Countess Dracula

After discovering that she can regain youth and beauty by bathing in the blood of maidens, an aged Countess (Ingrid Pitt) courts a handsome young cavalry officer, but after she learns that the sanguineous youthifying is temporary, the body count begins to rise. The film is one of Hammer Films' more 'adult' horrors, with less emphasis on the 'monster' (in this case just a murderous old woman obsessed with regaining her youth) and more on the dread surrounding her. Much of the lurid film is about sexual relations, including the strange 'four-sided triangle', in which an older man (Nigel Green) desires the mature countess while the young officer (Sandor Elès) lusts after her youthful incarnation. There is some gratuitous nudity thrown in for good measure but not a lot of overt gruesomeness (despite the premise). The story is based on the legend of Elizabeth Báthory, a real-life 16th century Hungarian noblewoman rumoured to have depraved tastes for torture and who allegedly bathed in the blood of virgins to maintain her beauty (the 'Dracula' in the film's title is more about marketing than about history, legend, or plot). Most of the script and acting (especially by Pitt when she is portraying the 'young' countess) is rudimentary but the production values are pretty good and the 'aging/ugly' makeup is effective (if sometimes inconsistent). In the end, I found the film watchable (and seemingly more than the sum of its parts) and the final scenes are quite good (although they may be a letdown for viewers expecting some kind of bloody dénouement). Not among of the best of Hammer's extensive horror output but at least a bit different from the Lee/Cushing canon (despite the derivative and misleading title).

Freely based on real life about a Hungarian countess Elisabeth Bathory who bathed in the blood of young virgins to keep her youthful. It deals with the famous countess who once to be aware virgin's blood gives her youth, then she looks for girls to kill them and she subsequently bathes in the blood of virgins to preserve her youthful. As she attempts to get a new lease of life at whatever costs at an attempt to regain her lost beauty.

Eerie terror movie from Hammer Films delivering emotion enough , it contains stiff acting , thrills , chills , intrigue , nudism and grisly killings. The movie is decent -shoddy sets apart- and still mysterious and acceptable thanks to emphasis on decay and corruption more than bloodsucking and vampirism . Ingrid Pitt gives a powerful and fierce portrayal , she pulls it all together with her splendid interpretation of a bitter woman's determination to hang on to an unexpected youthful . Support cast is pretty good, such as : Sandor Eles, Nigel Green , Maurice Denham , Peter Jeffrey , Patience Collier and a very young Lesley Anne Down. This tale about Elisabeth Bathory has been adapted sometimes as ¨Legend of Blood castle¨ 1973 by Jorge Grau with Lucia Bose, Ewa Aulin , Espartaco Santoni and ¨Walerian Borozyx's Immoral tales¨ with Paloma Picasso as countess Barthory and ¨Devil's wedding night¨ with Rosalba Neri.

It contains a splendid and atmospheric musical score by Henry Richardson . As well as Kenneth Talbot's rich cinematography full of browns and golds and with varying shades of red. The motion picture was uneven but professionally directed by Peter Sasdy with some flaws and gaps , as it has some scenes that result to be of variable quality . Sasdy was a fine craftsman who directed a lot of fims with penchant for terror, Adventure and thriller , such as : ¨Taste the blood of Dracula, Hands of the Ripper, Nothing but the night, Doomwatch, Young warlord, King Arthur the young warlord, I don't want to be born, The devil' undead, 13 Reunion, Rude awakening, The two faces of evil, The lonely lady¨, among others. Rating 6/10. Acceptable and passable. The picture will appeal to Ingrid Pitt fans and Hammer Films aficionados.

In 1610 the widowed Countess Erzsebet (Elizabeth) Báthory, a member of one of Hungary's most illustrious noble families, was accused and convicted of the murder of several hundred young women. Because of her noble status she was not executed but was imprisoned in a room in her family home until her death four years later. After her death the legend grew up that she had killed the girls because she believed that bathing in their blood would restore her youth, although this was not an accusation made against her at her trial.

"Countess Dracula" is a fictionalised version of her story. Here she is known as "Countess Elisabeth Nádasdy"; Nádasdy was indeed the family name of Báthory's husband, but she never used it. (Because her family were Counts and her husband only a Baron, Hungarian custom required him to use his wife's surname after marriage). The film was made by Hammer, a British studio specialising in sensational horror movies, so in this version the legend surrounding the Countess is true; she does murder young virgins to bathe in their blood, and doing so does have the effect of restoring her youthful beauty, although only temporarily, so she is always in search of fresh victims. The girls have to be virgins; when the Countess kills the local prostitute, her blood has no effect.

The rejuvenated Countess passes herself off as her own daughter Ilona; the real Ilona has spent most of her life in Vienna, so nobody at the castle knows what she looks like. When Ilona returns to Hungary, her mother has her kidnapped and held prisoner in a cottage on the estate to ensure that her deception is not unmasked. Eventually, however, people, especially the castle librarian Fabio, who has a knowledge of occult lore, begin to grow suspicious. (Although the Countess is based on a real person, most of the other characters, including Ilona and Fabio, are fictitious).

