The Confession

Came across this excellent film tonight on the Turner Classic Movie channel. I won't rehash the film story here, it has been explained quite well by previous reviewers.

Want only to state that I first saw it when it was released back in 1970-71. I was a very young soldier then. The Vietnam war was still raging and the cold war with the Soviets and Warsaw Pact nations was very real. The Soviet invasion of Czechoslovakia in 1968 was still fresh in our minds.

Even though it is not entirely an anti-communist film, rather an honest look of what can and did go horribly wrong in soviet bloc countries, it was a chilling reminder to us of how frightening life could be in a totalitarian state.

Released here in the U.S. during a time of continued civil unrest and anti-war sentiment carried over from the late '60's, it was sort of a reality check to the growing affection for the left wing, socialist philosophy etc. among the younger generation.

Anton Ludvik, aka Gerard, is vice-minister of Foreign Affairs of Czechoslovakia. He realizes he is watched and followed. One day, he is arrested and put into jail, in solitary confinement. Will be shown the mental tortures during the investigations and how a faithful top-ranking civil servant is made to confess to treason.

A French political thriller based on a real story in Czechoslovakia? Wow! This actually makes a lot of sense. The Czech people do not have many stories told about them, but they do happen to live in an unfortunate area, sandwiched between Germany and Russia. And, as we know, throughout the 20th Century, those two nations liked to assert their influence on the neighbors.

It is so great to see the story here of a man who stood against the Nazis now having to fight back against the politicians he helped support (sort of).

The split between Tito and Stalin (1948), in the late 1940s and early 1950s, was followed by show trials of prominent Communists all over Eastern Europe and the wave of Stalinist purges in which tens of thousands suffered or lost their lives. This movie is about the 1952 process in Prague, conducted against Rudolf Slánský and 13 other leading members of the Communist Party of Czechoslovakia (KSC). The main protagonist - Anton Ludvik, aka Gerard, is based on Arthur London, veteran of the Spanish Civil War and the French resistance movement, who, at the time of the arrest, was vice-minister of Foreign Affairs of Czechoslovakia and a senior official of KSC. Display of Stalinist torture and interrogation process in preparation for rigged political trial is very realistic. Based on actual events.

I got dragged into this movie like the protagonist got dragged into the brutal, endless interrogation. Given the overall vapidity of most of today's films, this is a real diversion into the power that really lies beneath the surface of movies, the acting, the writing, directing, and most important the mood. The mood of this film drags you like it does the character played by Yves Montand, as he endures a two year interrogation by the people's republic. It's real historic as well, full of details about Titoists, Trotskyites, and anarchists and paranoia over the struggle to control the communist revolution. But Montand looks great as he endures an impressive variety of interrogation techniques.

"The Confession" is an uber-bleak film that stars Yves Montand as a loyal member of the Communist party who is turned on and made a scapegoat of when the party becomes paranoid about informers. He is imprisoned and systematically tortured until he admits to crimes against the party he didn't actually commit. Simone Signoret has a much smaller role as his wife, who sees her home invaded by Communist party thugs during the time in which her husband is in prison.

"The Confession" I think provides a good illustration of the pitfalls of Communism, which, despite its merits on paper, rarely works as an actual system. Those who adhere to it feel too persecuted to remain secure for long, and they turn against each other, convinced of double crossings and disloyalty to the party. It reminded me very much of the excellent novel "Darkness at Noon," which similarly examines the ways in which Communism eventually falls apart in practice.

I can't say I necessarily enjoyed "The Confession." It's extremely one-note; the film doesn't really have much of a dramatic arc. It's not able to marry the qualities of political expose and thriller the way another of director Costa-Gavras's classics, "Z," is. But I would still recommend it.

Grade: B+