Kath encounters the manipulative Sloane in a cemetery and invites him to be a lodger. Her closeted brother, Ed, forbids it, but Sloane seduces both Kath and Ed. Their father recognizes Sloan... Read allKath encounters the manipulative Sloane in a cemetery and invites him to be a lodger. Her closeted brother, Ed, forbids it, but Sloane seduces both Kath and Ed. Their father recognizes Sloane and threatens to expose his murderous past.Kath encounters the manipulative Sloane in a cemetery and invites him to be a lodger. Her closeted brother, Ed, forbids it, but Sloane seduces both Kath and Ed. Their father recognizes Sloane and threatens to expose his murderous past.
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10rickvan
If you haven't seen this superb film - put it to the top of your "must view" list! Featuring two of Britain's best character actors, the late Beryl Reid and the late Harry Andrews, this scintillating black comedy is based on Joe Orton's wonderful play of the same name. Reid is marvellous as aging nymphomaniac Kath and Harry Andrews provides a superb foil as her roue brother Ed, who both attempt to secure the sexual services of their libidinous lodger, Sloane (played by Peter McEnery). Set in an eerie graveyard lodgehouse and with Alan Webb as their grubby father this brilliant film has gained cult status since its release over 30 years ago and is the only film I can watch - and enjoy - repeatedly.
"Entertaining Mr Sloane" is regarded in some quarters as one of the great post-war British comedies though you would hardly think so after seeing this 1970 film version. It's not at all bad, is frequently very funny and its cast of four, (Beryl Reid, Harry Andrews, Peter McEnery and Alan Webb), give it all they've got. Reid and Andrews are siblings; she's a nymphomaniac and he's gay and McEnery is the eponymous Mr Sloane, the object of both their affections. Webb is their ancient father and it's he who rubs Mr Sloane up the wrong way. Douglas Hickox directed without much imagination, relying too heavily on the material. Entertaining it certainly is but great? Best you see it on stage before making up your mind.
This adaptation of the brilliant Joe Orton play in an unmitigated disaster. Every joke is overdone to the point of surrealism. The wit is killed dead, and any pretense to psychology is thrown out the window in a late sixties psychedelic mish-mash completely at odds with the stage farce tone of the source material. If people like this movie, it's for the sheer oddness, not because it has any of the qualities evinced by the play. It's like watching a Noel Coward play performed by lunatics in an asylum.
Joe Orton's classic play is bought to the big screen and features just 4 eccentric characters. Young lothario, arch manipulator and potentially murderer. McEnery cons his way into love starved Beryl Reid's house by a graveyard where she lives with her old father, Webb. All is well but McEnery needs his wits about him when Reid's gay businessman brother Harry Andrews arrives.
The script is all in this witty, very dark black comedy, although the performances are spot on with Reid wonderful as the sad, past it sex mad landlady and particularly Andrews in full military swagger preaching morals to McEnery whilst still longing to get into his pants. Hilarious.
The script is all in this witty, very dark black comedy, although the performances are spot on with Reid wonderful as the sad, past it sex mad landlady and particularly Andrews in full military swagger preaching morals to McEnery whilst still longing to get into his pants. Hilarious.
A worthy film adaptation from a farcical play by Joe Orton. Really as fresh as the day it was made and only dated in the most endearing of ways. To be honest I have never seen anything quite like it before or since and over the years it has certainly gained a strong, cult following. The cast including Beryl Reid, Harry Andrews and Mr Sloane himself, played by Peter McEnery, are all on great form. Top Entertainment from start to finish.
Did you know
- TriviaThe car that Harry Andrews drives in the film is a Pontiac Parisienne, formerly owned by Pink Floyd's Syd Barrett and re-sprayed pink for the film. You can see Pontiac on the rear of the car when Sloane drunkenly returns to the house one night and Parisienne on the boot when Andrews removes a shotgun from it.
- GoofsWhen Andrews, Reid and McEnery are laying out the dead guy, the 'deceased's movements clearly indicate that he is at least undead.
- Crazy creditsInstead of "The End" the last title reads "AMEN".
- ConnectionsEdited into Arena: A Genius Like Us: A Portrait of Joe Orton (1982)
- SoundtracksBehold, thou hast made my days
(uncredited)
Based on Psalm 39:5
Music by Orlando Gibbons
(choral music used in the opening of the film)
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- Seid nett zu Mr. Sloane
- Filming locations
- Paddington Fire Station, Harrow Road, London, England, UK(Ed pursuing Kemp)
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- See more company credits at IMDbPro
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