One thing that nobody, not even Fabio, seems worried about is the fact that even in her younger form the Countess has the appearance of a woman in her thirties rather than the teenager Ilona is said to be. This is because she is played by Ingrid Pitt, who would have been 34 at the time, but in my opinion it was a wise move to cast a somewhat older woman in the part. Some Hammer films were spoilt by casting ravishingly beautiful but talentless young girls in key roles, such as Yutte Stensgaard in "Lust for a Vampire" or Mary and Madeleine Collinson in "Twins of Evil". Pitt, however, managed to combine her good looks with acting ability.

This is perhaps not Pitt's best performance for Hammer; that must be "The Vampire Lovers", which has always been my favourite Hammer film. Her performance here, however, is a decent one, and with the aid of the make-up department she manages to combine the two aspects of her character, the evil, half-demented old crone and the desirable, seductive younger woman. Her character in "The Vampire Lovers", however, is even more complex, being not only seductive but evil but also having something fey and doomed about her. (It is a misconception to believe that horror is a genre which can, and generally does, dispense with good acting. Peter Cushing's contribution in "Twins of Evil" is another example of a subtle and skilled performance in a Hammer movie).

"Countess Dracula" is not a great film, but Pitt and the supporting cast do enough to keep it watchable. I was going to call it "watchable nonsense", but that, I think, would be unfair. There is a difference between nonsense and fantasy, and this film, like most of Hammer's output, is essentially a fantasy, a dark fairy story. And like most fairy stories it has a moral, in this case that beauty is only skin deep. 6/10

The story of Elizabeth Bathory is easily one of the most important for the horror genre, and there's no studio more qualified to tackle said story than the legendary Hammer studios...but unfortunately, the resulting film is not as great as it could have been. Hammer had their golden period from the late fifties until the end of the sixties, and I dare say that if this film was released during that period, it would have been one of their classics. By the seventies, the studio had began to take influence from the lurid Euro horror films that were gaining popularity, and this resulted in Hammer losing it's innocence; which if you ask me, was what made them great in the first place. However, Countess Dracula is still one of Hammer's most inspiring films and benefits from a typically ludicrous plot line. We follow the Countess who, by chance, discovers that the blood of virgins restores her youth. After becoming young again, she pretends to be her own daughter and begins courting the son of a soldier; much to the annoyance of her present lover. However, nothing lasts forever; and bathing in the blood of virgins is something the Countess must continue to do if she is to retain her vanity…

As mentioned, the way that the plot is handled isn't very good. The film plays out like a drama rather than a horror movie and there is barely any tension or suspense to found throughout the whole picture. It seems that director Peter Sasdy (who also made the very decent Taste the Blood of Dracula for Hammer) thought that the implications of the plot would be enough to carry it; and while this is true to an extent, the film does become a little too dreary at times. Another disappointing element of the film is that, despite the fact that it's about a woman who bathes in blood; we never actually get to see this taking place. I was really hoping to see the beautiful Ingrid Pitt relaxing in a bath of blood, but no! …I don't know, perhaps it would have been a little too graphic. The lead actress really does make the film her own, however and delivers a powerhouse performance that proves her worthy of the title of Hammer's best leading lady. The way that the film carries off the plot is really good, also, and we are allowed into the head of all three central figures. On the whole, I can't say that this is one of Hammer's best films, but despite its faults; I really enjoyed it.

This Hammer horror made during the company's swansong years is based on the real life tale of the Hungarian Countess Bathory who bathed in the blood of young virgins in order to preserve her youth. Here the character has been renamed the Countess Nadasdy and is excellently portrayed by Ingrid Pitt. Director Peter Sasdy (who was Hungarian) manages to extract some period detail (not the pleasant kind) from the Jeremy Paul script such as the treatment of peasants by the aristocracy and he is aided by the rich lighting of Cinematographer Ken Talbot. Sasdy was without doubt one of the best Hammer or British horror film directors alongside Terence Fisher, Roy Ward Baker, Freddie Francis and John Gilling. Indeed Sasdy was the only other director than Terence Fisher who was able to relate the attitudes of society and the eerie atmospheric poetry to the vampire myth. While this is no criticism against Sasdy, it would of been interesting to see how Terence Fisher would have approached the film. The material would have given him many opportunities to place emphasis on character and setting, which was the main features of his style. Other delights include the able support from the always reliable Nigel Green who plays a faithful servant who supplies Pitt with suitable victims and Maurice Denham is fun as the ill-fated inquisitive librarian Master Fabio. The film has now been reissued on DVD with "Twins Of Evil" and "Vampire Circus" by Carlton as a box set entitled, "Hammer House Of Horror: The Vampire Collection".