IMDb RATING
7.3/10
4.9K
YOUR RATING
An Italian woman conducts a desperate search for her husband, a soldier considered missing in action in Russia during WWII.An Italian woman conducts a desperate search for her husband, a soldier considered missing in action in Russia during WWII.An Italian woman conducts a desperate search for her husband, a soldier considered missing in action in Russia during WWII.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 1 win & 2 nominations total
Lyudmila Saveleva
- Mascia
- (as Ljudmila Saveljeva)
Nadya Serednichenko
- Contadina russa
- (as Nadja Cerednicenko)
Gunars Cilinskis
- Funzionario russo
- (as Gunnar Zilinskij)
Carlo Ponti Jr.
- Giovanna's Baby
- (uncredited)
Mariya Sapozhnikova
- Passerby
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Vittorio de Sica achieved a remarkable feat in this eye-catching 1970 production, bringing together Americans and Soviets, in the midst of the Cold War, in the co-production of a Franco-Italian film.
From the Americans he got a memorable soundtrack, written and directed by Henry Mancini and nominated for an Oscar. From the Soviets he received the footage from Mosfilm, directed by Andrey Konchalovskiy, as well as the actress Ludmila Saveleva.
The script by Tonino Guerra and Cesare Zavattini has everything it needs to work, but the film gets lost somewhere in between so many attributes.
The story is basic and excessively melodramatic. The soundtrack is beautiful but quickly becomes cloying. The footage of the sunflower fields and the cemeteries of Russian combatants is powerful and eloquent, but inconsequential. This is, after all, a story of the living, not the dead. Only the final notes of the fatalism of war, which determines people's fates, far beyond their individual will, remain to give the film any meaning.
But it is not enough. A final result clearly less than the sum of its parts.
From the Americans he got a memorable soundtrack, written and directed by Henry Mancini and nominated for an Oscar. From the Soviets he received the footage from Mosfilm, directed by Andrey Konchalovskiy, as well as the actress Ludmila Saveleva.
The script by Tonino Guerra and Cesare Zavattini has everything it needs to work, but the film gets lost somewhere in between so many attributes.
The story is basic and excessively melodramatic. The soundtrack is beautiful but quickly becomes cloying. The footage of the sunflower fields and the cemeteries of Russian combatants is powerful and eloquent, but inconsequential. This is, after all, a story of the living, not the dead. Only the final notes of the fatalism of war, which determines people's fates, far beyond their individual will, remain to give the film any meaning.
But it is not enough. A final result clearly less than the sum of its parts.
I went to a san francisco theatre to see this film along with my mother when I was a teenager in the 60's. It was in english and I loved it so much I saw it twice. I never forgot it, and although it was never shown again, I was told by someone a few years ago, that it was featured on one of the cable channels, and unfortunately I must have missed it. I don't think its ever been shown since. In my humble opinion, this classic movie depicting love, war, passion, separation, hope, and tears should be rated right up there along with Dr. Zhivago, Casablanca, In Love and War, and many other great films of all time. It's a pity that this movie "Sunflower" is nowhere to be found on video or better yet DVD in the english version in the U.S. I did purchase it on video in Italian, and even though I am fluent in Italian and can understand it, others in my household cannot. Can somebody PLEASE see that it gets some recognition, and becomes a familiar movie and available here in the U.S.A.?
As another reviewer pointed out this bit of cold war propaganda (pro Soviet) was absurdly impossible. An axis soldier would have been shot period or arrested as a spy and killed slowly in a prison camp.
So you have to dismiss the story as absurd as it stands and place it in Iran or Finland or some place where it could have happened. Or just suspend your disbelief.
Once you do that you can enjoy this bit of really well done maudlin romance. Loren had to be at the height of her classy beauty in this film (before she was aged for the story).
I loved the part where she spots an Italian man---the only handsome well dressed stylish man in any of the Russian scenes. Of course Loren herself is like a super nova star compared to the kerchiefed thick legged Russian women. Italian audiences must have loved this film.
I give it a 7 as it is very enjoyable once you deal with the absurd story and the maudlin nature of the movie. As another reviewer states what is so wrong with first class maudlin??
So you have to dismiss the story as absurd as it stands and place it in Iran or Finland or some place where it could have happened. Or just suspend your disbelief.
Once you do that you can enjoy this bit of really well done maudlin romance. Loren had to be at the height of her classy beauty in this film (before she was aged for the story).
I loved the part where she spots an Italian man---the only handsome well dressed stylish man in any of the Russian scenes. Of course Loren herself is like a super nova star compared to the kerchiefed thick legged Russian women. Italian audiences must have loved this film.
I give it a 7 as it is very enjoyable once you deal with the absurd story and the maudlin nature of the movie. As another reviewer states what is so wrong with first class maudlin??
meeting between two great actors and an impressive director. images from Italy and picture of Russia in the air of Cold War.a basic story about a couple, a war and a choice. a travel and the form of truth. beautiful music and force of unspoken words. that is all. or only gentle performance of Ludmila Savelieva. a great film. not for cast or dramatic slices, for the force of emotions or for the sunflower as vegetable testimonies about a tragedy. but only for its virtue to be a seed. a seed of questions and answers. an exercise of empathy. a sad love story in which love is more than feeling. a poem but just a very special poem. mixture of pure joy, shadows of war, a miracle and a search, it is homage to a sacrifice generation and reflection of deep need of sense in a chaotic world. nothing pink, nothing cold. only picture of a man, a young Russian woman who speaks Italian, a charming Sophia Loren and same Mastroianni. but the essence is possession of public.
I just finished watching the stunning Blu Ray of the original Italian English-subtitled version of this film--the best version available. I do not understand all the naysayers reviewing this film. If you are a fan of Loren and Mastroianni, if you are a fan of DeSica, if you enjoy a good old-fashioned melodrama that will tear at your heart, you MUST see this film! To dismiss this film as Soviet propaganda, or as unrealistic, is like criticizing "The Little Mermaid" for having a singing mermaid and talking fish. It utterly misses the point. This movie contains one of the very best, if not THE best Sophia Loren performance on film. Henri Mancini's score is unforgettable. This film makes you care about the plight of both characters. It is available as part of the new "Sophia Loren Collection" box set, and for me, this, along with "Marriage Italian Style," is the "jewel" of the set. See it!
Did you know
- TriviaThe child of Giovanna (Sophia Loren) in this film was actually Loren's from her partnership with producer Carlo Ponti.
- GoofsMascia tells Giovanna that when she found Antonio, he was hurt so badly that he had forgotten everything, including his own name. If that's true, then how did Mascia know his name was Antonio?
- ConnectionsEdited into Marcello, una vita dolce (2006)
- How long is Sunflower?Powered by Alexa
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Suncokreti
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 47m(107 min)
- Sound mix
- Aspect ratio
- 1.85 : 1
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