Goin' Down the Road

It took me 30+ years to find this film (on video) after being on a TOP TEN list in 1970 by a cool critic. I got a clean copy on Ebay that plays out (like FIVE EASY PIECES) as a mood piece of the times, fascinating character study, and overall good film of the BEST year of films overall (1970) with unknown actors.

Find this one. You won't regret it and you don't have to be Canadian or from the Golden 70's. Heartbreakingly realistic but humorous...at the most bleak and surreal moments and MacGrath and the others will smoke and live in real time before your eyes..it's not dated. Donald Shebib (whatever happened to this cool guy?) directed like a young M. Scorsese (with unknowns) that you'll never forget. Find it or you'll never be able to listen to THE DOORS again with a clean conscience.

A gritty and realistic portrayal of the Toronto in 1970, and the tale of two young men with "not a pot to p*** in", who come west from Nova Scotia in search of a better life, but who both end up just trying to survive.

Easily one of the top 10 movies within the past 20 years that I have had the pleasure of viewing.

I stumbled upon this low budget Canadian movie while flipping channels, and although somewhat slow in areas, its grittiness and realism gripped my attention from beginning to end. At first it appeared to be a Canadian version of "Midnight Cowboy" which was released a year earlier, however as the movie progressed it became obvious that the story being told was different.

The heros, Pete and Joey, are high school dropouts from the economically depressed east coast (Nova Scotia), who like so many others travel to the big city (Toronto), in search of a better life. Their enthusiasm is quickly dashed, and they settle into a series of minimum wage jobs, ranging from factory work to washing cars. As the underdogs I couldn't help routing for them, in particular Pete has aspirations for better jobs and dating classier women. However Joey's interest in Toronto's nightlife, working class women and constant beer drinking holds his friend back. Even an interviewer's candid comment "You need to get more education or go back home" does not provide the wake up call Pete needs. In the end Pete and Joey can't seem to help themselves.

Although the main characters appeared to be in their 40's (both are heavy smokers), a decade or two too old for their roles, the acting, dialog, camera work, sound track and interactions with other bit characters worked very well together to distract the viewer from this fact. In particular the scenes of our heros hard at menial work and at play were extremely well done.

All in all, a realistic drama and time capsule to the working class of Toronto in 1970, particularly interesting to Canadians, and lover's of dramas and foreign films.

Not only is this a great Canadian movie and a touchstone of '70s culture (stubby beer bottles!), it's one of the best movies made anywhere about the working poor. The low production values and laidback acting work to good effect. It spawned plenty of awful imitations, but few were as rawly heartfelt and honest. Essential viewing for Canadians

This film has been criticized for many things (poor acting, poor direction among them). However, it is still widely regarded in Canada as an incredibly good film. While it's true that we in Canada may keep a special place in our hearts for the film because of the subject matter (two men from rural Nova Scotia who move to Toronto to start a new life), the film still holds water even to a non-Canadian.

Like the men in the film, both of my parents moved to Toronto from Nova Scotia to start a new life in the Canadian "promises land". And like the film, they did it in the same era (1968-9). And, like the film, my father resorted to stealing food from a grocery store to eat. It is these facts that makes the film so special to me.

The plight of these two gentlemen is so common in Southern Ontario that I think it actually helped propel this film into the cult status it still maintains today. The film is earthy, gritty and has documentary-style camera work that makes it believable. The use of an actual audio clip of a distraught woman crying in the hallway of a boarding house (used in the scene when our heroes are trying to sleep their first night in their new boarding house room) and the real alcoholic war veterans interacting with the film's stars make this film so real, it's disturbing. Hollywood could take a few cues from this movie.

Frankly, I think the acting is superb. Then again, I think that the method acting and melodramatic style used in film like Gone With The Wind is disgusting and plastic. The director's role in this film was clearly leading his troops very well. I highly recommend this incredibly well done film.