leaves them adrift, while the other characters leave no impression at all.

As with the vast majority of the Director's epics, the main problem lies in just how bloody boring it all is! One vacuous vignette after another shuffles across the screen, interrupted only occasionally by some rib-tickling violence.

Milligan movies are a true test of one's constitution. This one is no exception! Most viewers will wilt almost immediately, while even the initiated will fight to pay attention or to stay awake. This is incredibly difficult, even if your eyelids are stapled to your forehead, and you've placed a hot coal in each shoe!

EXTRA POINTS FOR: #1- The "love scene" that's almost as erotic as watching pumpkins bob against each other in a barrel! #2- For anyone who can discern the breed of dog that makes the humanoid whining sound that's found in this film!...

Ooof! The Demon Barber of Fleet Street (John Miranda) lets you know his business right away as he cuts a man's throat in the first three minutes (he pulls a towel over the victim's face and the guy reacts as if he is being pulled back, despite his attacker letting go at one point). Sweeney pockets the valuables and the rest goes into the meat pies of Mrs. Lovett (Jane Hilary). Things get complicated when good girl shop worker Johanna (Annabella Wood) wonders where her boyfriend disappeared to. Good God! Only Andy Milligan could drag down the exploitation material found in the Todd story. You know what the other adaptations of that Penny Dreadful were missing? How about looooong scenes of people talking and talking and talking. To be fair, there is about a minute of pretty good stuff in here, mostly coming from some meat cleaver attacks. Milligan recreates the 19th century about as well as I can waltz and I'm pretty sure one scene has a shot of a modern era heater in the back and light switches. Miranda's Sweeney looks like a cross between Abraham Lincoln and Bowzer from Sha Na Na, but he is, surprisingly, a decent actor. The rest of the cast is there, local theater English accents and all. Look for "fortnight" to be said twice within the first ten minutes.

BLOODTHIRSTY BUTCHERS is another vapid mess of a film by cult director Andy Milligan, a guy whose films take amateur to a new, low level. This one's as cheap and inept as the rest of his oeuvre and the only interesting thing about it is that it was shot in London for an extra level of authenticity.

Sadly as a film this is a complete mess not to mention a travesty of film-making. It's a near-plot less effort in which various characters converse and romance each other for almost the entire running time. Occasionally some gore scenes are spliced into the mix and these consist of blood with the same consistency as ketchup and some rubber body parts being amputated. There is a plot twist of sorts at the climax but that's the only real incident here.

The entire cast is amateurish and seems to have been picked from a local amateur theatrics group. Certainly they're wooden and awkward in front of the camera although the dialogue they're being asked to deliver is about as mind-numbing as you'd expect. Milligan has cast a couple of attractive young starlets but his level of interest goes no further; they may look the part but as soon as they open their mouths the realism disappears. BLOODTHIRSTY BUTCHERS is another dog of a film from this director and only die-hard bad movie lovers are likely to enjoy it.

This is awful, you just could't believe it. The score is annoying, the filming is bad, for example, sometimes you see the shadow of the cameraman appearing on some actors faces. The quality of the movie is ultra bad, seems like it was made in the 20ies. It's terrible. There is a bit of blood in the beginning and through the movie but always too dark filmed. No gore no effects. The director made some better one like Blood Rites. But out there there is a following of the man, 'cause searching to find this cheap flick isn't that hard but you have to pay hard earned cash for it. Surely this will get in my top ten of worst horrormovies ever, I don't know if I would call it horror. There is too much talking, you will get bloodthirsty after watching it